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On arriving, he was flushed, fussy, embarrassed, over ceremonious, and ill at ease, evidently thinking a great deal of himself and very little of others. He had learnt his manners, as I have said, during the Regency, when society was more exclusive than even now, and consequently more vulgar.

To know an author, personally, is too often but to destroy the illusion created by his works; if you withdraw the veil of your idol's sanctuary, and see him in his night-cap, you discover a querulous old crone, a sour pedant, a supercilious coxcomb, a servile tuft-hunter, a saucy snob, or, at best, an ordinary moital. Instead of the high-minded seeker after truth and abstract knowledge, with a nature too refined to bear the vulgarities of life, as we had imagined, we find him full of egotism and vanity, and eternally fretting and fuming about trifles. As a general rule, therefore, it is wise to avoid writers whose works amuse or delight you, for when you see them they will delight you no more. Shelley was a grand exception to this rule. To form a just idea of his poetry, you should have witnessed his daily life; his words and actions best illustrated his writings. If his glorious conception of Gods and men constituted an atheist, I am afraid all that listened were little better. Sometimes he would run through a great work on science, condense the author's labored exposition, and by substituting simple words for the jargon of the schools, make the most abstruse subject transparent. The cynic Byron acknowledged him to be the best and ablest man he had ever known.

SHELLEY NOT A SWIMMER.

The truth was, Shelley loved everything better than himself. Self-preservation is, they say, the first law of nature, with him it was the last; and the only pain he ever gave his friends arose from the utter indifference with which he treated everything concerning himself. I was bathing one day in a deep pool in the Arno, and astonished the Poet by performing a series of aquatic gymnastics, which I had learnt from the natives of the South Seas. On my coming out, whilst dressing, Shelley said, mournfully,

"Why can't I swim, it seems so very easy?

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I answered, "Because you think you can't. If you determine, you will; take a header off this bank, and when you rise turn on your back, you will float like a duck; but you must reverse the arch in your spine, for it's now bent the wrong way."

He doffed his jacket and trousers, kicked off his shoes and socks, and plunged in; and there he lay stretched out on the bottom like a conger eel, not making the least effort or struggle to save himself. He would have been drowned if I had not instantly fished him out. When he recovered his breath, he said:

"I always find the bottom of the well, and they say Truth lies there. In another minute I should have found it, and you would have found an empty shell. It is an easy way of getting rid of the body."

"What would Mrs. Shelley have said to me if I had gone back with your empty cage?"

"Don't tell Mary-not a word!" he rejoined, and then continued, "It's a great temptation; in another minute, I might have been in another planet."

"But as you always find the bottom," I observed, "you might have sunk 'deeper than did ever plummet sound.'"

"I am quite easy on that subject," said the Bard. "Death is the veil, which those who live call life: they sleep, and it is lifted. Intelligence should be imperishable; the art of printing has made it so in this planet."

"Do you believe in the immortality of the spirit?"

He continued, "Certainly not; how can I? We know nothing; we have no evidence; we cannot express our inmost thoughts. They are incomprehensible even to ourselves."

"Why," I asked, "do you call yourself an atheist ? it annihilates you in this world."

"It is a word of abuse to stop discussion, a painted devil to frighten the foolish, a threat to intimidate the wise and good. I used it to express my abhorrence of superstition; I took up the word, as a knight took up a gauntlet, in defiance of injus

tice. The delusions of Christianity are fatal to genius and originality they limit thought."

SHELLEY'S FORGETFULNESS.

Shelley's thirst for knowledge was unquenchable. He set to work on a book, or a pyramid of books; his eyes glistening with an energy as fierce as that of the most sordid gold-digger who works at a rock of quartz, crushing his way through all impediments, no grain of the pure ore escaping his eager scrutiny. I called on him one morning at ten, he was in his study with a German folio open, resting on the broad marble mantelpiece, over an old-fashioned fire place, and with a dictionary in his hand. He always read standing if possible. He had promised over night to go with me, but now begged me to let him off. I then rode to Leghorn, eleven or twelve miles distant, and passed the day there; on returning at six in the evening to dine with Mrs. Shelley and the Williams's, as I had engaged to do, I went into the Poet's room and found him exactly in the position in which I had left him in the morning, but looking pale and exhausted.

“Well,” I said, “have you found it?"

