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as fast as sound learning decays. We | same time, so simple and comprehencommenced our remarks with a sin-sive, that the most ordinary undercere desire to contribute our mite to-standings can reach their highest conwards the promotion of a better state ceptions. Here is a sky serenely gay, of things. How far our philanthropic where the brightest genius of the pointentions will be ultimately crowned etic muse might employ his minstrelsy, with success, we cannot pretend to and sing and roam for the whole period say, as it must depend upon others of his mortal existence; and after his more than ourselves. And as we do threescore years and ten" should not presume to prophesy as well as to have revolved, he would leave the preach, we cannot perhaps do bet-greater part of these celestial regions ter than close our paper, and try to mend our pen.

A TOWNSMAN.

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to be traversed by those who should feel disposed to retouch the consecrated lyre.

But, however high our expectations respecting these poems were raised by these auspicious prognostics, they were fully counterbalanced by the disappointment which ac

REVIEW. Scripture Similitudes, con-
sisting of about 450 short Poems, on
Sacred Metaphors, selected from the
Holy Scriptures. By Thomas Gale.companied a perusal of them. With
Longman & Co. pp. 156. 1821.

In our reviews of books, we endeavour always to be governed by three motives, viz. candour to the author, fidelity to the trust reposed in us, and justice to the public at large. We, however, find, in adhering to these principles, that difficulties will frequently occur, which, without either giving offence, or acting inconsistently with our station, we cannot easily adjust.

two or three exceptions, though 450 in number, these poems consist of no more than two verses each, and of these, the first which caught our attention were the following, the grammatical accuracy of which we are not much disposed to admire.

"Frogs exist in marshy lands,
Where mud and filth abounds,
And spread abroad like human clans,
O'er all the verdant grounds.

Fit emblem of the croaking tribe,

Of Romish monks and priests,
Who o'er the souls of men preside,
Aud on church livings feasts."

p. 63.

It would at all times give us pleasure, could we recommend an author to the particular patronage and regard of a liberal public, for his meritorious services in the cause of literature and Mr. Gale, as if conscious that he usefulness; while, on the contrary, could not urge the scriptures as the it is no less a painful duty to dis-basis of his poems too often, has not charge, when we feel ourselves imperatively called upon to hold him up to receive that public chastisement, which his folly, his ignorance, or his presumption, might have taught him to expect.

contented himself with using tautology in "Scripture Similitudes," and

66

Sacred Metaphors," but he has had recourse to a third expedient in com"Sepound tautology; and added, lected from the Holy Scriptures." This We have looked forward with no mode of expression, we presume, Mr. small degree of pleasure to the peru- G. would call "exhausting idea in sal of this work, which, published by language." He sets out in his preone of the first booksellers in this face with great professions of "difficountry, and bearing a title announc-dence;" and it would have given us ing 450 Poems on Scripture Similitudes, was adapted to excite considerable interest and expectation. We are aware that a book of this nature has been long wanted, calculated as it would be, if composed with talent, to produce the most beneficial consequences.

The metaphors and imagery of scripture, are, at once, the most sublime that were ever penned; and, at the

much pleasure to have found those
professions realized in the work; but
we conceive that the following ex-
tracts will prevent our readers, amidst
his literary carnage, from charging him
with "extreme diffidence:"

"Christ was the angel who appear'd
To all the ancient saints,
Him whom the patriarchs rever'd,
And sought in their complaints."

P.

"Absurd and foolish is their pains

Who hew a broken stone To catch the soft descending rain, And trust to that alone."

p. 22.

Had Mr. Gale understood the first elements of the English language, he never would have evinced so much ignorance of them as he has so unfortunately displayed, in using the objective case instead of the nominative, to the first word "Him" in the third line of the first stanza; and the singular verb "is" to the plural nominative “pains” in the first line of the second

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Until the storm is spent aroused by each event, And scolding brings the conflict to an end." p. 34.

«He bore with i̟zmony and shame,
To make our peace with God.”
p. 36.

We presume that Mr. Gale's poetry, eosts bia Vile trouble; for it appears, from the above quotation, that when a lise extends beyond its proper length,

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What an incalculable benefit would Mr. Gale confer upon all the inhabitants of the world, if he would make known where these candlesticks of such singular and useful properties could be purchased! We had the misfortune while writing the above quotation, as if some fatality had hung over us, to snuff out our candle, and we should have felt much pleasure in seeing Mr. Gale's position verified; bat, alas! we found that our candlestick was not of the same luminous manufacture!

In contemplating the destruction of the world, Mr. G. says:

"Earth's axle-tree shall then turn round
The spacious firmament,
In Caming folds securely bound,
Like scrolls of old parchment."

p. 117.

