British Modernism and CensorshipCambridge University Press, 2006. 7. 6. - 257페이지 Government censorship had a profound impact on the development of canonical modernism and on the public images of modernist writers. Celia Marshik argues that censorship can benefit as well as harm writers and the works they create in response to it. She weaves together histories of official and unofficial censorship, of individual writers and their relationships to such censorship and of British modernism. Throughout, Marshik draws on an extraordinary range of evidence, including the files of government agencies and social purity organisations. She analyses how works were written, revised, published and performed in relation to this complex web of social forces. Chapters of Dante Gabriel Rossetti, Bernard Shaw, Virginia Woolf, James Joyce and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression, writers reaped personal and stylistic benefits for themselves and for society at large. |
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26개의 결과 중 1 - 5개
4 페이지
... aesthetic and social goals ; it led to the development of widespread self - censorship , which often resulted in aesthetic gains ; and it contributed to the pervasive presence - both enlivening and politicized - of irony and satire in ...
... aesthetic and social goals ; it led to the development of widespread self - censorship , which often resulted in aesthetic gains ; and it contributed to the pervasive presence - both enlivening and politicized - of irony and satire in ...
6 페이지
... aesthetic qualities - such as self - reflexivity , fragmentation , and indirection - to censorship . This argument ... aesthetics of high modernism and that the specter of obscenity prosecutions pushed writers to develop or heighten the ...
... aesthetic qualities - such as self - reflexivity , fragmentation , and indirection - to censorship . This argument ... aesthetics of high modernism and that the specter of obscenity prosecutions pushed writers to develop or heighten the ...
7 페이지
... aesthetic movement.14 Although we tend to think that modernists employed irony to achieve formal , epistemological or psychological ends , high modernism's irony was also moralizing , politically and ethically responsive to an evolving ...
... aesthetic movement.14 Although we tend to think that modernists employed irony to achieve formal , epistemological or psychological ends , high modernism's irony was also moralizing , politically and ethically responsive to an evolving ...
14 페이지
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22 페이지
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목차
Dante Gabriel Rossetti and the censorship dialectic | 14 |
Bernard Shaws defensive laughter | 46 |
Virginia Wooland the gender of censorship | 88 |
James Joyce and the necessary scandal of art | 126 |
Jean Rhys and the downward path | 167 |
forgotten evils | 203 |
Notes | 207 |
243 | |
252 | |
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aesthetic Anna Anna's argues artistic asserted audience behavior Bernard Shaw Bloom British brothel Buchanan Campbell censor censorship dialectic character chorus girls critical culture Dante Gabriel Rossetti defend demonstrates depicts downward path Dublin Eliza English experience fiction figure Fleshly School Florinda government officials Hicklin Higgins Home Office Ibid immoral Ireland Irish irony Jacob's Room James Joyce Jean Rhys Jenny Joyce's letter Linda Hutcheon literary literature London Maiden Tribute McGann modernism modernism's moral moralists narrative Nuptial Sleep obscene obscene libel Orlando playwright poet poetry police Portrait prosecution prostitute protagonist published purity workers Pygmalion Rachel readers reading reformers representations represents response revision rhetoric Rhys's novel Sasha satire self-censorship sexual Shaw's play social purity movement speaker Stead Stephen Hero strategy suggests suppression taboo texts theatre tion Ulysses University Press Vigilance Record Virginia Woolf Voyage W. T. Stead Warren's Profession White Slave whore woman Woolf's novel York