Tragedy's Insights: Identity, Polity, Theodicy

action Aeschylus Alfieri appears Aristophanes Aristotle asks audience becomes called characters Christ Claudius comedy concern confidence course court critical Cycle David death devils drama earlier effect emotions enemy especially Eteocles Euripides example fact fear feel final forces friendly friends friendship ghost give Greek Greek tragedy Guildenstern Hamlet hand Horatio human Ibsen identity implies important ironic James James's John kind King Laertes later less London lord meaning metaphoric Michal moral motives nature notes Odysseus offers once Oxford Passion perhaps pity play political possible present prince reason reference responds Rosencrantz Samuel Saul says scene seeks seems sense Shakespeare share shows speak speech stage Studies suffering suggests theater theme Timon tion tragedy tragic true turn University Press York