The Plays and Poems of William Shakspeare, 1권R. C. and J. Rivington, 1821 |
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10 페이지
... more common than Actus tertia , Exit omnes , Enter three Witches solus . Their French is as bad s Enter three Witches solus . ] This blunder appears to be of as their Latin , both in construction and spelling : 6 10 MR . POPE'S PREFACE .
... more common than Actus tertia , Exit omnes , Enter three Witches solus . Their French is as bad s Enter three Witches solus . ] This blunder appears to be of as their Latin , both in construction and spelling : 6 10 MR . POPE'S PREFACE .
11 페이지
... Latin ; which is utterly inconsistent with mistakes like these . Nay , the constant blunders in proper names of persons and places , are such as must have proceeded from a man , who had not so much as read any history in any language ...
... Latin ; which is utterly inconsistent with mistakes like these . Nay , the constant blunders in proper names of persons and places , are such as must have proceeded from a man , who had not so much as read any history in any language ...
20 페이지
... Latin he was master of : but that his father being obliged , through narrowness of circumstances , to withdraw him too soon from thence , he was thereby unhappily prevented from making any proficiency in the dead languages ; a point ...
... Latin he was master of : but that his father being obliged , through narrowness of circumstances , to withdraw him too soon from thence , he was thereby unhappily prevented from making any proficiency in the dead languages ; a point ...
24 페이지
... Latin distich , which is placed under the cushion , has been given us by Mr. Pope , or his graver , in this manner : INGENIO Pylium , genio Socratem , arte Maronem , Terra tegit , populus mœret , Olympus habet . I confess , I do not ...
... Latin distich , which is placed under the cushion , has been given us by Mr. Pope , or his graver , in this manner : INGENIO Pylium , genio Socratem , arte Maronem , Terra tegit , populus mœret , Olympus habet . I confess , I do not ...
28 페이지
... Latin , his phraseology is perfectly English ; an advantage he owed to his slender acquaintance with the Latin idiom . Whereas the other writers of his age , and such others of an older date as were likely to fall into his hands , had ...
... Latin , his phraseology is perfectly English ; an advantage he owed to his slender acquaintance with the Latin idiom . Whereas the other writers of his age , and such others of an older date as were likely to fall into his hands , had ...
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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
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236 페이지 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
476 페이지 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
62 페이지 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
449 페이지 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
484 페이지 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
xlvi 페이지 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
459 페이지 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
473 페이지 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
64 페이지 - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
454 페이지 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress