Rhapsody in Red: How Western Classical Music Became ChineseAlgora Publishing, 2004 - 362페이지 Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music entered China, and how it became Chinese. China's oldest orchestra was founded in 1879, two years before the Boston Symphony. Since then, classical music has woven its way into the lives of ordinary Chinese people. Millions of Chinese children take piano and violin lessons every week. Yet, despite the importance of classical music in China - and of Chinese classical musicians and composers to the world - next to nothing has been written on this fascinating subject. The authors capture the events with the voice of an insider and the perspective of a Westerner, presenting new information, original research and insights into a topic that has barely been broached elsewhere. "Every chapter is as exiting as it is revealing. The book is thoroughly researched, with superb bibliography. I am ecstatic; my students will be electrified." - Clive M. Marks, Chairman, The London College of Music, Trestee, Trinity College of Music and The London Philarmonic Orchestra |
목차
1 | |
17 | |
45 | |
Chapter 3 Sowing and Reaping | 89 |
Chapter 4 The Orphaned Island | 133 |
Chapter 5 From Classical To Communist | 159 |
Chapter 6 New Realities and New Challenges | 189 |
Chapter 7 The Cultural Revolution | 225 |
Chapter 8 Music and Power | 265 |
Chapter 9 The New Era | 299 |
Postlude | 335 |
Bibliography | 341 |
Index | 353 |
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