The London Quarterly Review, 145-146±ÇTheodore Foster, 1878 |
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... object in writing The Prince , ' 1 ; on the evil example of the Papal Court , 6 . Madison , James , Life and Times of , ' 251 ; birth and education , 252 ; commences his public career , 255 ; member of the State Council , ib .; returns ...
... object in writing The Prince , ' 1 ; on the evil example of the Papal Court , 6 . Madison , James , Life and Times of , ' 251 ; birth and education , 252 ; commences his public career , 255 ; member of the State Council , ib .; returns ...
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... object of the Italian painters , or that. ' The most salient characteristic of the humanist literature , ' says our author , was study of style . The beginners of the move- ment were conscious that what separated them more than anything ...
... object of the Italian painters , or that. ' The most salient characteristic of the humanist literature , ' says our author , was study of style . The beginners of the move- ment were conscious that what separated them more than anything ...
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1 chief object of the Italian painters , or that |. eminent genius is seen in this , that while the undoubted wit of the English play- wrights has utterly failed to preserve their works from neglect , the extreme beauty and humanity of ...
1 chief object of the Italian painters , or that |. eminent genius is seen in this , that while the undoubted wit of the English play- wrights has utterly failed to preserve their works from neglect , the extreme beauty and humanity of ...
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chief object of the Italian painters , or that | food and gladness . ' the Christian religion enjoined on inen the mortification of the body , then no doubt there would be a hopeless antagonism be- tween religion and art . And it is ...
chief object of the Italian painters , or that | food and gladness . ' the Christian religion enjoined on inen the mortification of the body , then no doubt there would be a hopeless antagonism be- tween religion and art . And it is ...
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... object in itself , independently of its spiritual significance . ' Doubtless they worked in a different frame of ... objects of mere earthly in- terest . Yet this principle does not in the least tie painters down to one set of themes ...
... object in itself , independently of its spiritual significance . ' Doubtless they worked in a different frame of ... objects of mere earthly in- terest . Yet this principle does not in the least tie painters down to one set of themes ...
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11 ÆäÀÌÁö - I find then a law, that, when I would do good, evil is present with me. For I delight in the law of God after the inward man : but I see another law in my members, warring against the law of my mind, and bringing me into captivity to the law of sin which is in my members.
105 ÆäÀÌÁö - Her voice was ever soft, Gentle, and low, — an excellent thing in woman.
119 ÆäÀÌÁö - And God said unto him, Because thou hast asked this thing, and hast not asked for thyself long life; neither hast asked riches for thyself, nor hast asked the life of thine enemies; but...
89 ÆäÀÌÁö - That every such action shall be for the benefit of the wife, husband, parent and child of the person whose death shall have been so caused...
187 ÆäÀÌÁö - With daring aims irregularly great. Pride in their port, defiance in their eye, I see the lords of human kind pass by, Intent on high designs — a thoughtful band, By forms...
19 ÆäÀÌÁö - Excudent alii spirantia mollius aera, credo equidem, vivos ducent de marmore vultus, orabunt causas melius, caelique meatus describent radio et surgentia sidera dicent : 850 tu regere imperio populos, Romane, memento (hae tibi erunt artes), pacisque imponere morem, parcere subiectis et debellare superbos.
108 ÆäÀÌÁö - And ruder words will soon rush in To spread the breach that words begin ; And eyes forget the gentle ray They wore in courtship's smiling day; And voices lose the tone that shed A tenderness round all they said; Till fast declining, one by one, The sweetnesses of love are gone...
15 ÆäÀÌÁö - By heaven, methinks it were an easy leap, To pluck bright honour from the pale-faced moon, Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowned honour by the locks...
105 ÆäÀÌÁö - Calypso once each heart alarm'd, Aw'd without virtue, without beauty charm'd ; Her tongue bewitch'd as oddly as her eyes, Less wit than mimic, more a wit than wise ; Strange graces still, and stranger flights she had, Was just not ugly, and was just not mad ; Yet ne'er so sure our passion to create, As when she touch'd the brink of all we hate.
280 ÆäÀÌÁö - On every side you look, behold the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene : Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted Nature sees, Trees cut to statues, statues thick as trees...