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gives rise to paradoxes, and there are some very bold ones in the Essays, which would subject an author less established to no very agreeable sort of censura literaria. Thus the Chinese philosopher exclaims very unadvisedly, "The bonzes and priests of all religions keep up superstition and imposture: all reformations begin with the laity." Goldsmith, however, was staunch in his practical creed, and might bolt speculative extravagances with impunity. There is a striking difference in this respect between him and Addison, who, if he attacked authority, took care to have common sense on his side, and never hazarded any thing offensive to the feelings of others, or on the strength of his own discretional opinion. There is another inconvenience in this assumption of an exotic character and tone of sentiment, that it produces an inconsistency between the knowledge which the individual has time to acquire, and which the author is bound to communicate. Thus the Chinese has not been in England three days before he is acquainted with the characters of the three countries which compose this kingdom, and describes them to his friend at Canton, by extracts from the newspapers of each metropolis. The nationality of Scotchmen is thus ridiculed:"Edinburgh. We are positive when we say, that Sanders Macgregor, lately executed for horse

stealing, is not a native of Scotland, but born at Carrickfergus." Now this is very good; but how should our Chinese philosopher find it out by instinct? Beau Tibbs, a prominent character in this little work, is the best comic sketch since the time of Addison; unrivalled in his finery, his vanity, and his poverty.

I have only to mention the names of the Lounger and the Mirror, which are ranked by the author's admirers with Sterne for sentiment, and with Addison for humour. I shall not enter into that: but I know that the story of La Roche is not like the story of Le Fevre, nor one hundredth part so good. Do I say this from prejudice to the author? No: for I have read his novels. Of the Man of the World I cannot think so favourably as some others; nor shall I here dwell on the picturesque and romantic beauties of Julia de Roubigné, the early favourite of the author of Rosamond Gray; but of the Man of Feeling I would speak with grateful recollections: nor is it possible to forget the sensitive, irresolute, interesting Harley; and that lone figure of Miss Walton in it, that floats in the horizon, dim and ethereal, the day-dream of her lover's youthful fancy-better, far better than all the realities of life!

LECTURE VI.

ON THE ENGLISH NOVELISTS.

THERE is an exclamation in one of Gray's Letters-" Be mine to read eternal new romances of Marivaux and Crebillon !"-If I did not utter a similar aspiration at the conclusion of the last new novel which I read (I would not give offence by being more particular as to the name) it was not from any want of affection for the class of writing to which it belongs: for, without going so far as the celebrated French philosopher, who thought that more was to be learnt from good novels and romances than from the gravest treatises on history and morality, yet there are few works to which I am oftener tempted to turn for profit or delight, than to the standard productions in this species of composition. We find there a close imitation of men and manners; we see the very web and texture of society as it really exists, and as we meet with it when we come into the world. If poetry has "something more divine in it," this

savours more of humanity. We are brought acquainted with the motives and characters of mankind, imbibe our notions of virtue and vice from practical examples, and are taught a knowledge of the world through the airy medium of romance. As a record of past manners and opinions, too, such writings afford the best and fullest information. For example, I should be at a loss where to find in any authentic documents of the same period so satisfactory an account of the general state of society, and of moral, political, and religious feeling in the reign of George II. as we meet with in the Adventures of Joseph Andrews and his friend Mr. Abraham Adams. This work, indeed, I take to be a perfect piece of statistics in its kind. In looking into any regular history of that period, into a learned and eloquent charge to a grand jury or the clergy of a diocese, or into a tract on controversial divinity, we should hear only of the ascendancy of the Protestant succession, the horrors of Popery, the triumph of civil and religious liberty, the wisdom and moderation of the sovereign, the happiness of the subject, and the flourishing state of manufactures and commerce. But if we really wish to know what all these fine-sounding names come to, we cannot do better than turn to the works of those, who having no other object than to imitate nature, could only hope for success

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from the fidelity of their pictures; and were bound (in self-defence) to reduce the boasts of vague theorists and the exaggerations of angry disputants to the mortifying standard of reality. Extremes are said to meet: and the works of imagination, as they are called, sometimes come the nearest to truth and nature. Fielding in speaking on this subject, and vindicating the use and dignity of the style of writing in which he excelled against the loftier pretensions of professed historians, says, that in their productions nothing is true but the names and dates, whereas in his every thing is true but the names and dates. If so, he has the advantage on his side.

I will here confess, however, that I am a little prejudiced on the point in question; and that the effect of many fine speculations has been lost upon me, from an early familiarity with the most striking passages in the work to which I have just alluded. Thus nothing can be more captivating than the description somewhere given by Mr. Burke of the indissoluble connection between learning and nobility; and of the respect universally paid by wealth to piety and morals. But the effect of this ideal representation has always been spoiled by my recollection of Parson Adams sitting over his cup of ale in Sir Thomas Booby's kitchen. Echard

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