The Major Dramas of Richard Brinsley Sheridan: The Rivals; The School for Scandal; The CriticGinn & Company, 1906 - 331페이지 |
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xl 페이지
... scene , " the fall of the screen does not startle the audience with an unexpected apparition . " The emotion aroused is not curiosity as to the identity of the person concealed behind the screen , but interest in the feelings of the ...
... scene , " the fall of the screen does not startle the audience with an unexpected apparition . " The emotion aroused is not curiosity as to the identity of the person concealed behind the screen , but interest in the feelings of the ...
xliv 페이지
... scene had been excised , in deference to the refined sensibilities of a " genteel " audience . The attack on Sentimental Comedy , ably led by Foote and Goldsmith , was renewed by Sheridan . In The Rivals , he struck at sentimentality ...
... scene had been excised , in deference to the refined sensibilities of a " genteel " audience . The attack on Sentimental Comedy , ably led by Foote and Goldsmith , was renewed by Sheridan . In The Rivals , he struck at sentimentality ...
xlix 페이지
... scene with his master abounds in natural humor . Miss Hardcastle's nimbleness of wit helps to redeem a somewhat unconvincing heroine . Young Marlow falls far below either Captain Absolute or Charles Surface . Sir Charles Marlow is ...
... scene with his master abounds in natural humor . Miss Hardcastle's nimbleness of wit helps to redeem a somewhat unconvincing heroine . Young Marlow falls far below either Captain Absolute or Charles Surface . Sir Charles Marlow is ...
l 페이지
... scenes " serve rather for " setting " than for advancement of the plot . In general , however , Sheridan's practical knowledge of stage effect is consummate . The " duel scene , " the " auc- tion scene , " and especially the " screen scene ...
... scenes " serve rather for " setting " than for advancement of the plot . In general , however , Sheridan's practical knowledge of stage effect is consummate . The " duel scene , " the " auc- tion scene , " and especially the " screen scene ...
li 페이지
... scenes , perhaps only the bailiffs ' scene and Croaker's reading of the letter may be termed effective . If the rather negative merits of The Good Natur'd Man and the positive merits of The Critic be urged , Goldsmith's contribution to ...
... scenes , perhaps only the bailiffs ' scene and Croaker's reading of the letter may be termed effective . If the rather negative merits of The Good Natur'd Man and the positive merits of The Critic be urged , Goldsmith's contribution to ...
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ACRES Bath Bayes believe Beverley burlesque Captain Absolute character Charles CHAS contemporary Covent Garden Covent Garden Theatre CRAB Critic Cumberland DANG Dangle dear dramatic Drury Lane Theatre edition egad Exit farce FAULK Faulkland Fraser Rae G. A. Aitken gentleman give hear heart honour Jack Julia Jupiter LADY SNEER Lady Sneerwell LADY TEAZ letter London Lord Lucy Ma'am Madam Malaprop Maria matter Memoirs Miss Moses never novel Odds parody passages pray PUFF Puff's R. B. Sheridan Rehearsal Richard Brinsley Sheridan ridiculous Rivals Rowley satire scene School for Scandal Sheri Sheridan's Plays SIR ANTH Sir Anthony SIR LUC Sir Lucius O'Trigger SIR OLIV SIR PET Sir Peter speech stage suppose sure SURF Surface Teazle tell there's Thomas Thomas Sheridan TILB tragedy word young Z-ds Zounds
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284 페이지 - See, what a grace was seated on this brow; Hyperion's curls; the front of Jove himself; An eye like Mars, to threaten and command; A station like the herald Mercury, New-lighted on a heaven-kissing hill; A combination, and a form, indeed, Where every god did seem to set his seal, To give the world assurance of a man : This was your husband.
297 페이지 - O, now, for ever Farewell the tranquil mind ! farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, th...
22 페이지 - Then, sir, she should have a supercilious knowledge in accounts; and as she grew up I would have her instructed in geometry, that she might know something of the contagious countries: but above all, Sir Anthony, she should be mistress of orthodoxy...
20 페이지 - But I say it is, miss; there is nothing on earth so easy as to forget, if a person chooses to set about it. I'm sure I have as much forgot your poor dear uncle as if he had never existed — and I thought it my duty so to do; and let me tell you, Lydia, these violent memories don't become a young woman.
151 페이지 - Peter, good nature becomes you — you look now as you did before we were married, when you used to walk with me under the elms, and tell me stories of what a gallant you were in your youth, and chuck me under the chin, you would...
22 페이지 - Observe me, Sir Anthony — I would by no means wish a daughter of mine to be a progeny of learning; I don't think so much learning becomes a young woman. For instance — I would never let her meddle with Greek or Hebrew, or algebra, or simony, or Fluxions, or paradoxes, or such inflammatory branches of learning...
23 페이지 - ... something of the contagious countries ; but above all, Sir Anthony, she should be mistress of orthodoxy, that she might not misspell, and mis-pronounce words so shamefully as girls usually do; and likewise that she might reprehend the true meaning of what she is saying. This, Sir Anthony, is what I would have a woman know; and I don't think there is a superstitious article in it.
132 페이지 - tis out of pure good humour ; and I take it for granted, they deal exactly in the same manner with me.
302 페이지 - Good my lord, will you see the players well bestowed ? Do you hear, let them be well used, for they are the abstract and brief chronicles of the time : after your death you were better have a bad epitaph than their ill report while you live.
54 페이지 - Who can he mean by that? Mrs. Mal. Me, sir! — me! — he means me! — There — what do you think now? — but go on a little further. Abs. Impudent scoundrel! — [Reads.] it shall go hard, but I will elude her vigilance, as I am told that the same ridiculous vanity, which makes her dress up her coarse features, and deck her dull chat with hard words which she don't understand Mrs.