British Modernism and CensorshipCambridge University Press, 2006. 7. 6. - 257페이지 Government censorship had a profound impact on the development of canonical modernism and on the public images of modernist writers. Celia Marshik argues that censorship can benefit as well as harm writers and the works they create in response to it. She weaves together histories of official and unofficial censorship, of individual writers and their relationships to such censorship and of British modernism. Throughout, Marshik draws on an extraordinary range of evidence, including the files of government agencies and social purity organisations. She analyses how works were written, revised, published and performed in relation to this complex web of social forces. Chapters of Dante Gabriel Rossetti, Bernard Shaw, Virginia Woolf, James Joyce and Jean Rhys demonstrate that by both reacting against and complying with the forces of repression, writers reaped personal and stylistic benefits for themselves and for society at large. |
도서 본문에서
39개의 결과 중 1 - 5개
2 페이지
... indicated that the purity movement would become a vigorous police- man of literature . When a few Members of Parliament questioned the propriety of Stead's revelations , the editor warned , " some of those who are now using the cant cry ...
... indicated that the purity movement would become a vigorous police- man of literature . When a few Members of Parliament questioned the propriety of Stead's revelations , the editor warned , " some of those who are now using the cant cry ...
3 페이지
... indicate that obscenity prosecutions were only one of the many repressive strategies available to censors . Between 1888 and the late 1930s , purity organizations and government censors pressured writers through visits and surveillance ...
... indicate that obscenity prosecutions were only one of the many repressive strategies available to censors . Between 1888 and the late 1930s , purity organizations and government censors pressured writers through visits and surveillance ...
8 페이지
... indicates that government staff were less likely to move against literary texts after 1929. In March of 1930 , the Home Secretary explained the new state of affairs to the Bishop of London , the titular head of the London Public ...
... indicates that government staff were less likely to move against literary texts after 1929. In March of 1930 , the Home Secretary explained the new state of affairs to the Bishop of London , the titular head of the London Public ...
11 페이지
... indicates , Joyce's strategy ran counter to this received wisdom : after he experienced publication difficulties with Dubliners , his subsequent work - most notably A Portrait of the Artist as a Young Man - advanced anti - censorship ...
... indicates , Joyce's strategy ran counter to this received wisdom : after he experienced publication difficulties with Dubliners , his subsequent work - most notably A Portrait of the Artist as a Young Man - advanced anti - censorship ...
13 페이지
... indicates that the questions over which social purists , government officials , and modernist writers tussled still preoccupy us . Debates over ratings of recorded music , television shows , and movies , as well as arguments over public ...
... indicates that the questions over which social purists , government officials , and modernist writers tussled still preoccupy us . Debates over ratings of recorded music , television shows , and movies , as well as arguments over public ...
목차
Dante Gabriel Rossetti and the censorship dialectic | 14 |
Bernard Shaws defensive laughter | 46 |
Virginia Wooland the gender of censorship | 88 |
James Joyce and the necessary scandal of art | 126 |
Jean Rhys and the downward path | 167 |
forgotten evils | 203 |
Notes | 207 |
243 | |
252 | |
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