An Essay on English Poetry: With Notices of the British PoetsJ. Murray, 1848 - 436ÆäÀÌÁö |
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... spirit and interest , as the preparatory images of a consecrated warfare . And those spectacles con- stituted a source of description to the romancers , to which no exact counterpart is to be found in the heroic poetry of antiquity ...
... spirit and interest , as the preparatory images of a consecrated warfare . And those spectacles con- stituted a source of description to the romancers , to which no exact counterpart is to be found in the heroic poetry of antiquity ...
32 ÆäÀÌÁö
... spirit , that is not wholly without its attraction and delight . Chaucer was afterwards happily drawn to the more natural style of Boccaccio , and from him he derived the hint of a subject * in which , besides his own original portraits ...
... spirit , that is not wholly without its attraction and delight . Chaucer was afterwards happily drawn to the more natural style of Boccaccio , and from him he derived the hint of a subject * in which , besides his own original portraits ...
33 ÆäÀÌÁö
... spirit among his contemporaries , his character has none of the bold originality which stamps an influence on the literature of a country . He was not , like Chaucer , a patriarch in the family of genius , the scattered traits of whose ...
... spirit among his contemporaries , his character has none of the bold originality which stamps an influence on the literature of a country . He was not , like Chaucer , a patriarch in the family of genius , the scattered traits of whose ...
34 ÆäÀÌÁö
... spirit was thus brutalised , whilst the value and security of life were abridged , whilst the wealth of the rich was employed only in war , and the chance of patronage taken from the scholar , in Italy princes and magistrates vied with ...
... spirit was thus brutalised , whilst the value and security of life were abridged , whilst the wealth of the rich was employed only in war , and the chance of patronage taken from the scholar , in Italy princes and magistrates vied with ...
35 ÆäÀÌÁö
... spirit of religion ; and from this single proud and elevated point of its character it was now to be crushed and beaten down . Some- times a baffled struggle against oppression is more depressing to the human faculties than continued ...
... spirit of religion ; and from this single proud and elevated point of its character it was now to be crushed and beaten down . Some- times a baffled struggle against oppression is more depressing to the human faculties than continued ...
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admiration afterwards amidst amusing ancient appear ballad beauty Ben Jonson biographer Born century certainly character Chaucer church circumstances comedy court Cowper Creusa death Died drama Dryden Earl eclogues Edinburgh edition England English English poetry entitled exhibits expression fancy father feeling fiction Fletcher French gave genius Gorboduc grace Henry honour humour imagination imitation interest Jonson Joseph Warton King Lady language Layamon letters literary lived London Lord manners married Milton mind Mirror for Magistrates moral Muse native nature night Oxford passage passion period pieces poem poet poet's poetical poetry Pope probably prose published Queen racter reign returned rhyme Robert of Gloucester romance satire Saxon says scene Scotland Scottish seems Shakspeare Sir Walter Scott Spenser spirit story style supposed Surrey taste Thomas Thomas Warton thought tion tragedy translation verse versifier Warton William writer written wrote Xuthus
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111 ÆäÀÌÁö - He scarce had ceased, when the superior fiend Was moving toward the shore: his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
112 ÆäÀÌÁö - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
114 ÆäÀÌÁö - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
397 ÆäÀÌÁö - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
67 ÆäÀÌÁö - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
115 ÆäÀÌÁö - All things are hush'd as Nature's self lay dead, The mountains seem to nod their drowsy head : The little birds in dreams their songs repeat, And sleeping flowers beneath the night dews sweat. Even lust and envy sleep...
112 ÆäÀÌÁö - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art; an epithet or metaphor drawn from Art degrades Nature.
96 ÆäÀÌÁö - GATHER ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former.
328 ÆäÀÌÁö - His best companions, innocence and health; And his best riches, ignorance of wealth. But times are alter'd; trade's unfeeling train Usurp the land and dispossess the swain; Along the lawn, where scatter'd hamlets rose, Unwieldy wealth and cumbrous pomp repose; And every want to luxury allied, And every pang that folly pays to pride.
114 ÆäÀÌÁö - What modes of sight betwixt each wide extreme, The mole's dim curtain and the lynx's beam ! Of smell, the headlong lioness between And hound sagacious on the tainted green ! Of hearing, from the life that fills' the flood To that which warbles through the vernal wood ! The spider's touch, how exquisitely fine ! Feels at each thread, and lives along the line...