The Plays and Poems of William Shakspeare, 1±ÇR. C. and J. Rivington, 1821 |
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xvii ÆäÀÌÁö
... English history . I have therefore , thus far , ventured to deviate from my late friend's intention , and have placed the historical plays in a separate class . Enough will still remain to fulfil the object which Mr. Malone had in view ...
... English history . I have therefore , thus far , ventured to deviate from my late friend's intention , and have placed the historical plays in a separate class . Enough will still remain to fulfil the object which Mr. Malone had in view ...
xlvi ÆäÀÌÁö
... English man of war . Master Jonson , like the former , was built far higher in learning , solid but slow in his performances , Shakspeare , like the latter , lesser in bulk , but lighter in sailing , could turn with all tides , tack ...
... English man of war . Master Jonson , like the former , was built far higher in learning , solid but slow in his performances , Shakspeare , like the latter , lesser in bulk , but lighter in sailing , could turn with all tides , tack ...
lviii ÆäÀÌÁö
... English writers , both prior and posterior to the period in which this supposed Poet was represented to have lived , he proved that his style bore no resemblance to genuine antiquity ; and by stripping Rowley of his antique garb , which ...
... English writers , both prior and posterior to the period in which this supposed Poet was represented to have lived , he proved that his style bore no resemblance to genuine antiquity ; and by stripping Rowley of his antique garb , which ...
lxiv ÆäÀÌÁö
... English poetry which had belonged to his brother Thomas , and which he presented to Mr. Malone as the person for whom its former possessor felt the highest esteem and the most cordial regard , observes to him that his edition is " by ...
... English poetry which had belonged to his brother Thomas , and which he presented to Mr. Malone as the person for whom its former possessor felt the highest esteem and the most cordial regard , observes to him that his edition is " by ...
lxvii ÆäÀÌÁö
... English literature , will retain its value long after the trash which it was de- signed to expose shall have been consigned to oblivion . Mr. Steevens on this occasion forgot all his feelings of rivalry , and paid the following just and ...
... English literature , will retain its value long after the trash which it was de- signed to expose shall have been consigned to oblivion . Mr. Steevens on this occasion forgot all his feelings of rivalry , and paid the following just and ...
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acquaintance admirers ancient appears Ben Jonson C©¡sar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius C©¡sar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
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236 ÆäÀÌÁö - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
476 ÆäÀÌÁö - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
62 ÆäÀÌÁö - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
449 ÆäÀÌÁö - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
484 ÆäÀÌÁö - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
xlvi ÆäÀÌÁö - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
459 ÆäÀÌÁö - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
473 ÆäÀÌÁö - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
64 ÆäÀÌÁö - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
454 ÆäÀÌÁö - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress