The Spectator, 2권Joseph Addison, Sir Richard Steele J. Tonson, 1724 |
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12 페이지
... Verfe in the Greek Tongue was the most proper for Tragedy : Because at the fame time that it lifted up the Difcourfe from Profe , it was that which ap- VDERST [ Ve approached nearer to it than any other 12 N ° 39 . The SPECTATOR .
... Verfe in the Greek Tongue was the most proper for Tragedy : Because at the fame time that it lifted up the Difcourfe from Profe , it was that which ap- VDERST [ Ve approached nearer to it than any other 12 N ° 39 . The SPECTATOR .
13 페이지
... fame time that every thing about them lyes in Blank Verfe . I would not however debar the Poet from concluding his Tragedy , or , if he pleases , every Act of it , with two or three Couplets , which may have the fame Effect as an Air in ...
... fame time that every thing about them lyes in Blank Verfe . I would not however debar the Poet from concluding his Tragedy , or , if he pleases , every Act of it , with two or three Couplets , which may have the fame Effect as an Air in ...
14 페이지
... fame continued Modulation of Voice , For the fame Reafon I do not diflike the Speeches in our English Tragedy that close with an Hemiftick , or half Verfe , notwithstanding the Person who fpeaks after it begins a new Verfe , with- out ...
... fame continued Modulation of Voice , For the fame Reafon I do not diflike the Speeches in our English Tragedy that close with an Hemiftick , or half Verfe , notwithstanding the Person who fpeaks after it begins a new Verfe , with- out ...
18 페이지
... fame good Qualities in the Defence of his Country , that he fhewed for its Ruin and Subverfion , the Audience could not enough pity and admire him : But as he cer Fre t re is now represented , we can is 18 The SPECTATOR . N ° 39 ...
... fame good Qualities in the Defence of his Country , that he fhewed for its Ruin and Subverfion , the Audience could not enough pity and admire him : But as he cer Fre t re is now represented , we can is 18 The SPECTATOR . N ° 39 ...
21 페이지
... c . King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
... c . King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
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Acrofticks Admiration Affembly againſt Anagrams April 26 Audience Author Avarice beautiful becauſe beft cife Club Coffee-houſe confifts Converfation Country defcribed defigned defire Difcourfe dreffed Earl Douglas endeavour English Epigram Expreffions Eyes faid falfe Wit fame Faſhion fays feems feen felf felves feve feveral fhall fhew fhort fhould fince firft firſt flain fome fomething fometimes foon fpeak Friend ftood fuch fure give greateſt Heart Hero himſelf ibid juft kind of Wit King Lady laft laſt laugh leaft likewife look Love Lover meaſure Mind Miſtreſs moft moſt muft muſt Nature Numbers obferve Occafion Ovid Paffion Perfon Philofophers Play pleafed pleaſed Pleaſure Poem Poet Pofie prefent Prince publick Punn raiſed Reader Reafon Refemblance reprefent Rhymes ſee Senfe ſeveral ſhe SPECTA SPECTATOR thefe themſelves ther theſe thing thofe thoſe thou Thought Tragedy underſtand uſe Verfe whofe whole Words Writing