Harper's Magazine, 250권Henry Mills Alden, Thomas Bucklin Wells, Lee Foster Hartman, Frederick Lewis Allen Harper & Brothers, 1975 |
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58 페이지
... painting in gen- eral . The idea was that half the power of a real- istic painting comes not from the artist but from the sentiments the viewer hauls along to it , like so much mental baggage . According to this the- ory , the museum ...
... painting in gen- eral . The idea was that half the power of a real- istic painting comes not from the artist but from the sentiments the viewer hauls along to it , like so much mental baggage . According to this the- ory , the museum ...
82 페이지
... painting , " but also with the clear message that this was what was important in contemporary painting . In fact , the press was so attentive that Harold Rosenberg , as well as Pollock , wondered why so little Abstract Expressionism was ...
... painting , " but also with the clear message that this was what was important in contemporary painting . In fact , the press was so attentive that Harold Rosenberg , as well as Pollock , wondered why so little Abstract Expressionism was ...
88 페이지
... painting for all its emotional " evo- cations , " just like the worst junk of the old pre - Raphaelites . Henceforth a paint should be applied only in hard linear geometries , and you should get the whole painting at once , “ fast ...
... painting for all its emotional " evo- cations , " just like the worst junk of the old pre - Raphaelites . Henceforth a paint should be applied only in hard linear geometries , and you should get the whole painting at once , “ fast ...
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