Verse in English from Eighteenth-century IrelandThis pioneering anthology introduces many previously neglected eighteenth-century writers to a general readership, and will lead to a re-examination of the entire canon of Irish verse in English. Between 1700 and 1800, Dublin was second only to London as a center for the printing of poetry in English. Many fine poets were active during this period. However, because Irish eighteenth-century verse in English has to a great extent escaped the scholar and the anthologist, it is hardly known at all. The most innovative aspect of this new anthology is the inclusion of many poetic voices entirely unknown to modern readers. Although the anthology contains the work of well-known figures such as John Toland, Thomas Parnell, Jonathan Swift, Patrick Delany, Laetitia Pilkington and Oliver Goldsmith, there are many verses by lesser known writers and nearly eighty anonymous poems which come from the broadsheets, manuscripts and chapbooks of the time. What emerges is an entirely new perspective on life in eighteenth-century Ireland. We hear the voice of a hard working farmer's wife from county Derry, of a rambling weaver from county Antrim, and that of a woman dying from drink. We learn about whale-fishing in county Donegal, about farming in county Kerry and bull-baiting in Dublin. In fact, almost every aspect of life in eighteenth-century Ireland is described vividly, energetically, with humor and feeling in the verse of this anthology. Among the most moving poems are those by Irish-speaking poets who use amhran or song meter and internal assonance, both borrowed from Irish, in their English verse. Equally interesting is the work of the weaver poets of Ulster who wrote in vigorous and energetic Ulster-Scots. The anthology also includes political poems dating from the reign of James II to the Act of Union, as well as a selection of lesser-known nationalist and Orange songs. Each poem is fully annotated and the book also contains a glossary of terms in Hiberno-English and Ulster Scots. |
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Introduction | 1 |
James Orr 177017981816 | 6 |
Thomas Moore 177918001852 | 19 |
Chapbook verse of the 1780s | 20 |
James Ward 169117181736 | 30 |
A Note on the Texts | 34 |
Nahum Tate 165216981715 | 54 |
William King 166317041712 | 61 |
John Taylor fl 1787 | 428 |
Brian Merriman c 174917891805 | 446 |
Charlotte Brooke c 174017891793 | 453 |
OReilly fl 1790 | 459 |
Pat OKelly 17541791c 1812 | 468 |
Henrietta ONeill 175817921793 | 475 |
Samuel Thomson 176617931816 | 482 |
Edward Walsh 175617931832 | 490 |
William Congreve 167017101729 | 67 |
Mary Monck c 167817151715 | 75 |
Morrough OConnor fl 171940 | 83 |
Matthew Concanen 170117201749 | 90 |
Anonymous poems current 171025 | 99 |
Nicholas Browne c 169917221734 | 128 |
Mary Davys 167417251732 | 135 |
Swift and his Irish contemporaries 171345 | 143 |
Jonathan Swift 16671745 | 151 |
Anonymous verse from newspapers and books of the 1780s | 405 |
Anonymous IrishEnglish poems from the 1780s | 420 |
Four anonymous rambling songs | 498 |
Anonymous poems from the 1790s | 507 |
Richard Alfred Milliken 176718001815 | 523 |
Jane Elizabeth Moore 17381796? | 530 |
Mary Alcock c 174217981798 | 537 |
Hugh Porter 178017991812 | 552 |
Three Orange Songs | 576 |
Edward Lysaght 176318001810 | 582 |
W Kertland fl 1805 | 592 |
Sources of the texts | 605 |
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