"Night and her ugly subjects thou dost fright, And sleep, the lazy owl of night; Ashamed and fearful to appear, They skreen their horrid shapes with the black hemisphere. "With 'em there hastes, and wildly takes th' alarm, At the first opening of thine eye, "The guilty serpents, and obscener beasts, Ill omens, and ill sights remove out of thy way. "At thy appearance, grief itself is said To shake his wings, and rouse his head : A gentle beamy smile reflected from thy look. To the cheek colour comes, and firmness to the knee. "Ev'n Lust, the master of a hard'ned face, Blushes, if thou be'st in the place; To darkness' curtains he retires, In sympathizing night he rolls his smoaky fires. "When, goddess, thou lift'st up thy wak'ned head, Out of the morning's purple bed, Thy quire of birds about thee play, Vanish again invisibly, And bodies gain again their visibility. "All the world's brav'ry that delights our eyes Is but thy sev'ral liveries: Thou the rich dye on them bestow'st, Thy nimble pencil paints this landskip as thou goest. "A crimson garment in the rose thou wear'st; A crown of studded gold thou bear'st. The virgin lillies in their white Are clad but with the lawn of almost naked light. "The violet, Spring's little infant, stands Girt in thy purple swadling-bands: On the fair tulip thou dost dote, Thou cloath'st it in a gay and party-colour'd coat. "With flame condens'd thou dost thy jewels fix, And solid colours in it mix: Flora herself envies to see Flowers fairer than her own, and durable as she. "Ah, goddess! would thou could'st thy hand withhold, And be less liberal to gold; Did thou less value to it give, Of how much care (alas!) might'st thou poor man relieve! "To me the sun is more delightful far, And all fair days much fairer are. But few, ah! wondrous few, there be, Like a clear river thou dost glide, And with thy living streams through the close channels slide. "But where firm bodies thy free course oppose, Gently thy source the land o'erflows; Takes there possession, and does make Of colours mingled, light, a thick and standing lake. "But the vast ocean of unbounded day In th' empyréan heaven does stay. Thy rivers, lakes, and springs below From thence took first their rise, thither at last must flow." In joyous abandonment, or exuberant gaiety, Cowley has few equals; in such moments his whole soul appears in a holiday suit. We meet with nothing but light-hearted pleasure and delights, which thought or care enter not to disturb. The warmth of his feelings carries him so rapidly forward, that he forgets "to write like a gentleman :" the consequence is, that he writes like a man. We quote, for example, "The Chronicle," which, though celebrated, is probably unknown to a great many of our readers. "Margarita first possest, If I remember well, my breast. But when a while the wanton maid "Martha soon did it resign To the beauteous Catherine. VOL. I.-PART III. BB Fundamental laws she broke, And still new favourites she chose, Till up in arms my passions rose, And cast away her yoke. "Mary then, and gentle Ann, Both to reign at once began: And sometimes Mary was the fair, "Another Mary then arose, And did rigorous laws impose. Long, alas! should I have been "When fair Rebecca set me free, 'Twas then a golden time with me. For the gracious princess died And Judith reigned in her stead. "One month, three days, and half an hour, Judith held the sovereign power. Wondrous beautiful her face; But so weak and small her wit, And so Susanna took her place. "But when Isabella came, Arm'd with a resistless flame, Whilst she proudly march'd about, She beat out Susan by the bye. "But in her place I then obey'd Black-ey'd Bess, her viceroy maid, To whom ensued a vacancy. Thousand worse passions then possest The interregnum of my breast: Bless me from such an anarchy! "Gentle Henrietta then, And a third Mary next began, And then a pretty Thomasine, And then another Katharine, And then a long et cætera. "But should I now to you relate The strength and riches of their state, "If I should tell the politic arts To take and keep men's hearts; Numberless, nameless mysteries; "And all the little lime-twigs laid By Machiavel, the waiting-maid; "But I will briefer with them be, Since few of them were long with me. An higher and a nobler strain My present emperess does claim, Heleonora, first o' th' name, Whom God grant long to reign!" In the same airy and agreeable strain is composed The Inconstant, one of the very few poems that is good for any thing in The Mistress. "I never yet could see that face Which had no dart for me; Love, thou'rt a devil, if I may call thee one; "Colour or shape, good limbs or face, Goodness or wit, in all I find: In motion or in speech, a grace; "If tall, the name of proper slays; If fair, she's pleasant as the light; If black, what lover loves not night? "The fat, like plenty, fills my heart, The lean with love makes me too so. Nay, age itself does me to rage incline, "Just half as large as Charity My richly landed love's become; Him, who loves always one, why should they call "Thus with unwearied wings I flee Through all Love's gardens and his fields; Honey still spent this diligence still supplies, "My soul at first, indeed, did prove But my consumed and wasted heart, In the poem called The Wish, to which Cowley refers in the essay "Of Myself," we find more natural thought more naturally expressed than in the rest of his amatory poetry, which is as cold and lifeless as can be conceived. "Well then; I now do plainly see This busy world and I shall ne'er agree; The very honey of all earthly joy Does of all meats the soonest cloy. And they (methinks) deserve my pity, Who for it can endure the stings, "Ah! yet, ere I descend to th' grave, And since love ne'er will from me flee, A mistress moderately fair, And good as guardian angels are, Only belov'd, and loving me! "Oh fountains! when in you shall I Myself, eas'd of unpeaceful thoughts espy? |