The Works of Samuel Johnson, LL. D.G. Offor, 1818 - 402페이지 |
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140 페이지
... reader may have it entire , is here given at length . If the sun's excessive heat Make our bodies swelter , To an osier hedge we get For a friendly shelter ; Where in a dike , Pearch or pike , Roach or dace , We do chase , Bleak or ...
... reader may have it entire , is here given at length . If the sun's excessive heat Make our bodies swelter , To an osier hedge we get For a friendly shelter ; Where in a dike , Pearch or pike , Roach or dace , We do chase , Bleak or ...
157 페이지
... Reader , it has been thought right to subjoin each number , as it stands in Templeman's works , to that in Dr. Johnson's verses which refers to it . 1 In this first article that is versified , there is an accurate confor- mity in Dr ...
... Reader , it has been thought right to subjoin each number , as it stands in Templeman's works , to that in Dr. Johnson's verses which refers to it . 1 In this first article that is versified , there is an accurate confor- mity in Dr ...
164 페이지
... reader not skilled in physick happens in Milton upon this line- -pining atrophy , Marasmus , and wide - wasting pestilence , he will , with equal expectation , look into his dictionary for the word marasmus , as for atrophy , or ...
... reader not skilled in physick happens in Milton upon this line- -pining atrophy , Marasmus , and wide - wasting pestilence , he will , with equal expectation , look into his dictionary for the word marasmus , as for atrophy , or ...
165 페이지
... reader be relieved from difficulties produced by allusions to the crocodile , the chameleon , the ichneumon , and the hyæna ? If no plants are to be mentioned , the most pleasing part of nature will be excluded , and many beautiful ...
... reader be relieved from difficulties produced by allusions to the crocodile , the chameleon , the ichneumon , and the hyæna ? If no plants are to be mentioned , the most pleasing part of nature will be excluded , and many beautiful ...
166 페이지
... readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work to be considered , is the orthography , which was long vague ...
... readers should find more than they expect , than that one should miss what he might hope to find . When all the words are selected and arranged , the first part of the work to be considered , is the orthography , which was long vague ...
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ABDALLA ancient ASPASIA Banquo beauty breast CALI CARAZA censure charms common considered copies corrupt criticism curiosity death DEMETRIUS dictionary died hereafter diligence drama easily editions endeavoured English Epictetus EPITAPH ev'ry exhibit eyes Falstaff fate fear genius Greece happy Harleian Library HASAN Heav'n Henry honour hope IRENE Irene's kind king king of Portugal knowledge labour language learning LEONTIUS likewise Macbeth MAHOMET mankind ment mihi mind murder MUSTAPHA nation nature necessary neglected NOTE nunc o'er obscure observed orthography passage passions perfect spy perhaps play pleasure poet Portuguese pow'r praise Prester John prince publick quæ quod rage reader reason reign SCENE sense Shakes Shakespeare shew slaves smile sometimes soul speech square miles Sultan thee thine things thou thought tibi tion tongue tragedy truth Turkish virtue vitæ witches words writers written
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16 페이지 - The march begins in military state, And nations on his eye suspended wait; Stern Famine guards the solitary coast, And Winter barricades the realms of Frost; He comes, nor want nor cold his course delay; — Hide, blushing glory, hide Pultowa's day...
313 페이지 - She should have died hereafter; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death.
297 페이지 - Pale Hecate's offerings; and wither'd murder, Alarum'd by his sentinel, the wolf, Whose howl's his watch, thus with his stealthy pace, With Tarquin's ravishing strides, towards his design Moves like a ghost. Thou sure and firm-set earth, Hear not my steps which way they walk, for fear Thy very stones prate of my whereabout And take the present horror from the time, Which now suits with it.
19 페이지 - Where then shall Hope and Fear their objects find? Must dull suspense corrupt the stagnant mind? Must helpless man, in ignorance sedate, Roll darkling down the torrent of his fate?
205 페이지 - I have protracted my work till most of those whom I wished to please have sunk into the grave, and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
20 페이지 - For faith, that, panting for a happier seat. Counts death kind Nature's signal of retreat.
16 페이지 - On what foundation stands the warrior's pride? How just his hopes let Swedish Charles decide; A frame of adamant, a soul of fire, No dangers fright him, and no labours tire...
181 페이지 - Among these unhappy mortals is the writer of dictionaries, whom mankind have considered not as the pupil but the slave of science, the pioneer of literature, doomed only to remove rubbish and clear obstructions from the paths through which learning and genius press forward to conquest and glory, without bestowing a smile on the humble drudge that facilitates their progress. Every other author may aspire to praise; the lexicographer can only hope to escape reproach, and even this negative recompense...
215 페이지 - ... influence upon the sum of life, it has little operation in the dramas of a poet who caught his ideas from the living world, and exhibited only what he saw before him. He knew that any other passion, as it was regular or exorbitant, was a cause of happiness or calamity. Characters thus ample and general were not easily discriminated and preserved, yet perhaps no poet ever kept his personages more distinct from each other.
220 페이지 - ... is probably to be sought in the common intercourse of life, among those who speak only to be understood, without ambition of elegance. The polite are always catching modish innovations, and the learned depart from established forms of speech in hope of finding or making better; those who wish for distinction forsake the vulgar when the vulgar is right.