Shakespeare's Roman Plays and Their BackgroundMacmillan, 1925 - 666ÆäÀÌÁö |
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... Latin , French , and English , is of some interest , apart from the possible connection of this or that tragedy with Shakespeare's masterpieces , as showing by contrast the originality as well as the splendour of his achievement . For ...
... Latin , French , and English , is of some interest , apart from the possible connection of this or that tragedy with Shakespeare's masterpieces , as showing by contrast the originality as well as the splendour of his achievement . For ...
ix ÆäÀÌÁö
... Latin version of 1470 , except in a few transcripts from the copy in the British Museum : but while admitting that a detailed comparison of that with the Greek and the French would be necessary for the formal completion of the proof , I ...
... Latin version of 1470 , except in a few transcripts from the copy in the British Museum : but while admitting that a detailed comparison of that with the Greek and the French would be necessary for the formal completion of the proof , I ...
9 ÆäÀÌÁö
... Latin Elegiacs , which the open- ing lines of the English are obliging enough to paraphrase : Qui cupis aethereas et summas scandere sedes , Vim simul ac fraudem discute , care , tibi . Fraus hic nulla juvat , non fortia facta juvabunt ...
... Latin Elegiacs , which the open- ing lines of the English are obliging enough to paraphrase : Qui cupis aethereas et summas scandere sedes , Vim simul ac fraudem discute , care , tibi . Fraus hic nulla juvat , non fortia facta juvabunt ...
10 ÆäÀÌÁö
... Latin Tragedy , merely because it was Latin , and for that reason within the reach of a far greater number of readers , was much better known than the Greek at the period of the Renaissance . But apart from its advantage in ...
... Latin Tragedy , merely because it was Latin , and for that reason within the reach of a far greater number of readers , was much better known than the Greek at the period of the Renaissance . But apart from its advantage in ...
11 ÆäÀÌÁö
... Latin his Eccerinis , which deals with an almost contemporary national subject , the fate of Ezzelino : it inspired the young Muretus about 1544 to write his Julius Caesar , which in turn showed his countrymen the way to treat such ...
... Latin his Eccerinis , which deals with an almost contemporary national subject , the fate of Ezzelino : it inspired the young Muretus about 1544 to write his Julius Caesar , which in turn showed his countrymen the way to treat such ...
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Amyot Antium Antony and Cleopatra Antony's appear Appian Aufidius authority bear bicause Brutus Calpurnia Cassius character citizens Cominius command Coriolanus Corioli course death deed despite doth doubt drama edition Elizabethan enemies English Enobarbus fear feeling follow fortune French friends Garnier give Greek Grévin hand hath hear heart hero hint honour impression interest Julius Caesar king Latin Lepidus less Lives lord Marcius Marcus Brutus Mark Antony matter means Menenius ment merely mind moral mother Muretus narrative nature never noble North Octavius passage passion patricians perhaps Plutarch Pompey present reason Roman plays Rome says scene seems selfe Senate Sextus Pompeius Shake Shakespeare Sicinius soul speak speare's speech spirit story suggested tells thee things thou thought tion touch tragedy translation tribunes triumph true Tullus unto Volsces Volscians Volumnia warre whole wife words ¥ê¥áὶ
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201 ÆäÀÌÁö - How that might change his nature, there's the question. It is the bright day that brings forth the adder ; And that craves wary walking. Crown him ? — that ;— And then, I grant, we put a sting in him, That at his will he may do danger with.
264 ÆäÀÌÁö - By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
173 ÆäÀÌÁö - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets : As stars with trains of fire and dews of blood, Disasters in the sun, and the moist star, Upon whose influence Neptune's empire stands, Was sick almost to doomsday with eclipse...
262 ÆäÀÌÁö - Remember March, the ides of March remember : Did not great Julius bleed for justice sake ? What villain touch'd his body, that did stab, And not for justice ? What ! shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now...
440 ÆäÀÌÁö - Let Rome in Tiber melt, and the wide arch Of the rang'd empire fall ! Here is my space. Kingdoms are clay : our dungy earth alike Feeds beast as man : the nobleness of life Is to do thus ; when such a mutual pair [Embracing.
171 ÆäÀÌÁö - That love my friend; and that they know full well That gave me public leave to speak of him: For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood: I only speak right on; I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me...
620 ÆäÀÌÁö - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
427 ÆäÀÌÁö - My desolation does begin to make A better life : Tis paltry to be Caesar; Not being fortune, he's but fortune's knave, A minister of her will ; And it is great To do that thing that ends all other deeds ; Which shackles accidents, and bolts up change; Which sleeps, and never palates more the dung, The beggar's nurse and Caesar's.
201 ÆäÀÌÁö - tis a common proof That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
221 ÆäÀÌÁö - Would he were fatter! but I fear him not: Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much; He is a great observer, and he looks Quite through the deeds of men; he loves no plays, As thou dost, Antony; he hears no music; Seldom he smiles, and smiles in such a sort As if he mock'd himself, and scorn'd his spirit That could be mov'd to smile at any thing.