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no room for affectation, or pedantry, I may venture to say, are not over-common amongst practised writers, and very rarely to be found amongst beginners. It puts me in mind of what was said of Mr Waller, the father of our English numbers, upon the sight of his first verses, by the wits of the last age; that he came out into the world forty thousand strong, before they heard of him.* Here, in imitation of my friend's apostrophes, I hope the reader need not be told, that Mr Waller is only mentioned for honour's sake; that I am desirous of laying hold on his memory, on all occasions, and thereby acknowledging to the world, that unless he had written, none of us could write.

I know, my friend will forgive me this digression; for it is not only a copy of his style, but of his candour. The reader will observe, that he is ready for all hints of commending merit, and the writers of this age and country are particularly obliged to him, for his pointing out those passages which the French call beaux endroits, wherein they

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Mr Malone observes, that, according to Antony Wood, (Ath. Oxon. ii. 423.) this was not said of Waller, but by that poet, of Sir John Denham." In the latter end of the year 1641, Sir John published the tragedy called the Sophy,' which took extremely much, and was admired by all ingenious men, particularly by Edmund Waller of Beaconsfield, who then said of the author, that he broke out, like the Irish rebellion, threescore thousand strong, before any body was aware, or the least suspected it." Mr Malone adds, that the observation is more applicable to Denham than to Waller; for Denham, from the age of sixteen, when he went to Trinity College, in Oxford, November 18, 1631, to the time of his father's death, January 6, 1638-9, was considered as a dull and dissipated young man; whereas Waller distinguished himself, as a poet, before he was eighteen. Besides, the "Sophy"" was published just when the Irish rebellion broke out.

CHARACTER

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have most excelled. And though I may seem in this to have my own interest in my eyes, because he has more than once mentioned me* so much to my advantage, yet I hope the reader will take it only for a parenthesis, because the piece would have been very perfect without it. I may be suffered to please myself with the kindness of my friend, without valuing myself upon his partiality; he had not confidence enough to send it out into the world, without my opinion of it, that it might pass securely, at least amongst the fair readers, for whose service it was principally designed. I am not so presuming to think my opinion can either be his touchstone, or his passport; but I thought L might send him back to Ariosto, who has made it the business of almost thirty stanzas, in the beginning of the thirty-seventh book of his "Orlando Furioso," not only to praise that beautiful part of the creation, but also to make a sharp satire on their enemies; to give mankind their own, and to tell them plainly, that from their envy it proceeds, that the virtue and great actions of women are purposely concealed, and the failings of some few amongst them exposed with all the aggravating circumstances of malice. For my own part, who have always been their servant, and have never drawn my pen against them, I had rather see some of them praised extraordinarily, than any of them suffer by detraction; and that in this age, and at this time particularly, wherein I find more heroines than heroes. Let me therefore give them joy of

* In one passage of the Dialogue, our author's version of the sixth satire of Juvenal is mentioned with commendation; and in another, the tragedy of "Aureng-Zebe" is quoted.

their new champion. If any will think me more partial to him than really I am, they can only say, I have returned his bribe; and the worst I wish him is, that he may receive justice from the men, and favour only from the ladies.

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