Amidst the variety of quotations which we have made from this work, (not tending, we confess, to elevate Mr. G. to a very distinguished place among the Brish Poets,) we must not forget one on Day Spring, which, though not above mediocrity, is greatly superior to any other in the vo

lume.

Tis when the blashing east
To selice man and beast,
Proclaims the near approach of morn and day;
The phantoms all retreat,
And seek their native seat.
Nor longer in the mocnlight radiance play.

So Jesus first employs
A morning bress of toys,
Before he shines with lustre on the soul;
He hides affiction's star,
Before he monis dis ear,

he has the surprising fietlity of redue. The mind and wis majestic to controul."
ing words as many sy lables as he may
fnd necessary, though he make them
at last no words at all.

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p. 41.

We have thus taken a more extended view of this work than we had originally inteeded; and we cannot but feel surprised, that any person who had the foundation of his superstructure securely laid, with education however lim sed, could have executed a task so badly as Mr. Gale has done. The only essential qualification for poetry, in his view, appears to be

a jingling rhyme ;" and if this were the only requisite, we should say, that be has shown himself a very bad musician. Instead of that easy, flowing vein of beautiful and lofty conception, which pervades all scripture imagery, he has substituted what is vulgar, inconsistent, and absurd. To say that these poems are "Scripture SimiliThe author having examined a catudes," is to utter little less than pro-talogue of books which he had profanation against the sacred volume. cured for inspection, proceeds as So far are these poems from being cal- follows:culated to lead youth to the fountain, to "drink of the pure unadulterated stream;" that they present every stimulus to a distaste; and to cause them to turn aside with disgust and abhorrence. We do not charge Mr. Gale with this intention: we think his motives truly laudable; but unfortunately his poetic abilities are not commensurate with the purity of his intentions. He has done little for his muse, and the muse seems to have done as little for him.

through a field of margin. We do not, however, intend by this remark to intimate, that he has done this with a design to levy a tax on the pockets of his customers. It falls in with the plan he has adopted, and unites with his language to satirize the folly of the age.

We are entirely unacquainted with Mr. Gale personally; and can have no invidious object in the publication of these remarks. It would have been more congenial to our feelings had we not even known him now by his name; but we have only to hope that this may be a fictitious appellation, or a "similitude;" by which he may learn prudence and wisdom, in private, without exposing his feelings to the darts of those who are acquainted with him in public. At all events, it would have been well had Mr. G. received a little judicious tuition from his printer, as it regards the insertion of his name in the title-page: he would, no doubt, have advised Mr.G.to follow a similar course which he had marked out for himself, viz. the omission of it altogether.

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With eager mind I had already marked

Full twenty books for John to fetch me home;

When I perceived (just then the yard-dog
barked,

I looked, and saw his mouth began to foam)
Well, as I said, I had just then remarked,
That in my list I had omitted some
Wrote by Lord Byron, Beppo, and Don Juan,
So I destroyed my list, and wrote a "new

one.'

I rang the bell, and John that instant came : "I like to be particular in" all;

If he had not he would have been to blame; Servants should always mind their master's call:

I would have gone myself, but I was lame,

The splinter had so hurt me, though 'twas
small:

"Go, John," said I," and purchase me these
books:"
I saw John thought this curious, by his looks.
John soon returned, and I began to look

I

At what I thought must surely be a prize: found that I most certainly mistook,

For nought alighted on my eager eyes
But white-white-white; and scarcely thro'
the book,

Could I perceive one ray of black arise:
But now and then I found some in the middle,
And what the rest is for I can't unriddle.
I closed the book, and viewed it round and

round,

Exclaiming thus: Cette guinee et une demie,

Has sent but little back, 'tis well I've found
So nice a way, where none can sure condemn

me,

To rid myself of any idle pound:

Lord Byron's works are precious as a gem -he, As I should think, must want some "good old

vice, "And so has taken up with avarice." p. 12.

After many unnecessary digressions, promises of amendment, relapses into trifles, and chidings of himself in a strain of admirable imitation, the author contrives to get through the poem, and, having laid it on his table, and fallen into a train of serious reflection on its tendency, and the debasement of the human intellect, he is interrupted by the entrance of a doubtful stranger, who is thus introduced;→

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He answered not; I looked-his lips were blue,

The sofa seemed to tremble as he sat ; I thought it strange he neither moved nor spoke,

Nor deigned to notice me save by his look.

I looked again-his cheeks were pale and wan, His languid eyes deep sunk within his head, His body gaunt, just like a skeleton,

In short, he seemed as risen from the dead: This was not pleasant, I must frankly own; I felt, I know not what, a kind of dread, Such as 'tis said ghosts cause when they

appear;

That could not be with me,-I never fear.

