CCLXXVI. A DIALOGUE, BETWIXT HIMSELF, AND MRS. ELIZABETH WHEELER UNDER THE NAME OF AMARYLLIS. Herrick. My dearest love, since thou wilt go, The place where I may find thee. Amaryllis. In country meadows, pearl'd with dew, There, filling maunds* with cowslips, you May find your Amaryllis. Herrick. What have the meads to do with thee, Let country wenches make 'em fine Amaryllis. You set too high a rate upon A shepherdess so homely. Her. Believe it, dearest, there's not one I'th' court that's half so comely. * Maund is a hand-basket: the word is Shakspearean, and still familiar in Somersetshire, Malone observes. Many glossographers define it a wicker basket with two lids. I pray thee stay.-Am. I must away. CCLXXVII. ON HIMSELF. A weari'd pilgrim, I have wander❜d here Twice five and twenty, bate me but one year: Long have I lasted in this world, 'tis true; But yet those years, that I have liv'd, but few. Who, by his grey hairs, doth his lustres tell, Lives not those years, but he that lives them well. One man has reach'd his sixty years; but he, Of all those threescore, has not liv'd half three. He lives, who lives to virtue; men, who cast Their ends for pleasure, do not live, but last. CCLXXVIII. HIS COVENANT, OR PROTESTATION, WHY dost thou wound and break my heart, As if we should for ever part? Hast thou not heard an oath from me; After a day, or two, or three, I would come back and live with thee? That tear shall scarce be dri'd, before I'll kiss the threshold of thy door. Then weep not, sweet; but thus much know, I'm half return'd before I go. CCLXXIX. HIS LAST REQUEST TO JULIA. I have been wanton, aud too bold, I fear, To chafe o'ermuch the virgin's cheek, or ear: Beg for my pardon, Julia; he doth win Grace with the gods, who's sorry for his sin: That done, my Julia, dearest Julia! come, And go with me to chuse my burial room. My fates are ended! When thy Herrick dies, Clasp thou his book, then close thou up his eyes. CCLXXX. THE PILLAR OF FAME. FAME'S pilllar here at last we set, Of overthrow : Nor shall the seas, Of storms, o'erbear What we uprear: Tho' kingdoms fall; This pillar never shall But stand for ever by his own Firm, and well-fix'd foundation. POLM CCLXXIX.] There is exquisite pathos, and simplicity in the last sentence of this little poem; perfectly corresponding with poem 158. POEM CCLXXX.] Horatian to the last is the bard Robert Herrick, concluding what he terms his Works Human with an imitation of Exegi monumentum ære perennius, &c. HORAT. Ode ult. Lib. 3. I have selected the four following pieces, as the most poetical specimens of our author's NOBLE NUMBERS, or PIOUS PIECES; the inferiority of which is generally allowed even by his warmest admirers, notwithstanding the encomiums that are passed upon them in Wood's ATHENÆ. I. TO GOD, ON HIS SICKNESS. WHAT though my harp, and viol be What though my bed be now my grave, A CAROL TO THE KING, SUNG AT WHITEHALL. Flourish of Musick, then followed the Song. TELL us, thou clear and heav'nly tongue, Where is the babe but lately sprung; Lies he the lily banks among? Or say, if this new birth of our's Sleeps, laid within some ark of flow'rs Spangled with dew-light? Thou canst clear To find him out? Star. No; this ye need not do ; But only come, and see him rest A princely babe in's mother's breast. |