A Study of MetreG. Richards, 1903 - 159페이지 |
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29개의 결과 중 1 - 5개
3 페이지
... stress , or yet again by musical notes , are put forward as by themselves constituting verse . I maintain that this view is fundamentally fallacious . It assumes suc- cessions which do not exist . Uniformity is claimed where there is ...
... stress , or yet again by musical notes , are put forward as by themselves constituting verse . I maintain that this view is fundamentally fallacious . It assumes suc- cessions which do not exist . Uniformity is claimed where there is ...
20 페이지
... stress . " Such analysis might probably reveal undue narrowness and artificiality in the definitions of our schools , and in my belief would exhibit English accent as com- pounded usually of both stress and tone , while dura- tion of ...
... stress . " Such analysis might probably reveal undue narrowness and artificiality in the definitions of our schools , and in my belief would exhibit English accent as com- pounded usually of both stress and tone , while dura- tion of ...
21 페이지
... the former being concerned chiefly with sentences ; but their physical constitution is surely identical . Are they not merely two names for one thing ? 1 gradations of stress , the modulations of voice , what 21 A STUDY OF METRE.
... the former being concerned chiefly with sentences ; but their physical constitution is surely identical . Are they not merely two names for one thing ? 1 gradations of stress , the modulations of voice , what 21 A STUDY OF METRE.
22 페이지
Thomas Stewart Omond. gradations of stress , the modulations of voice , what have been well called the " tunes of speech , " 1 domin- ate our most trivial conversation ; in serious and impassioned oratory they become still more ...
Thomas Stewart Omond. gradations of stress , the modulations of voice , what have been well called the " tunes of speech , " 1 domin- ate our most trivial conversation ; in serious and impassioned oratory they become still more ...
23 페이지
... stress on ' own , " or on " time , " or on both . The first line of " Paradise Lost " varies in accentuation with the importance given to " first , " to the " dis- " of " ' disobedience , " and so forth . How can any stable structure be ...
... stress on ' own , " or on " time , " or on both . The first line of " Paradise Lost " varies in accentuation with the importance given to " first , " to the " dis- " of " ' disobedience , " and so forth . How can any stable structure be ...
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A. J. Ellis accent amphibrach analysis anapaests blank Browning's cadence chapter choriambs common consonants contain Coventry Patmore critics dactyls dissyllabic dissyllable doubt dropped syllable duple and triple duple metre duple period duple rising duple verse effect English metre English prosody English verse equal fact feet followed four syllables Greek heroic line heroic verse hexameter higher critic iambic iambs Ibid instances italicized syllables latter length less measure metrical metrists Milton monopressure naturally number of syllables occupy Paradise Lost pause Poems and Ballads poetry poets principle Prof prose quadruple quantity quoted reader rhyme rhythmical rule scansion seems silent Sleeping at last Song sound speech spondees stanza stress structure Swinburne Swinburne's temporal Tennyson's theory thou three syllables time-measure time-spaces tion triple falling triple metre triple periods triple rhythm triplets trisyllables trochee type of verse uniformity units usually utterance vowel words write
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90 페이지 - Over the lakes and the plains. Wherever he dream, under mountain or stream. The Spirit he loves remains; And I all the while bask in heaven's blue smile, Whilst he is dissolving in rains.
90 페이지 - I sift the snow on the mountains below, And their great pines groan aghast ; And all the night 'tis my pillow white, While I sleep in the arms of the blast.
76 페이지 - O'er bog or steep, through strait, rough, dense, or rare, With head, hands, wings, or feet, pursues his way, And swims, or sinks, or wades, or creeps, or flies.
124 페이지 - All along the valley, stream that flashest white, Deepening thy voice with the deepening of the night, All along the valley, where thy waters flow, I walk'd with one I loved two and thirty years ago. All along the valley while I walk'd today, The two and thirty years were a mist that rolls away; For all along the valley, down thy rocky bed Thy living voice to me...
117 페이지 - Alas! they had been friends in youth; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain.
54 페이지 - Speak to Him thou for He hears, and Spirit with Spirit can meet — Closer is He than breathing, and nearer than hands and feet.
122 페이지 - Is it so small a thing To have enjoy'd the sun, To have lived light in the spring, To have loved, to have thought, to have done; To have advanced true friends, and beat down baffling foes...
109 페이지 - The fair breeze blew, the white foam flew, The furrow followed free ; We were the first that ever burst Into that silent sea...
129 페이지 - Like leviathans afloat, Lay their bulwarks on the brine; While the sign of battle flew On the lofty British line : It was ten of April morn by the chime : As they drifted on their path, There was silence deep as death; And the boldest held his breath, For a time. But the might of England flushed To anticipate the scene; And her van the fleeter rushed O'er the deadly space between. 'Hearts of oak!
38 페이지 - ... once through Tara's halls The soul of music shed, Now hangs as mute on Tara's walls As if that soul were fled. So sleeps the pride of former days, So glory's thrill is o'er, And hearts that once beat high for praise Now feel that pulse no more. No more to chiefs and ladies bright The harp of Tara swells : The chord alone, that breaks at night, Its tale of ruin tells. Thus Freedom now so seldom wakes, The only throb she gives Is when some heart indignant breaks, To show that still she lives.