And thou, my Whiskerandos, shouldst be father 420 And friend to me! Whisk. O, matchless excellence! and must we part? Puff. Heyday! here's a cut!-What, are all the Tilb. Now, pray, sir, don't interrupt us just here: you ruin our feelings. Puff. Your feelings!-but zounds, my feelings, 430 ma'am ! Sneer. No; pray don't interrupt them. "Whisk. One last embrace. Tilb. Now,-farewell, for ever. Whisk. For ever! Tilb. Ay, for ever! [Going." Puff. 'Sdeath and fury!-Gad's life!-sir! madam! Con. But pray, sir, how am I to get off here? 440 you will-Pushes the Confidant off] Now, Both. Oh! [Turning back, and exeunt.- -Scene closes." Dang. Oh, charming! -- Puff. Hey!-'tis pretty well, I believe: you see I don't attempt to strike out any thing new 450 -but I take it I improve on the established modes. Sneer. You do, indeed! But pray is not Queen Puff. No, not once-but she is to be talked of for Sneer. Hang it, I think it's a pity to keep her in the green room all the night. Puff. O no, that always has a fine effect-it keeps 460 up expectation. Dang. But are we not to have a battle? Puff. Yes, yes, you will have a battle at last; but, egad, it's not to be by land, but by seaand that is the only quite new thing in the piece. Dang. What, Drake at the Armada, hey? Puff. Yes, i' faith-fire-ships and all; then we shall end with the procession. Hey, that will do, I think? Sneer. No doubt on 't. Puff. Come, we must not lose time; so now for the under-plot. 470 Sneer. What the plague, have you another plot? Puff. O Lord, yes; ever while you live have two plots to your tragedy. The grand point in managing them is only to let your under-plot have as little connection with your main-plot as possible. I flatter myself nothing can be more distinct than mine; for as in my chief plot the 480 characters are all great people, I have laid my under-plot in low life; and as the former is to end in deep distress, I make the other end as happy as a farce.-Now, Mr Hopkins, as soon as you please. Enter Under Prompter. Und. Promp. Sir, the carpenter says it is impossible you can go to the park scene yet. Puff. The park scene! no! I mean the description scene here, in the wood. Und. Promp. Sir, the performers have cut it out. Und. Promp. Yes, sir. Puff. What! the whole account of Queen Elizabeth? Puff. And the description of her horse and side saddle? Und. Promp. Yes, sir. Puff. So, so; this is this is very fine indeed!-Mr Hopkins, how the plague could you suffer this? Mr Hop. [Within.] Sir, indeed the pruning- Sneer. That I would, indeed. 490 500 Puff. Very well, sir; then we must go on.-Zounds! 510 I would not have parted with the description of the horse!-Well, sir, go on.-Sir, it was one of the finest and most laboured things.— Very well, sir; let them go on.-There you had him and his accoutrements, from the bit Und. Promp. Sir, there is the point: the carpenters say, that unless there is some business put in river. Puff. So! this is a pretty dilemma, truly!— Gentlemen, you must excuse me-these fellows will never be ready, unless I go and look after them myself. Sneer. O dear, sir, these little things will happen. Puff. To cut out this scene!-but I'll print it— egad, I'll print it every word! [Exeunt. |