British Modernism and CensorshipCambridge University Press, 2006. 7. 6. - 257ÆäÀÌÁö Government censorship had a profound impact on the development of canonical modernism and on the public images of modernist writers. Celia Marshik argues that censorship can benefit as well as harm writers and the works they create in response to it. She weaves together histories of official and unofficial censorship, of individual writers and their relationships to such censorship and of British modernism. Throughout, Marshik draws on an extraordinary range of evidence, including the files of government agencies and social purity organisations. She analyses how works were written, revised, published and performed in relation to this complex web of social forces. Chapters of Dante Gabriel Rossetti, Bernard Shaw, Virginia Woolf, James Joyce and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression, writers reaped personal and stylistic benefits for themselves and for society at large. |
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... records , National Archives , London National Vigilance Association Archives , Women's Library , London CRIM CUST FO HO LCC LO MEPO NVA T Introduction : the ethics of indecency In 1885 , the xii List of abbreviations.
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... vigilant public demanded action . - The National Vigilance Association had a family resemblance to an older Society for the Suppression of Vice ( SSV ) , which had been formed in 1802. The NVA began with the Society's £ 50 bank balance ...
... vigilant public demanded action . - The National Vigilance Association had a family resemblance to an older Society for the Suppression of Vice ( SSV ) , which had been formed in 1802. The NVA began with the Society's £ 50 bank balance ...
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Dante Gabriel Rossetti and the censorship dialectic | 14 |
Bernard Shaws defensive laughter | 46 |
Virginia Wooland the gender of censorship | 88 |
James Joyce and the necessary scandal of art | 126 |
Jean Rhys and the downward path | 167 |
forgotten evils | 203 |
Notes | 207 |
243 | |
252 | |
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