Shakespeare's Poetic Styles: Verse into DramaRoutledge, 2013. 10. 11. - 272페이지 First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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3 페이지
... human world . The imitation of human action can hardly avoid a fact so impor- tant . For a similar reason , the language of a play should bear close inspection moment by moment . Passages isolated for analysis should return us , finally ...
... human world . The imitation of human action can hardly avoid a fact so impor- tant . For a similar reason , the language of a play should bear close inspection moment by moment . Passages isolated for analysis should return us , finally ...
22 페이지
... human affairs or in the study of ' men in their causative character ' ( to borrow a phrase from Coleridge ) . His intention with respect to the argument or plot of his tragedy is no less traditional than his intention with respect to ...
... human affairs or in the study of ' men in their causative character ' ( to borrow a phrase from Coleridge ) . His intention with respect to the argument or plot of his tragedy is no less traditional than his intention with respect to ...
23 페이지
... human desires , Greville assimilates these techniques to a plain style defining the moral impera- tives and interdictions within which and against which individual desires acquire meaning . Aristotelian in aiming at the emotional ...
... human desires , Greville assimilates these techniques to a plain style defining the moral impera- tives and interdictions within which and against which individual desires acquire meaning . Aristotelian in aiming at the emotional ...
26 페이지
... human longings and of the forces that thwart or pervert human feeling . Compare , for a moment , the apostrophe to the epistle . The latter was often regarded in terms of the three styles of classical rhetoric as the province of the low ...
... human longings and of the forces that thwart or pervert human feeling . Compare , for a moment , the apostrophe to the epistle . The latter was often regarded in terms of the three styles of classical rhetoric as the province of the low ...
29 페이지
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목차
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York