Classic Comedies (Classic Reprint)

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FB&C Limited, 2018. 3. 14. - 318페이지
Excerpt from Classic Comedies

Mrs. Hard. Lord, Mr. Hardcastle, you're forever at your Dorothys and your old wifes.

You may be a Darby, but I'll be no Joan, I promise you I'm not so old as you'd make me, by more than one good' year. Add twenty to twenty, and make money of that.

Hard. Let me see; twenty added to twenty makes just fifty and seven.

Mrs. Hard. It's false, Mr. Hardcastle I was but twenty when I was brought to bed of Tony, that I had by Mr. Lumpkin, my first husband and he's not come to years of discretion yet.

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저자 정보 (2018)

As Samuel Johnson said in his famous epitaph on his Irish-born and educated friend, Goldsmith ornamented whatever he touched with his pen. A professional writer who died in his prime, Goldsmith wrote the best comedy of his day, She Stoops to Conquer (1773). Amongst a plethora of other fine works, he also wrote The Vicar of Wakefield (1766), which, despite major plot inconsistencies and the intrusion of poems, essays, tales, and lectures apparently foreign to its central concerns, remains one of the most engaging fictional works in English. One reason for its appeal is the character of the narrator, Dr. Primrose, who is at once a slightly absurd pedant, an impatient traditional father of teenagers, a Job-like figure heroically facing life's blows, and an alertly curious, helpful, loving person. Another reason is Goldsmith's own mixture of delight and amused condescension (analogous to, though not identical with, Laurence Sterne's in Tristram Shandy and Johnson's in Rasselas, both contemporaneous) as he looks at the vicar and his domestic group, fit representatives of a ludicrous but workable world. Never married and always facing financial problems, he died in London and was buried in Temple Churchyard.

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