Lectures on the English Comic Writers: Delivered at the Surry InstitutionTaylor and Hessey, 1819 - 343ÆäÀÌÁö |
µµ¼ º»¹®¿¡¼
47°³ÀÇ °á°ú Áß 1 - 5°³
1 ÆäÀÌÁö
... persons who prefer that mode of publication , the work will also appear in numb ¡¢ rs , with a due portion of Engravings . Two may be had weekly , price 8d . each . Subscribers Names for this work are received by all Booksellers in the ...
... persons who prefer that mode of publication , the work will also appear in numb ¡¢ rs , with a due portion of Engravings . Two may be had weekly , price 8d . each . Subscribers Names for this work are received by all Booksellers in the ...
4 ÆäÀÌÁö
... person it is particularly fond of , and does not find that person there , its countenance suddenly falls , its lips begin to quiver , its cheek turns pale , its eye glistens , and it vents its little sorrow ( grown too big to be con ...
... person it is particularly fond of , and does not find that person there , its countenance suddenly falls , its lips begin to quiver , its cheek turns pale , its eye glistens , and it vents its little sorrow ( grown too big to be con ...
9 ÆäÀÌÁö
... person because they never saw him before . Any one dressed in the height of the fashion , or quite out of it , is equally an object of ridicule . One rich source of the lu- dicrous is distress with which we cannot sympa- thise from its ...
... person because they never saw him before . Any one dressed in the height of the fashion , or quite out of it , is equally an object of ridicule . One rich source of the lu- dicrous is distress with which we cannot sympa- thise from its ...
12 ÆäÀÌÁö
... person means one thing , and another is aiming at something else , are another great source of comic humour , on the same principle of ambiguity and contrast . There is a high - wrought instance of this in the dialogue between Aimwell ...
... person means one thing , and another is aiming at something else , are another great source of comic humour , on the same principle of ambiguity and contrast . There is a high - wrought instance of this in the dialogue between Aimwell ...
16 ÆäÀÌÁö
... person , who had stopped to refit , seated directly facing him in the gallery , with a look of perfect satisfaction and composure , as if nothing of the sort had happened to him , the idea of his late disaster and present self ...
... person , who had stopped to refit , seated directly facing him in the gallery , with a look of perfect satisfaction and composure , as if nothing of the sort had happened to him , the idea of his late disaster and present self ...
±âŸ ÃâÆǺ» - ¸ðµÎ º¸±â
ÀÚÁÖ ³ª¿À´Â ´Ü¾î ¹× ±¸¹®
absurdity admirable affectation amusing appearance beautiful Beggar's Opera Ben Jonson better Brass burlesque Caleb Williams character colour comedy common Congreve Conscious Lovers delightful Dick Don Quixote dramatic elegance Encyclop©¡dia Epicene equal excellent eyes face Falstaff fancy farce feeling folly genius Gil Blas give grace heart Hogarth Hudibras human idea imagination imitation instance interest invention kind Lady laugh lively look Lord lover ludicrous manners ment metaphysical poets Millamant mind moral nature ness never novel object observation original painted passion person play pleasure poet poetry pretensions racter Rake's Progress reason refinement ridiculous romantic satire scene School for Scandal seems sense sentiment serious Shakspeare Shakspeare's shew sort Spectator spirit stage story style Tartuffe Tatler thee thing thou thought tion Tom Jones truth turn vice Volpone whole wife words Wycherley
Àαâ Àο뱸
41 ÆäÀÌÁö - The hedge-sparrow fed the cuckoo so long, That it had its head bit off by its young.
45 ÆäÀÌÁö - ... sometimes it lurketh under an odd similitude ; sometimes it is lodged in a sly question, in a smart answer, in a quirkish reason, in a shrewd intimation, in cunningly diverting or cleverly retorting an objection ; sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense...
86 ÆäÀÌÁö - I'll change All that is metal, in my house, to gold : And early in the morning will I send To all the plumbers and the pewterers, And buy their tin and lead up ; and to Lothbury For all the copper. Sur. What, and turn that too ? Mam. Yes, and I'll purchase Devonshire and Cornwall, And make them perfect Indies ! You admire now ? Sur. No, faith. Mam. But when you see th...
98 ÆäÀÌÁö - tis my outward soul, Viceroy to that, which then to heaven being gone, Will leave this to control And keep these limbs, her provinces, from dissolution.
24 ÆäÀÌÁö - The sun had long since, in the lap Of Thetis, taken out his nap, And, like a lobster boil'd, the morn From black to red began to turn...
139 ÆäÀÌÁö - Come, then, the colours and the ground prepare; Dip in the rainbow, trick her off in air; Choose a firm cloud before it fall, and in it Catch, ere she change, the Cynthia of this minute.
98 ÆäÀÌÁö - Gave to thy growth, thee to this height to raise, And now dost laugh and triumph on this bough, Little think'st thou That it will freeze anon, and that I shall Tomorrow find thee fall'n, or not at all.
46 ÆäÀÌÁö - ... an affected simplicity, sometimes a presumptuous bluntness giveth it being : sometimes it riseth only from a lucky hitting upon what is strange : sometimes from a crafty wresting obvious matter to the purpose: often it consisteth in one knows not what, and springeth up one can hardly tell how. Its ways are unaccountable and inexplicable, being ansv/erable to the numberless rovings of fancy and windings of language.
105 ÆäÀÌÁö - Why so pale and wan, fond lover? Prithee, why so pale? Will, when looking well can't move her, Looking ill prevail? Prithee, why so pale? Why so dull and mute, young sinner? Prithee, why so mute? Will, when speaking well can't win her, Saying nothing do 't?
238 ÆäÀÌÁö - Dreams, books, are each a world ; and books, we know, Are a substantial world, both pure and good : Round these, with tendrils strong as flesh and blood, Our pastime and our happiness will grow.