Passages in Foreign Travel, 1±ÇC.C. Little and J. Brown, 1838 |
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4 ÆäÀÌÁö
... expression , the tones of voice , the accent , the gesture are all different ; -and when I come to painting , and sculpture , and architecture , I find myself translated into worlds of mortal creation , that as yet can hardly be said to ...
... expression , the tones of voice , the accent , the gesture are all different ; -and when I come to painting , and sculpture , and architecture , I find myself translated into worlds of mortal creation , that as yet can hardly be said to ...
25 ÆäÀÌÁö
... expression . He completely em- bodies your idea of the real old English gentleman . The character of the landlord pervades all around him . No one can fail to be impressed by the mild and hos- pitable deportment which marks his numerous ...
... expression . He completely em- bodies your idea of the real old English gentleman . The character of the landlord pervades all around him . No one can fail to be impressed by the mild and hos- pitable deportment which marks his numerous ...
26 ÆäÀÌÁö
... expressions there , what one can match the visage of the old butler ? It is a prodigy of good humor . You cannot call it intensely red . It is rather a brilliant copper . It images ' The shadowy livery of the burnished sun . ' With the ...
... expressions there , what one can match the visage of the old butler ? It is a prodigy of good humor . You cannot call it intensely red . It is rather a brilliant copper . It images ' The shadowy livery of the burnished sun . ' With the ...
47 ÆäÀÌÁö
... expression , no shifting of positions to break the silence . After the prayer , the minister announced the chapter of the Bible which he proposed to read , not to , but with , the congregation . Immediately a thousand Bibles were opened ...
... expression , no shifting of positions to break the silence . After the prayer , the minister announced the chapter of the Bible which he proposed to read , not to , but with , the congregation . Immediately a thousand Bibles were opened ...
55 ÆäÀÌÁö
... expression upon his fat , red face , informs you - what you knew before- ' that your portmanteau is quite safe . ' As fifteen minutes will elapse before the train starts , you spend the time in looking about . There are fourteen cars in ...
... expression upon his fat , red face , informs you - what you knew before- ' that your portmanteau is quite safe . ' As fifteen minutes will elapse before the train starts , you spend the time in looking about . There are fourteen cars in ...
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admirable arms avoués beauty beneath Café Café Procope centre character church Countess Guiccioli Cour Cour d'Assises court dame-du-comptoir damsel delight dine dinner dishes England English enjoy enter Europe expression feel feet fifty five forms forty four Français France French garçon gentleman graceful grand half Hall Hamlet hand heard heart Holkham Hall huge hundred Italian James McIntyre Journal judge king ladies likewise look Louis Philippe Mademoiselle Mars magnificent Malibran ments metropolis Monsieur moral moreover mysterious nation never noble Norceste Opera Opéra Comique Palais Royal Paris Parisian passed perceive perform pleasure political Puritani queen restaurants Rubini sauté scene seems seen side silver sous sphere streets sylph tables d'hôte Taglioni theatre therein thing thought thronged tion tomb tones traiteur twenty vast vaudeville voice walk whereof woman words yonder youth
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163 ÆäÀÌÁö - Les Français ont le droit de publier et de faire imprimer leurs opinions, en se conformant aux lois qui doivent réprimer les abus de cette liberté.
69 ÆäÀÌÁö - How then shall they call on him in whom they have not believed? and how shall they believe in him of whom they have not heard? and how shall they hear without a preacher? and how shall they preach, except they be sent? as it is written, How beautiful are the feet of them that preach the gospel of peace, and bring glad tidings of good things!
261 ÆäÀÌÁö - The glories of our blood and state Are shadows, not substantial things ; There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
207 ÆäÀÌÁö - ... Italy I dare to build the imitative rhyme, Harsh Runic copy of the South's sublime, THOU art the cause ; and howsoever I Fall short of his immortal harmony, Thy gentle heart will pardon me the crime. Thou, in the pride of Beauty and of Youth...
15 ÆäÀÌÁö - To Arthur, Duke of Wellington, and his brave companions in arms, this statue of Achilles, cast from cannon taken in the battles of Salamanca and Vittoria, Toulouse and Waterloo, is inscribed by their countrymen.
221 ÆäÀÌÁö - Europe over, and he will find nothing to correspond throughout with the estaminets, the restaurants, and the cafes of Paris. The general distinctions between them are these : — an estaminet is a place where tobacco is smoked, various sorts of beverages are drunk, and generally cards and billiards played. A restaurant is one where breakfasts and dinners are eaten. A cafe is another, where breakfasts are taken, dominos played, and where coffee, ices, and all refreshing drinks may, at any hour, be...
135 ÆäÀÌÁö - Ils sont tous egalement admissibles aux emplois civils et militaires 4. 4. Leur liberte" individuelle est egalement garantie, personne ne pouvant etre poursuivi ni arrete que dans les cas prevus par !a loi et dans la forme qu'elle prescrit 5. 5. Chacun professe sa religion avec une egale liberte, et obtient pour son culte la meme protection.
69 ÆäÀÌÁö - I know that my Redeemer liveth, and that He shall stand at the latter day upon the earth; and though worms destroy this body, yet in my flesh shall I see God.
235 ÆäÀÌÁö - In every country, from Turkey upwards, woman has her certain place. In Italy, in Switzerland, in Germany, in England, in Scotland, and more than all in civilized and woman-adoring France, I have seen her, in instances without number, performing offices of hardship and notoriety, with which her heaven-given, womanly nature seemed to me totally incompatible.
207 ÆäÀÌÁö - Venice. Alas ! there was a wide chasm between my fancy and the reality. The countess before me, in her substantial flesh and bone, was a woman to whom you would involuntarily apply the descriptive word " dumpy." She had not even the merit of an Italian black eye, for hers was of a light blue ; and as for the hair, it was auburn, horridly approaching to red, — for Byron's sake you may call it Sicambrian yellow. Her form was short and thickish ; and as for her bearing, it was extremely unimpressive....