PART THE FIFTH. GRACE. I. AMONG the guests who often staid II. He was a mighty poet-and All things he seemed to understand, But his own mind-which was a mist. III. This was a man who might have turned Trusted, and damned himself to madness. IV. He spoke of poetry, and how "Divine it was-a light-a love— A spirit which like wind doth blow As it listeth, to and fro; A dew rained down from God above. V. A power which comes and goes like dream, And which none can ever trace Heaven's light on earth-Truth's brightest beam." And when he ceased there lay the gleam Of those words upon his face. VI Now Peter, when he heard such talk, VII. At night he oft would start and wake. In a wild measure songs to make And on the heart of man-1 VIII. And on the universal sky And the wide earth's bosom green, And the sweet, strange mystery Of what beyond these things may lie, IX. For in his thought he visited The spots in which, ere dead and damned, He his wayward life had led; Yet knew not whence the thoughts were fed, 1 In Mrs. Shelley's editions there is a full-stop here. X. And these obscure remembrances XI. For though it was without a sense He knew something of heath, and fell. XII. He had also dim recollections Of pedlars tramping on their rounds; Milk-pans and pails; and odd collections Of saws, and proverbs; and reflections Old parsons make in burying-grounds. XIII. But Peter's verse was clear, and came It augured to the Earth. XIV. Like gentle rains, on the dry plains, XV. For language was in Peter's hand, Gave twenty pounds for some;-then scorning A footman's yellow coat to wear, Peter, too proud of heart, I fear, Instantly gave the Devil warning. XVII. Whereat the Devil took offence, And swore in his soul a great oath then, 1 Mr. Rossetti suggests the substitution of for for to, so as to bring for mountain Cotter "in apposition with for all the land; but I am convinced that no such change should be made, and that no such apposition is meant: the signification seems to me to be that Peter made songs, not that were sweet to all the land, but that were simply sweet,-sweet to the heart and understanding,-sweet as late pipkins to a mountain Cotter,-and that these songs were for all the land. I should have thought it impossible to misunderstand the phrase as an inversion of " songs as sweet for all the land both to feel and to understand, as late pipkins to a mountain Cotter and in no other way can there be any question of such an apposition as Mr. Rossetti suggests. 2 Wordsworth's publishers at that time were the Longman firm,-then Longman, Hurst, Rees, Orme and Brown. I think with Mr. Rossetti that the missing name if any was a monosyllable; and it may have been one of the monosyllabic names of that firm. It is, however, quite conceivable that Shelley meant us to read "Mr. Dash, the bookseller." PART THE SIXTH. DAMNATION. I. "O THAT mine enemy had written A book!"-cried Job:- -a fearful curse; If to the Arab, as the Briton, 'Twas galling to be critic-bitten: The Devil to Peter wished no worse. II. When Peter's next new book found vent, A copy of it slily sent, With five-pound note as compliment, III. Then seriatim, month and quarter, IV. Another-" Let him shave his head 1 Mr. Rossetti says there is "no rhyme" to head, and suggests top or crop as an emendation. I protest against such a change. It is rather an VOL. III. agreeable variation that head rhymes with bed in the last line of the preceding stanza. Similarly I should strongly object to the introduction of |