The Theatric Universe: A Study of the Nāṭyaśāstra

acting action activity actor actual ancient appearance architecture aspects attainment basis becomes Bharata Bhāva body called caste chapter characters classification colour communication connected Conveyance created critics dance deal definition depending described detail discussion drama dramatic composition elements employed experience explained expressed eyes face five four function gestures given gives graceful hall hand head Hindu human Ibid ideal important Inconstant Indian Indicators interpretation kind king known language later limbs listed literature look manner Master material meaning mind Modes movements nature Natyaśāstra origin passage performance person pillars play plot poetic position possible practice present probably proper qualities question Rasa recitation reference regarding ritual role rules Sanskrit Sanskrit Drama seems Sensors separate spectator speech Spirited stage structure style temple theatre theatrical theory things tion traditional treatise types universe variety various verses voice women