Shakespeare's Poetic Styles: Verse into DramaRoutledge, 2013. 10. 11. - 272페이지 First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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... 114 8 Tragic doings , political order and the closed couplet 144 7 9 Astounding terms : bombast and wonder . 168 10 Macbeth : style and form . 196 Notes . 221 Index 253 This book was written at The University of Alberta ,
... 114 8 Tragic doings , political order and the closed couplet 144 7 9 Astounding terms : bombast and wonder . 168 10 Macbeth : style and form . 196 Notes . 221 Index 253 This book was written at The University of Alberta ,
24 페이지
... bombast . In addition , the antithesis of power and obedience in the opening line lays out one of the fundamen- tal issues of the play , the problem of order . In so far as , in the whole line , Rossa is addressing qualities within ...
... bombast . In addition , the antithesis of power and obedience in the opening line lays out one of the fundamen- tal issues of the play , the problem of order . In so far as , in the whole line , Rossa is addressing qualities within ...
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목차
| 7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York