The Critic: Or, a Tragedy Rehearsed : a Dramatic Piece in Two ActsJohn Douglas, 1848 - 41페이지 |
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3 페이지
... combat be- tween love and duty in Huon , are finely contrasted , and vigorously embodied . The double plot of the loves of Catherine and Sir Rupert blends the lively and pathetic in a happy style , EDITORIAL INTRODUCTION. ...
... combat be- tween love and duty in Huon , are finely contrasted , and vigorously embodied . The double plot of the loves of Catherine and Sir Rupert blends the lively and pathetic in a happy style , EDITORIAL INTRODUCTION. ...
4 페이지
... Catherine , which so amusingly concludes the play , may be considered as partaking too strongly of the characteristic of a comedy ending . An objection might also be taken to the weakening of the interest that occurs in the two last ...
... Catherine , which so amusingly concludes the play , may be considered as partaking too strongly of the characteristic of a comedy ending . An objection might also be taken to the weakening of the interest that occurs in the two last ...
6 페이지
... Catherine Christina ...... Bertha .. Mr.Cooper . " Selby . " Diddear . " J. Vining . " Fitzjames . " Wigan . " Anderson . " Ayliffe . " W. H. Payus . " Collett . " C. J. Smith . Mrs Brougham . Miss Ellen Tree . Madame Vestris . Miss Lee ...
... Catherine Christina ...... Bertha .. Mr.Cooper . " Selby . " Diddear . " J. Vining . " Fitzjames . " Wigan . " Anderson . " Ayliffe . " W. H. Payus . " Collett . " C. J. Smith . Mrs Brougham . Miss Ellen Tree . Madame Vestris . Miss Lee ...
7 페이지
... Catherine's House . Enter NICHOLAS and CHIstina , r . Chris . As thou lovest thine ease , Nicholas , restrai curiosity . It is a steed that runs away with a man , with- out his knowing it , until it has thrown him . The danger is never ...
... Catherine's House . Enter NICHOLAS and CHIstina , r . Chris . As thou lovest thine ease , Nicholas , restrai curiosity . It is a steed that runs away with a man , with- out his knowing it , until it has thrown him . The danger is never ...
8 페이지
... [ Catherine sings without , R. ] Ha ! here she is ; returned to her proper self Who would believe that this was the spark I let into the house at two o'clock in the morning ? Enter CATHERINE , R. Cath . [ Speaking as she enters ...
... [ Catherine sings without , R. ] Ha ! here she is ; returned to her proper self Who would believe that this was the spark I let into the house at two o'clock in the morning ? Enter CATHERINE , R. Cath . [ Speaking as she enters ...
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Amer Amersfort arms art thou behold Blanch bless Bouncer Captain Cath Catherine Charles Marlow Chris Cockle Cockletop Coun Countess Crosses Dangle dare dear death Don Cæsar Don Jose door dost dress Duke e'en Edward Mortimer Egad Empress Enter Exeunt Exit eyes father Fitz Flor Florinda gentleman Gertrude give hand Hard Hast hath hear heart Heaven Hemeya honour Huon King lady Laza Lazarillo look lord madam Malec Mamzelle Margate Marit Maritana Marlow marry Miss H Moors never on't Orson passion Pescara Peter poor pray Puff SCENE serf Sir Edward Sir F Sir Rup Sir Rupert Smith Sneer soul speak sure Swyzel talk tell thee there's thing thou art thought Tony twas Ulrick what's wife Wilford Winterton young Zounds
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33 페이지 - We have not seen the gentleman, but he has the family you mention. TONY. The daughter, a tall, trapesing, trolloping, talkative maypole — the son, a pretty, well-bred, agreeable youth, that everybody is fond of ! MARLOW. Our information differs in this. The daughter is said to be well-bred and beautiful; the son, an awkward booby, reared up and spoiled at his mother's apron-string.
26 페이지 - And am I to blame ? The poor boy was always too sickly to do any good. A school would be his death. When he comes to be a little stronger, who knows what a year or two's Latin may do for him ? HARD.
28 페이지 - You know our agreement, sir. You allow me the morning to receive and pay visits, and to dress in my own manner; and in the evening, I put on my housewife's dress to please you.
32 페이지 - Squire Lumpkin was the finest gentleman I ever set my eyes on. For winding the straight horn, or beating a thicket for a hare, or a wench, he never had his fellow.
9 페이지 - I'm resolved to keep up the delusion. Tell me, Pimple, how do you like my present dress? Don't you think I look something like Cherry in the Beaux
29 페이지 - My dear papa, why will you mortify one so ? Well, if he refuses, instead of breaking my heart at his indifference, I'll only break my glass for its flattery, set my cap to some newer fashion, and look out for some less difficult admirer.
32 페이지 - I believe they may. They look woundily like Frenchmen. Tony. Then desire them to step this way, and I'll set them right in a twinkling. (Exit LANDLORD.) Gentlemen, as they mayn't be good enough company for you, step down for a moment, and I'll be with you in the squeezing of a lemon.
27 페이지 - Goodness! what a quantity of superfluous silk hast thou got about thee, girl ! I could never teach the fools of this age, that the indigent world could be clothed out of the trimmings of the vain.
35 페이지 - LANDLORD: [Apart to Tony] Sure, you ben't sending them to your father's as an inn, be you? TONY: Mum, you fool, you. Let them find that out.