Again I said, ""Tis very cold to-night,

"How very different this from Italy."My guest replied, "Sir, you are there quite right."

"You, Sir, have been to Italy, I see!""I have, Sir, now-a-days 'tis requisite ; "You pass unheeded till you've crossed the

sea;

"As if a few hours spent upon the ocean, "Would wash away your dulness like a lotion."

"Pray, did you chance to meet a British Peer, "Of noble race, of noble talents too, "The author of Don Juan?-It is here :"

(I turned the book, and opened it to view.) "No: but I've read his works, and I declare "Whenever I read them they appear still

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It glanced on me a galling, piercing look: "I so admire this work, that not one page, "One letter, should be taken from this book: Though I am past my strong meridian age, "The height of passion, yet I could not brook [flung "To see this work diminished,"-down he The poem, and the room resounding rung. p. 35-37.

From the preceding lines, the chapersonage, who thus comes forward to racter and name of this extraordinary admire and defend Don Juan, will be easily understood by our readers; but although his applauses seem to be unbounded, few among them we conceive would wish to have so warm an admirer. In a manner similar to that which the preceding stanzas describe, the dialogue continues till

The stranger's patience now was gone completely:

He rose at once, and to exasperation, Hellish and harsh, gave way-not quite dis

creetly,

Though he had perfected his preparation, He might have had it blazen forth more neatly: His rage produced the dreadful aberration Which happened afterwards-it came like Filling my heart with horror, fear, and wonder. thunder,

Up rose the stranger, and at once appeared
A dreadful goblin full before my view;
Sounds superhuman I distinctly heard,

Which every moment louder-louder grew: My anxious mind was suddenly transferred

To some development entirely new, The boards below began to crack and shake, Then all entwined beneath me, like a snake. My fire and candles burnt both blue and dim, And I was motionless on the small space I had to stand on; I looked up at him Who was my guest-how dreadful was his face?

Dark, sallow, hideous, and every limb

So altered and disfigured, none could trace A semblance of my guest; around me stood A host of sprites in threatening attitude.

The room was dark, and all around the walls
I saw a host of ghastly phantoms cling;
I heard the most affrighting dismal calls

Echo beneath, because they did not bring
Some mirror which they have within their halls,
To help my feeble sight.-I heard them fling
It up at last-in one short moment they
So fixed it, that I saw as clear as day.

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Anxious I stood, expecting when their flight
Should be begun, when suddenly appeared
A giant ghost from out the caves of night;
All then gave way as though he were re-
vered;

He seized my table, and with monstrous might Threw it direct towards me-much I feared "Twould do me hurt; so when I saw it rise, Shuddering I raised my hands to screen my eyes.

Expecting nought but death, I covered still My agitated eyes with trembling hands; At length I heard no noise, I felt no ill,

I took my hands away. Where are those bands,

Those spectre groups, which made my blood ran chill?

Where is my guest? Lo! here my table stands!

My fire and candles regularly burn!
And all is quiet! What a sudden turn!

p. 67.

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REVIEW. The Pleasures of Home. with other Poems. By R. Porter, Second Edition, 8vo. pp. 139. London, Baldwin, Cradock, and Joy; Longman, and Co. 1821.

THE Pleasures of Home are not altogether unknown, even in savage life; but it is in civilized society, uncontaminated by artificial refinements, that we must expect to find domestic felicity blooming in perfection. To describe these pleasures, many "prosemen and verse-men" have employed their powers, with considerable success; but such are the nectarious streams which flow from this perennial fountain, that it is incessantly teeming with enjoyments that no genius can fully exhaust.

The work before us is an amiable production of the muse, abounding with simplicity of scenery, and exhibiting, in appropriate language, a considerable degree of strong natural feeling. The only philosophy to which the author makes any pretensions, is, the philosophy of nature, which rises superior to the sophistications of metaphysical intricacies, and sheds a lustre around it, without the blandishments of art. The diction is flowing, easy, and harmonious; and the features of rural and domestic life, are exhibited in pleasing variety. The following passage will exemplify the truth of some of these remarks.

"There is a time, which each revolving

year

To Britain's isle brings round, (when wint'ry

storms

And cheerless darkness form the lengthen'd eve ;)

A few delightful hours I would not change
For crowded routs, or all the fancied bliss
Of reeling revelry. The dusky day
Steals early into night; the busy wife
Heaps on the glowing grate the melting coals
Or crackling billet; while to future peace
The kettle sings a simple overture.
The rattling china next, graces the board,
In usual order rang'd; the curtain then
To shield the penetrating breeze is drawn;
The well-accustom'd chair with high-rais'd

arms,

And cushion form'd for perfect ease, they wheel

To the known place of comfort, where the wind,

From op'ning doors or ill-join'd casements

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