British Modernism and CensorshipCambridge University Press, 2006. 7. 6. - 257페이지 Government censorship had a profound impact on the development of canonical modernism and on the public images of modernist writers. Celia Marshik argues that censorship can benefit as well as harm writers and the works they create in response to it. She weaves together histories of official and unofficial censorship, of individual writers and their relationships to such censorship and of British modernism. Throughout, Marshik draws on an extraordinary range of evidence, including the files of government agencies and social purity organisations. She analyses how works were written, revised, published and performed in relation to this complex web of social forces. Chapters of Dante Gabriel Rossetti, Bernard Shaw, Virginia Woolf, James Joyce and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression, writers reaped personal and stylistic benefits for themselves and for society at large. |
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49개의 결과 중 1 - 5개
페이지
... Bernard Shaw , Virginia Woolf , James Joyce , and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression , writers reaped personal and stylistic benefits for themselves and for society at large ...
... Bernard Shaw , Virginia Woolf , James Joyce , and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression , writers reaped personal and stylistic benefits for themselves and for society at large ...
페이지
... Bernard Shaw's defensive laughter 3 Virginia Woolf and the gender of censorship 4 James Joyce and the necessary scandal of art 5 Jean Rhys and the downward path Afterword : forgotten evils Notes Select bibliography Index I 14 46 88 126 ...
... Bernard Shaw's defensive laughter 3 Virginia Woolf and the gender of censorship 4 James Joyce and the necessary scandal of art 5 Jean Rhys and the downward path Afterword : forgotten evils Notes Select bibliography Index I 14 46 88 126 ...
4 페이지
... Bernard Shaw , and Woolf , who are among the key authors addressed in this study , could put the prostitute " on stage " and trust that the figure would implicitly signal sex . In such cases , the prostitute is a transgressive subject ...
... Bernard Shaw , and Woolf , who are among the key authors addressed in this study , could put the prostitute " on stage " and trust that the figure would implicitly signal sex . In such cases , the prostitute is a transgressive subject ...
6 페이지
... Bernard Shaw's Pygmalion , treated in chapter 2 , and Jean Rhys's Voyage in the Dark . Although scholars have long recognized irony as a dominant mode in modernism , we have not yet carefully delineated censorship and social purity as ...
... Bernard Shaw's Pygmalion , treated in chapter 2 , and Jean Rhys's Voyage in the Dark . Although scholars have long recognized irony as a dominant mode in modernism , we have not yet carefully delineated censorship and social purity as ...
10 페이지
... Bernard Shaw , the subject of chapter 2 , demonstrates that a writer could manipulate the censorship dialectic to his advantage in the decades after Rossetti's death . Although Shaw was an early proponent of the social purity movement ...
... Bernard Shaw , the subject of chapter 2 , demonstrates that a writer could manipulate the censorship dialectic to his advantage in the decades after Rossetti's death . Although Shaw was an early proponent of the social purity movement ...
목차
Dante Gabriel Rossetti and the censorship dialectic | 14 |
Bernard Shaws defensive laughter | 46 |
Virginia Wooland the gender of censorship | 88 |
James Joyce and the necessary scandal of art | 126 |
Jean Rhys and the downward path | 167 |
forgotten evils | 203 |
Notes | 207 |
243 | |
252 | |
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