Shakespeare's Roman Plays and Their BackgroundMacmillan, 1925 - 666페이지 |
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viii 페이지
... interest , apart from the possible connection of this or that tragedy with Shakespeare's masterpieces , as showing by contrast the originality as well as the splendour of his achievement . For this chapter of my Intro- duction I ...
... interest , apart from the possible connection of this or that tragedy with Shakespeare's masterpieces , as showing by contrast the originality as well as the splendour of his achievement . For this chapter of my Intro- duction I ...
xi 페이지
... interest , which he was ever ready to place at the disposal of those competent to use them , bequeathed at his death his splendid library to the State , together with an ample endowment for its maintenance and extension ? For much ...
... interest , which he was ever ready to place at the disposal of those competent to use them , bequeathed at his death his splendid library to the State , together with an ample endowment for its maintenance and extension ? For much ...
xiv 페이지
... INTEREST IN THE TRAGEDIES . SUBJECT 300 II . ANTONY AND CLEOPATRA , A HISTORY , TRAGEDY , AND LOVE POEM ; AS SHOWN BY ITS RELATIONS WITH PLUTARCH III . THE ASSOCIATES OF ANTONY IV . THE POLITICAL LEADERS V. MARK ANTONY VI . CLEOPATRA ...
... INTEREST IN THE TRAGEDIES . SUBJECT 300 II . ANTONY AND CLEOPATRA , A HISTORY , TRAGEDY , AND LOVE POEM ; AS SHOWN BY ITS RELATIONS WITH PLUTARCH III . THE ASSOCIATES OF ANTONY IV . THE POLITICAL LEADERS V. MARK ANTONY VI . CLEOPATRA ...
2 페이지
... interest , in so far as they have any interest at all , lies in the light they throw on the gradual progress of dramatic art in this domain . And they illustrate it pretty fully , and show it passing through some of the main general ...
... interest , in so far as they have any interest at all , lies in the light they throw on the gradual progress of dramatic art in this domain . And they illustrate it pretty fully , and show it passing through some of the main general ...
6 페이지
... interest of the subject and the persons . In the opening scene he tries , in his well - meaning way , to give the impression of a home in which affection is the pervading principle , but in which affection itself is not allowed to run ...
... interest of the subject and the persons . In the opening scene he tries , in his well - meaning way , to give the impression of a home in which affection is the pervading principle , but in which affection itself is not allowed to run ...
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Amyot Antium Antony and Cleopatra Antony's appear Appian Aufidius authority bear bicause Brutus Calpurnia Cassius character citizens Cominius command Coriolanus Corioli course death deed despite doth doubt drama edition Elizabethan enemies English Enobarbus fear feeling follow fortune French friends Garnier give Greek Grévin hand hath hear heart hero hint honour impression interest Julius Caesar king Latin Lepidus less Lives lord Marcius Marcus Brutus Mark Antony matter means Menenius ment merely mind moral mother Muretus narrative nature never noble North Octavius passage passion patricians perhaps Plutarch Pompey present reason Roman plays Rome says scene seems selfe Senate Sextus Pompeius Shake Shakespeare Sicinius soul speak speare's speech spirit story suggested tells thee things thou thought tion touch tragedy translation tribunes triumph true Tullus unto Volsces Volscians Volumnia warre whole wife words καὶ
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201 페이지 - How that might change his nature, there's the question. It is the bright day that brings forth the adder ; And that craves wary walking. Crown him ? — that ;— And then, I grant, we put a sting in him, That at his will he may do danger with.
264 페이지 - By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
173 페이지 - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets : As stars with trains of fire and dews of blood, Disasters in the sun, and the moist star, Upon whose influence Neptune's empire stands, Was sick almost to doomsday with eclipse...
262 페이지 - Remember March, the ides of March remember : Did not great Julius bleed for justice sake ? What villain touch'd his body, that did stab, And not for justice ? What ! shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now...
440 페이지 - Let Rome in Tiber melt, and the wide arch Of the rang'd empire fall ! Here is my space. Kingdoms are clay : our dungy earth alike Feeds beast as man : the nobleness of life Is to do thus ; when such a mutual pair [Embracing.
171 페이지 - That love my friend; and that they know full well That gave me public leave to speak of him: For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood: I only speak right on; I tell you that which you yourselves do know; Show you sweet Caesar's wounds, poor poor dumb mouths, And bid them speak for me...
620 페이지 - O mother, mother! What have you done? Behold, the heavens do ope, The gods look down, and this unnatural scene They laugh at. O my mother, mother! O! You have won a happy victory to Rome; But, for your son — believe it, O, believe it — Most dangerously you have with him prevailed, If not most mortal to him.
427 페이지 - My desolation does begin to make A better life : Tis paltry to be Caesar; Not being fortune, he's but fortune's knave, A minister of her will ; And it is great To do that thing that ends all other deeds ; Which shackles accidents, and bolts up change; Which sleeps, and never palates more the dung, The beggar's nurse and Caesar's.
201 페이지 - tis a common proof That lowliness is young ambition's ladder, Whereto the climber-upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
221 페이지 - Would he were fatter! but I fear him not: Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much; He is a great observer, and he looks Quite through the deeds of men; he loves no plays, As thou dost, Antony; he hears no music; Seldom he smiles, and smiles in such a sort As if he mock'd himself, and scorn'd his spirit That could be mov'd to smile at any thing.