A Study of MetreG. Richards, 1903 - 159ÆäÀÌÁö |
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1 ÆäÀÌÁö
... light on its architecture . Such knowledge is not necessary to the artist , nor even to his intelligent admirer . It will not make a genius , nor teach us infallibly to detect one ; we can but judge of results , not lay down laws for ...
... light on its architecture . Such knowledge is not necessary to the artist , nor even to his intelligent admirer . It will not make a genius , nor teach us infallibly to detect one ; we can but judge of results , not lay down laws for ...
2 ÆäÀÌÁö
... light of thought , " equally own its sway . Philosophers have called rhythm the pulse of the universe ; the Greeks said that its sire was God . At all events poetry , in common with other arts , is wholly and absolutely conditioned by ...
... light of thought , " equally own its sway . Philosophers have called rhythm the pulse of the universe ; the Greeks said that its sire was God . At all events poetry , in common with other arts , is wholly and absolutely conditioned by ...
39 ÆäÀÌÁö
... raised . Yet the reader may be asked to study for himself , in the light of these principles , some lines taken almost at random from Tennyson's blank verse : The weight of all the hopes of half the world 39 A STUDY OF METRE.
... raised . Yet the reader may be asked to study for himself , in the light of these principles , some lines taken almost at random from Tennyson's blank verse : The weight of all the hopes of half the world 39 A STUDY OF METRE.
41 ÆäÀÌÁö
... light on glory's plume , As fading clouds of even . " Sacred Songs . " Yet the latter also is impressive . These are cases of coincidence , but contrast of accent and quantity may produce other effects , as fine in their way . All that ...
... light on glory's plume , As fading clouds of even . " Sacred Songs . " Yet the latter also is impressive . These are cases of coincidence , but contrast of accent and quantity may produce other effects , as fine in their way . All that ...
51 ÆäÀÌÁö
... , may be drawn from admitted characteristics in each case . To Greeks and Romans dactylic was a weighty , sonorous , regular measure , 1 Ante , p . 18 . used for heroic themes ; iambic a light , pliant 51 A STUDY OF METRE.
... , may be drawn from admitted characteristics in each case . To Greeks and Romans dactylic was a weighty , sonorous , regular measure , 1 Ante , p . 18 . used for heroic themes ; iambic a light , pliant 51 A STUDY OF METRE.
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A. J. Ellis accent amphibrach analysis anapaests blank Browning's cadence chapter choriambs common consonants contain Coventry Patmore critics dactyls dissyllabic dissyllable doubt dropped syllable duple and triple duple metre duple period duple rising duple verse effect English metre English prosody English verse equal fact feet followed four syllables Greek heroic line heroic verse hexameter higher critic iambic iambs Ibid instances italicized syllables latter length less measure metrical metrists Milton monopressure naturally number of syllables occupy Paradise Lost pause Poems and Ballads poetry poets principle Prof prose quadruple quantity quoted reader rhyme rhythmical rule scansion seems silent Sleeping at last Song sound speech spondees stanza stress structure Swinburne Swinburne's temporal Tennyson's theory thou three syllables time-measure time-spaces tion triple falling triple metre triple periods triple rhythm triplets trisyllables trochee type of verse uniformity units usually utterance vowel words write
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90 ÆäÀÌÁö - Over the lakes and the plains. Wherever he dream, under mountain or stream. The Spirit he loves remains; And I all the while bask in heaven's blue smile, Whilst he is dissolving in rains.
90 ÆäÀÌÁö - I sift the snow on the mountains below, And their great pines groan aghast ; And all the night 'tis my pillow white, While I sleep in the arms of the blast.
76 ÆäÀÌÁö - O'er bog or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
124 ÆäÀÌÁö - All along the valley, stream that flashest white, Deepening thy voice with the deepening of the night, All along the valley, where thy waters flow, I walk'd with one I loved two and thirty years ago. All along the valley while I walk'd today, The two and thirty years were a mist that rolls away; For all along the valley, down thy rocky bed Thy living voice to me...
117 ÆäÀÌÁö - Alas! they had been friends in youth; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
54 ÆäÀÌÁö - Speak to Him thou for He hears, and Spirit with Spirit can meet — Closer is He than breathing, and nearer than hands and feet.
122 ÆäÀÌÁö - Is it so small a thing To have enjoy'd the sun, To have lived light in the spring, To have loved, to have thought, to have done; To have advanced true friends, and beat down baffling foes...
109 ÆäÀÌÁö - The fair breeze blew, the white foam flew, The furrow followed free ; We were the first that ever burst Into that silent sea...
129 ÆäÀÌÁö - Like leviathans afloat, Lay their bulwarks on the brine; While the sign of battle flew On the lofty British line : It was ten of April morn by the chime : As they drifted on their path, There was silence deep as death; And the boldest held his breath, For a time. But the might of England flushed To anticipate the scene; And her van the fleeter rushed O'er the deadly space between. 'Hearts of oak!
38 ÆäÀÌÁö - ... once through Tara's halls The soul of music shed, Now hangs as mute on Tara's walls As if that soul were fled. So sleeps the pride of former days, So glory's thrill is o'er, And hearts that once beat high for praise Now feel that pulse no more. No more to chiefs and ladies bright The harp of Tara swells : The chord alone, that breaks at night, Its tale of ruin tells. Thus Freedom now so seldom wakes, The only throb she gives Is when some heart indignant breaks, To show that still she lives.