Mozart: Traces of TranscendenceWm. B. Eerdmans Publishing, 1993 - 81페이지 Much Has Been Written about Wolfgang Amadeus Mozart, but relatively little on the religious dimension of his person and his music. In this book Hans Kung offers an intriguing theological probing into Mozart's musical work. Kung begins by discussing Mozart's Catholic background--something that, surprisingly, has hardly been treated by Mozart scholars. He moves on to explore how Mozart's music itself displays to the keen ear "traces of transcendence," giving intimations of a mysterious bliss transcending even all music. |
목차
Divine? | 6 |
The Human Alltoohuman | 9 |
The Mystery | 12 |
Bliss | 15 |
Traces of Transcendence | 23 |
Theological Reflections on Mozarts Coronation Mass | 31 |
The Horizon of the Time | 35 |
The Kyrie | 40 |
The Gloria | 42 |
The Credo | 49 |
The Sanctus | 54 |
The Agnus Dei | 61 |
Notes | 65 |
Index | 73 |
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26 Mozart Agnus Agnus Dei all-too-human archbishop belief Benedictus bliss century Certainly Christe eleison Christian Church Dogmatics Colloredo composition concert confession Credo criticism of religion death divine Dona nobis pacem earth Enlightenment eternal eucharist excelsis expression father from Vienna Feuerbach Gloria God's Hans Küng Haydn hear heaven Holy Hosanna human hymn Ibid incarnate interpretation Jesus Johann Friedrich Doles Johann Sebastian Bach Karl Barth Karl Michael Komma Küng Kyrie eleison Lamb Leipzig Leopold Mozart letter listening to Mozart's Lord Magic Flute major KV Maria mercy minor KV Minor Mass Missa Brevis Mozart's church music Mozart's Coronation Mass Mozart's music musician musicologist mystery mystical sanctuary opera opium Paris Patris person phenomenon of Mozart praise Protestant question religious Salzburg Sanctus secular someone sound speak spirit symphony takest thee Theme theologian theological tollis peccata Traces of Transcendence Tübingen W. A. Mozart Wolfgang Amadeus Mozart Wolfgang Hildesheimer words worship