Harper's Magazine, 250권Henry Mills Alden, Thomas Bucklin Wells, Lee Foster Hartman, Frederick Lewis Allen Harper & Brothers, 1975 |
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78 페이지
... flatness which began- but only began to be the strong point of late Cubism . " And all through bohemia the melody played ... That thick , fuliginous flatness got me in its spell .... " It is the tension inherent in the constructed , re ...
... flatness which began- but only began to be the strong point of late Cubism . " And all through bohemia the melody played ... That thick , fuliginous flatness got me in its spell .... " It is the tension inherent in the constructed , re ...
79 페이지
... Flatness , the man had said ... ( You bet he had . ) ... The spark flew , and Louis saw the fu- ture with great clarity . The very use of thick oil paint itself had been a crime against flatness , a violation of the integrity of the ...
... Flatness , the man had said ... ( You bet he had . ) ... The spark flew , and Louis saw the fu- ture with great clarity . The very use of thick oil paint itself had been a crime against flatness , a violation of the integrity of the ...
83 페이지
... Flatness . The new theory went as follows . Johns had chosen real subjects such as flags and numbers and letters and targets that were flat by their very nature . They were born to be flat , you might say . Thereby Johns was achieving ...
... Flatness . The new theory went as follows . Johns had chosen real subjects such as flags and numbers and letters and targets that were flat by their very nature . They were born to be flat , you might say . Thereby Johns was achieving ...
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