Controversies of the Music Industry

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Greenwood Publishing Group, 2001 - 270페이지


This work presents 12 of the most volatile ethical issues facing the music industry. Real-life examples depict both sides of each controversy, and the list of resources provides tools for readers who wish to pursue the controversies further. Primary sources including court cases and excerpts from speeches help students build critical thinking skills in current issues, persuasive writing, and debate classes.

Among the controversies noted is the growing oligopoly of a few multinational music companies and the independent labels that are attempting to survive this market dominance. Drug abuse and violence depicted in music is discussed, as is its influence on young listeners. These issues and many more are discussed in detail as the authors outline the controversial topics of the music industry.

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목차

Money Music and Marketing A Few Multinational Companies Dominate the Music Industry
1
From Hendrix to Cobain The Drug Culture of Music
29
Music and Social Issues flit Form or Soapbox?
47
Parody and Sampling Borrowing or Stealing Copyright?
69
Messages of Death Satanic Messages the Promotion of Evil and Rock Music
85
The Glass Ceiling Women in the Music Industry
103
Showdown at the Box Office The Cost of Concert Tickets
125
Black and White Separation in Music Marketing or Racism?
147
Ill See You in Court The Strange Relationship between Managers and Artists
169
Freedom of Expression Filth or Freedom?
187
Radio and Records A LoveHate Relationship
213
Turn Up the Volume Music and Hearing Loss
233
Index
257
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108 페이지 - It shall be an unlawful employment practice for an employer (1) to fail or refuse to hire or to discharge any individual, or otherwise to discriminate against any individual with respect to his compensation, terms, conditions, or privileges of employment, because of such individual's race, color, religion, sex, or national origin...
190 페이지 - The basic guidelines for the trier of fact must be: (a) whether "the average person, applying contemporary community standards" would find that the work, taken as a whole, appeals to the prurient interest, Kois v.
189 페이지 - I think the test of obscenity is this, whether the tendency of the matter charged as obscenity is to deprave and corrupt those whose minds are open to such immoral influences, and into whose hands a publication of this sort may fall.
3 페이지 - And when the ship was ready to carry us away, the brethren that stayed having again solemnly sought the Lord with us and for us, and we further engaging ourselves mutually as before, they, I say, that stayed at Leyden feasted us that were to go, at our pastor's house, being large ; where we refreshed ourselves, after tears, with singing of psalms, making joyful melody in our hearts, as well as with the voice, there being many of the congregation very expert in music; and indeed it was the sweetest...
190 페이지 - It is possible, however, to give a few plain examples of what a state statute could define for regulation under part (b) of the standard announced in this opinion, supra: (a) Patently offensive representations or descriptions of ultimate sexual acts, normal or perverted, actual or simulated. (b) Patently offensive representations or descriptions of masturbation, excretory functions, and lewd exhibition of the genitals.
191 페이지 - Nothing in this act shall be understood or construed to give the Commission the power of censorship over the radio communications or signals transmitted by any radio station, and no regulation or condition shall be promulgated or fixed by the Commission which shall interfere with the right of free speech by means of radio communication.
191 페이지 - Whoever utters any obscene, indecent, or profane language by means of radio communication shall be fined not more than $10,000 or imprisoned not more than two years, or both.
93 페이지 - Be ye not unequally yoked together with unbelievers : for what fellowship hath righteousness with unrighteousness ? and what communion hath light with darkness?
49 페이지 - From these considerations therefore it is plain that music has the power of producing a certain effect on the moral character of the soul, and if it has the power to do this, it is clear that the young must be directed to music and must be educated in it.
50 페이지 - The screaming idiotic words, and savage music of these records are undermining the morals of our white youth in America. Call the advertisers of the radio stations that play this type of music and complain to them!

저자 정보 (2001)

RICHARD D. BARNET is a Professor in the Department of the Recording Industry at Middle Tennessee State University./e He has worked in various positions in the music industry, including artist management, booking, concert promotion, television, and live show music production, performance, and conducting. He is a former officer of the Music and Entertainment Industry Educator's Association and a gubernatorial appointee to the Tennessee Film, Entertainment, and Music Advisory Council as well as a member of the National Academy of Recording Arts and Sciences.

LARRY L. BURRISS is a Professor of Journalism at Middle Tennessee State University./e He served as Director of the School of Journalism and was the first director of its graduate program. Burriss has published extensively on First Amendment issues, and has won numerous awards, including the Tennessee Associated Press Radio award, for his written and broadcast commentaries.

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