Putnam's Monthly, 10±ÇG.P. Putnam & Company, 1857 |
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131 ÆäÀÌÁö
... picture is poor enough , if you choose , that is clear ; but how if the un- protected and appealing work could criti- cise you in turn ? Stand before the poorest of all the pictures , and , having marked it well , ask yourself only ...
... picture is poor enough , if you choose , that is clear ; but how if the un- protected and appealing work could criti- cise you in turn ? Stand before the poorest of all the pictures , and , having marked it well , ask yourself only ...
132 ÆäÀÌÁö
... picture , although not what we are taught to look for from his hands . But if we miss some familiar artists , we have compensation in the reappearance of , at any rate , one whose handiwork has been of late years little seen . There is ...
... picture , although not what we are taught to look for from his hands . But if we miss some familiar artists , we have compensation in the reappearance of , at any rate , one whose handiwork has been of late years little seen . There is ...
137 ÆäÀÌÁö
... picture , but such a picture , such a block of a man's life and mind in it . The poor dog with a glazing eye and feeble gaze , the dead deer , the momentariness of the shock , the depth of the chasm , the gray slabs of table rock , the ...
... picture , but such a picture , such a block of a man's life and mind in it . The poor dog with a glazing eye and feeble gaze , the dead deer , the momentariness of the shock , the depth of the chasm , the gray slabs of table rock , the ...
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