The Works of Shakespeare, 6±ÇMacmillan Company, 1904 |
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... HENRY THE FOURTH- Introduction Text • THE SECOND PART OF KING HENRY THE FOURTH- Text ¡¤ PAGE 5 15 121 ¡¤ • 135 249 263 • 387 THE LIFE AND DEATH OF KING JOHN VOL . VI.
... HENRY THE FOURTH- Introduction Text • THE SECOND PART OF KING HENRY THE FOURTH- Text ¡¤ PAGE 5 15 121 ¡¤ • 135 249 263 • 387 THE LIFE AND DEATH OF KING JOHN VOL . VI.
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... Henry VI . and Richard III . are fixed by Greene's diatribe to 1592-3 ; 1 and 2 Henry IV . and Henry V. by the Essex allusion in Henry V. chorus v . to 1598-9 . Far more clearly than Richard II . , King John belongs to the interim ...
... Henry VI . and Richard III . are fixed by Greene's diatribe to 1592-3 ; 1 and 2 Henry IV . and Henry V. by the Essex allusion in Henry V. chorus v . to 1598-9 . Far more clearly than Richard II . , King John belongs to the interim ...
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... Henry V. The madcap prince who shows himself a master of war and of peace the moment the need arrives , is of the same mould as the blunt soldier ' one way Plantagenet ' whose motley covered the lion's heart of Cordelion ; the mythical ...
... Henry V. The madcap prince who shows himself a master of war and of peace the moment the need arrives , is of the same mould as the blunt soldier ' one way Plantagenet ' whose motley covered the lion's heart of Cordelion ; the mythical ...
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... courteous attention and farewell , all concen- trated in eight lines ( i . 1 ) . The two great creations Constance and Arthur , also , are touched with an intensity of pathos still strange to the Shakespeare of Henry 13 Introduction.
... courteous attention and farewell , all concen- trated in eight lines ( i . 1 ) . The two great creations Constance and Arthur , also , are touched with an intensity of pathos still strange to the Shakespeare of Henry 13 Introduction.
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... Henry VII . ) bore the profile or half- face ' of the king on one side . ་ IIO . took it on his death , swore , as surely as he expected to die , that , etc. This phrase is not exactly parallel with ' took it on his salvation , ' where ...
... Henry VII . ) bore the profile or half- face ' of the king on one side . ་ IIO . took it on his death , swore , as surely as he expected to die , that , etc. This phrase is not exactly parallel with ' took it on his salvation , ' where ...
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