The Poetic Birth: Milton's Poems of 1645Scolar Press, 1991 - 249페이지 This book offers a reading of most of the poems collected by Milton in his youth and early maturity for Humphrey Moseley's publication of "The Poems of Mr John Milton" in 1645. The edition is examined as a poetic and political manifesto, anticipating many of the ideas more fully discussed in "Paradise Lost". Dr Moseley examines the development of Milton's poetic calling, its origins, authority and national importance, and sets these ideas in their European context. Also explored is Milton's inheritance not only from Classical authors but also from the Italians and Spenser. Dr Moseley then draws attention to the significant structure of the 1645 volume and discusses the manner in which Milton presents material, which was originally written for one audience and context, to another set of readers who knew him as a highly active political figure and who were intended to read this book in the months after the battle of Naseby. A prose translation of all the Latin poems is included. |
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148 페이지
... called a stanza divisa ) . One or other of the two parts might divide , too : if the first part was undivided , it was called the fronte ; if divided , the divisions were called piedi . An undivided second part was called the sirima or ...
... called a stanza divisa ) . One or other of the two parts might divide , too : if the first part was undivided , it was called the fronte ; if divided , the divisions were called piedi . An undivided second part was called the sirima or ...
188 페이지
... called it nearly a century before , an imitation in its order and pattern of the great dance of the heavens , as Sir John Davies of Hereford called it only a few years before , is grotesque when performed by such monsters ; and ...
... called it nearly a century before , an imitation in its order and pattern of the great dance of the heavens , as Sir John Davies of Hereford called it only a few years before , is grotesque when performed by such monsters ; and ...
203 페이지
... called Comus until it was ' Adapted to the Stage ' by Dr John Dalton in 1738. Lawes and Milton called it merely ' A Mask , presented at Ludlow Castle ' . 4. Alexander Gil , the son of Milton's old headmaster at St Paul's , was fined ...
... called Comus until it was ' Adapted to the Stage ' by Dr John Dalton in 1738. Lawes and Milton called it merely ' A Mask , presented at Ludlow Castle ' . 4. Alexander Gil , the son of Milton's old headmaster at St Paul's , was fined ...
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Aeneid ancient argument audience called Cambridge canzone century chastity Christ Christian Church Classical Comus contemporaries Damon Dante darkness death developed Diodati discussion divine earth echo Eclogue Elegy England English epic example Faerie Queene father glimpse Go home unfed God's gods Greek harmony heaven heavenly holy human hymn idea Il Penseroso important Italian John Milton Jove King L'Allegro Lady language Latin learned lines literary look Lycidas Mansus Marsilio Ficino masque matter Milton mind moral Muses Nativity Ode nature Neoplatonic Orpheus Ovid Paradise Lost paragraph Passion pastoral Penseroso Petrarch philosophical Phoebus Platonic pleasure poem poet poetic poetry political psalms readers Renaissance rhetoric rhyme seems sense serious Shepheardes Calendar shepherds singing Smectymnuus Solemn Music song Sonnet sort soul speech Spenser Spirit stanza stresses structure suggests symbolic Tasso Theocritus things understanding University Press Vergil verse virtue vision visual voice words writing