Shutting the book and going to the window, he replied, "No, I have lost it :" with a deep sigh: “I have lost a day.'” "Cheer up, my lad, and come to dinner."

Putting his long fingers through his masses of wild tangled hair, he answered faintly, "You go, I have dined--late eating don't do for me."

"What is this?" I asked as I was going out of the room, pointing to one of his bookshelves with a plate containing bread and cold meat on it.

"That,"-coloring,-" why that must be my dinner. It's very foolish; I thought I had eaten it."

Saying I was determined that he should for once have a regular meal, I lugged him into the dining-room, but he brought a book with him and read more than he ate. He seldom ate at stated periods, but only when hungry,-and then like the birds, if he saw something edible lying about,--but the cupboards of

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literary ladies are like Mother Hubbard's, bare. was water, or tea if he could get it, bread was literally his staff of life; other things he thought superfluous. An Italian who knew his way of life, not believing it possible that any human being would live as Shelley did, unless compelled by poverty, was astonished when he was told the amount of his income, and thought he was defrauded or grossly ignorant of the value of money. He, therefore, made a proposition which much amused the Poet, that he, the friendly Italian, would undertake for ten thousand crowns a-year to keep Shelley like a grand Seigneur, to provide his table with luxuries, his house with attendants, a carriage and opera box for my lady, besides adorning his person after the most approved Parisian style. Mrs. Shelley's toilette was not included in the wily Italian's estimates. The fact was, Shelley stinted himself to bare necessaries, and then often lavished the money, saved by unprecedented self-denial, on selfish fellows who denied themselves nothing; such as the great philosopher had in his eye when he said, "It is the nature of extreme self-lovers, as they will set a house on fire, an' it were only to roast their own eggs."

Byron on our voyage to Greece, talking of England, after commenting on his own wrongs, said, "And Shelley, too, the best and most benevolent of men; they hooted him out of his country like a mad-dog, for questioning a dogma. Man is the same rancorous beast now that he was from the beginning, and if the Christ they profess to worship reappeared, they would again crucify him.”

THE PINE FOREST OF PISA.

His pride was spiritual. When attacked, he neither fled nor stood at bay, nor altered his course, but calmly went on with heart and mind intent on elevating his species. Whilst men tried to force him down to their level, he toiled to draw their minds upwards. His words were, I always go on until I am stopped, and I never am stopped." Like the Indian palms, Shelley never flourished far from water. When compelled to take up his quarters in a town, he every morning with the

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instinct that guides the water-birds, fled to the nearest lake, river, or seashore, and only returned to roost at night. If deharred from this, he sought out the most solitary places. Towns and crowds distracted him. Even the silent and half-deserted cities of Italy, with their temples, palaces, paintings, and sculpture, could not make him stay, if there was a wood or water within his reach. At Pisa, he had a river under his window, and a pine forest in the neighborhood.

I accompanied Mrs. Shelley to this wood in search of the Poet, on one of those brilliant spring mornings we on the wrong side of the Alps are so rarely blessed with. A calêche took us out of Pisa through the gate of the Cascine; we drove through the Cascine and onwards for two or three miles, traversing the vineyards and farms, on the Grand Ducal estate. On approaching some farm buildings, near which were a hunting-palace and chapel, we dismissed the carriage, directing the driver to meet us at a certain spot in the afternoon. We then walked on, not exactly knowing what course to take, and were exceedingly perplexed on coming to an open space, from which four roads radiated. There we stopped until I learnt from a Contadino, that the one before us led directly to the sea, which was two or three miles distant, the one on the right, led to the Serchio, and that on the left, to the Arno: we decided on taking the road to the sea. We proceeded on our journey over a sandy plain; the sun being near its zenith. Walking was not included among the number of accomplishments in which Mrs. Shelley excelled; the loose sand and hot sun soon knocked her up. When we got under the cool canopy of the pines, she stopped and allowed me to hunt for her husband. now strode along; the forest was on my right hand, and extensive pastures on my left, with herds of oxen, camels, and horses grazing thereon. I came upon the open sea at a place called Gombo, from whence I could see Via Reggio, the Gulf of Spezzia, and the mountains beyond. After bathing, seeing nothing of the Poet, I penetrated the densest part of the forest, ever and anon making the wools ring with the name of Shelley, and scaring the herons

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