But, when they came to sit, Enough in them both, to serve for one. Wherefore 'twas thought good But, when they came to trial, Yet three knaves in the whole, A BALLAD. IN TWO PARTS.† PART 1. DRAW near, good people, all draw near, And hearken to my ditty; Than this I sing, Came never to this city. *The wit of this lies in the word pair-royal, which signifies three knaves at the game of brag, and also, in French, a peer or baron.' -T. + To this ballad Butler originally prefixed this title, The Privileges of Pimping; but afterwards crossed it out. As the title bears no relation to the subject, we may conclude that it was intended for some other design which the poet abandoned. Mr. Thyer is of opinion that the person here satirized is Oliver Cromwell. The portrait is an extravagant caricature, in which some general points of resemblance may be traced to the coarse features of the Protector. You would defy the pageants, His face is round and decent, But, indeed, it is no such matter. On both sides of th' aforesaid Are eyes, but they're not matches, On which there are To be seen two fair, And large, well-grown mustaches. Now this with admiration Does all beholders strike, Did ye ever see the like? He has no skull, 'tis well known From running about his shoulders. On both sides of his noddle Are straps o' th' very same leather; Ears are implied, But they're mere hide, Or morsels of tripe, choose Between these two extendeth A slit from ear to ear, That, every hour, The souse, that grows so near. Beneath, a tuft of bristles, Within, a set of grinders Most sharp and keen, corroding THIS monster was begotten With black doublet, and breeches. When he was whelped, for certain, Did grunt and whine, And the ravens croaked upon trees. The winds did blow, the thunder The hollow tree in th' owl-* 'Tis a good horse that ne'er stumbled. † *That is, The owl in the hollow tree.' The inversion seems to have been pre-meditated to heighten the grotesqueness of the image. †This catalogue of imaginary portents attending the birth of Crom As soon as he was brought forth, Down in her lap; And up the walls he clambered, I' th' boards and roof, And out o' th' top o' th' chimney Yet, by the stink, Knew which way he was gone. The country round about there ess; for the sight Of him did fright Away men, women, and children. Long did he there continue, And all those parts much harmed; 'Till a wise-woman, which Some call a white witch,* Him into a hogstye charmed. well may have been designed in ridicule of the poetical descriptions of the storm that took place on the night of his death; or, as Mr. Thyer suggests, it may be a sneer upon those writers who describe the birth of their heroes as accompanied by prodigies.' * There were three orders of witches-Black, White, and Grey. The first had the power of doing mischief, without the gift of rendering help or service; the second could render service, but had no power of evil; the third combined the qualities of the former two. The harmless witches were popularly called' wise women.' The function here ascribed to the White Witch has a mixture of evil in it, Butler thinking, probably, with Dryden, that at best the class were only 'mischievously good.' There, when she had him shut fast, Of his left paws, With tip of his tail, and his right ear. And with her charms and ointments On his back astride, But, to the admiration Of all both far and near, He hath been shown And eke in every shire. And now, at length, he's brought Unto fair London city, Where, in Fleet-street, That will not believe my ditty. God save the king and parliament,* The wars an end, As here my song has-Finis. * From this allusion to the king, Mr. Thyer concludes that the ballad was written before the execution of Charles I. |