The Critic: Or, a Tragedy Rehearsed : a Dramatic Piece in Two Acts |
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33 페이지
The part of Pescara had been assigned to Booth , then a member of the Covent Garden company , and in the zenith of ... to Charles Kemble's part of Hemeya , and Mr. Macready , in the exigency of the case , was entrusted with Pescara .
The part of Pescara had been assigned to Booth , then a member of the Covent Garden company , and in the zenith of ... to Charles Kemble's part of Hemeya , and Mr. Macready , in the exigency of the case , was entrusted with Pescara .
34 페이지
As was usual with Shiel , his heroine is , perhaps , unduly prominent , but the powerfully drawn character of Pescara , as played by Macready , and subsequently with even greater effect by Booth , leaves an impression upon an audience ...
As was usual with Shiel , his heroine is , perhaps , unduly prominent , but the powerfully drawn character of Pescara , as played by Macready , and subsequently with even greater effect by Booth , leaves an impression upon an audience ...
3 페이지
It is a dramatic incident worthy of record , that to this play Mr. Macready is indebted for the first decided appreciation of his peculiar and fine talents , by a London audience . The part of Pescara had been assigned to Booth , then a ...
It is a dramatic incident worthy of record , that to this play Mr. Macready is indebted for the first decided appreciation of his peculiar and fine talents , by a London audience . The part of Pescara had been assigned to Booth , then a ...
4 페이지
As was usual with Shiel , his heroine is , perhaps , unduly prominent , but the powerfully drawn character of Pescara , as played by Macready , and subsequently with even greater effect by Booth , leaves an impression upon an audience ...
As was usual with Shiel , his heroine is , perhaps , unduly prominent , but the powerfully drawn character of Pescara , as played by Macready , and subsequently with even greater effect by Booth , leaves an impression upon an audience ...
6 페이지
PESCARA . - Light brown tight pantaloons , trimmed with gold down the sides , jacket of marone and gold , same style as lago's , trimmed with bright scarlet satinround Spanish hat , white and scarlet plumes , sword , gauntlets , and ...
PESCARA . - Light brown tight pantaloons , trimmed with gold down the sides , jacket of marone and gold , same style as lago's , trimmed with bright scarlet satinround Spanish hat , white and scarlet plumes , sword , gauntlets , and ...
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arms bear believe better Captain Cath child comes Coun Countess Crosses dare dear death don't door dress Duke Empress Enter Exit eyes face fall father fear feel Fitz Flor Florinda follow Gertrude give hand happy Hard Hast head hear heard heart Heaven Hemeya hold hope hour Huon I'll keep King lady leave live look lord madam marry master mean meet mind Miss H Moors nature never once passion Pescara Peter play poor pray Puff SCENE serf Smith Sneer soul speak stand sure talk tell thee there's thing thou thought Tony true turn Ulrick wife Wilford wish woman young
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33 페이지 - We have not seen the gentleman, but he has the family you mention. TONY. The daughter, a tall, trapesing, trolloping, talkative maypole — the son, a pretty, well-bred, agreeable youth, that everybody is fond of ! MARLOW. Our information differs in this. The daughter is said to be well-bred and beautiful; the son, an awkward booby, reared up and spoiled at his mother's apron-string.
27 페이지 - And am I to blame ? The poor boy was always too sickly to do any good. A school would be his death. When he comes to be a little stronger, who knows what a year or two's Latin may do for him ? HARD.
28 페이지 - You know our agreement, sir. You allow me the morning to receive and pay visits, and to dress in my own manner; and in the evening, I put on my housewife's dress to please you.
32 페이지 - Squire Lumpkin was the finest gentleman I ever set my eyes on. For winding the straight horn, or beating a thicket for a hare, or a wench, he never had his fellow.
9 페이지 - I'm resolved to keep up the delusion. Tell me, Pimple, how do you like my present dress? Don't you think I look something like Cherry in the Beaux
29 페이지 - My dear papa, why will you mortify one so ? Well, if he refuses, instead of breaking my heart at his indifference, I'll only break my glass for its flattery, set my cap to some newer fashion, and look out for some less difficult admirer.
32 페이지 - I believe they may. They look woundily like Frenchmen. Tony. Then desire them to step this way, and I'll set them right in a twinkling. (Exit LANDLORD.) Gentlemen, as they mayn't be good enough company for you, step down for a moment, and I'll be with you in the squeezing of a lemon.
27 페이지 - Goodness! what a quantity of superfluous silk hast thou got about thee, girl ! I could never teach the fools of this age, that the indigent world could be clothed out of the trimmings of the vain.
35 페이지 - LANDLORD: [Apart to Tony] Sure, you ben't sending them to your father's as an inn, be you? TONY: Mum, you fool, you. Let them find that out.
도서 문헌정보
| 제목 | The Critic: Or, a Tragedy Rehearsed : a Dramatic Piece in Two Acts 56호/Modern standard drama |
| 저자 | Richard Brinsley Sheridan |
| 발행인 | John Douglas, 1848 |
| 소장 | 하버드 대학교 |
| 디지털화된 날짜: | 2006년 3월 22일 |
| 길이 | 41페이지 |
| 서지정보 내보내기 | BiBTeX EndNote RefMan |