Visits and sketches at home and abroad, 2±ÇSaunders & Otley, 1839 |
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... 92 96 102 . 105 112 ¡¤ 127 . 134 139 151 156 A Visit to Hardwicke A Visit to Althorpe Sketch of Mrs. Siddons Sketch of Fanny Kemble . 167 219 . 251 289 VISITS AND SKETCHES AT HOME AND ABROAD . MUNICH ( iv CONTENTS TO VOL . II .
... 92 96 102 . 105 112 ¡¤ 127 . 134 139 151 156 A Visit to Hardwicke A Visit to Althorpe Sketch of Mrs. Siddons Sketch of Fanny Kemble . 167 219 . 251 289 VISITS AND SKETCHES AT HOME AND ABROAD . MUNICH ( iv CONTENTS TO VOL . II .
108 ÆäÀÌÁö
... Siddons and the Kembles , and the actual cha- racter and state of our stage . selves presented to him ; but a true Maker , to whom the actual and external is but the excitement for ideal creations , representing and ennobling its ...
... Siddons and the Kembles , and the actual cha- racter and state of our stage . selves presented to him ; but a true Maker , to whom the actual and external is but the excitement for ideal creations , representing and ennobling its ...
111 ÆäÀÌÁö
... Siddons , I never heard anything comparable as dramatic read- ing . His voice is rich , and capable of great variety of modulation . I observed that the hu- morous and declamatory passages were rather better than the pathetic and tender ...
... Siddons , I never heard anything comparable as dramatic read- ing . His voice is rich , and capable of great variety of modulation . I observed that the hu- morous and declamatory passages were rather better than the pathetic and tender ...
167 ÆäÀÌÁö
... commence par le commencement ? Contes de Hamilton . " for so , in relating the fallen and fading glories LITERATURE AND CHARACTER . 167 A Visit to Hardwicke A Visit to Althorpe Sketch of Mrs Siddons Sketch of Fanny Kemble.
... commence par le commencement ? Contes de Hamilton . " for so , in relating the fallen and fading glories LITERATURE AND CHARACTER . 167 A Visit to Hardwicke A Visit to Althorpe Sketch of Mrs Siddons Sketch of Fanny Kemble.
248 ÆäÀÌÁö
Anna Brownell Jameson, Mrs. Jameson (Anna). such a sublime reverence for old editions , unique copies , illuminated MSS . , and rare bindings , that it was quite edifying . MRS . SIDDONS . [ The following little sketch was 248 ALTHORPE .
Anna Brownell Jameson, Mrs. Jameson (Anna). such a sublime reverence for old editions , unique copies , illuminated MSS . , and rare bindings , that it was quite edifying . MRS . SIDDONS . [ The following little sketch was 248 ALTHORPE .
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actress admiration Albert Durer Althorpe Arabella Stuart artists Bavaria beautiful believe Bess of Hardwicke Cavendish celebrated character charm colour Countess daughter delightful drawing Dresden Duchess Duke Dusseldorf school Earl elegant Elizabeth excellence expression exquisite face fancy Fanny Kemble feeling feet felt figures fresco Freyberg gallery genius German glory grace grand hangs Hardwicke head heart honour Hortense Mancini hundred husband idea imagination interest Italian Juliet Kemble king king of Bavaria Lady Shrewsbury Lady Sunderland look Lord Madame Madonna magnificent manner Mary mind Munich nature never noble Nuremberg Oldcotes once painters painting passion peculiar Peter Hess picture play poet poetical poetry portrait present queen racter rendered Retzsch rich Romeo scene sculpture seemed sentiment Sheffield castle Shrewsbury Siddons sion sister soul spirit style talent taste thing Tieck tion Titian truth voice whole woman young
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207 ÆäÀÌÁö - I meant to make her fair, and free, and wise, Of greatest blood, and yet more good than great ; I meant the day-star should not brighter rise, Nor lend like influence from his lucent seat. I meant she should be courteous, facile, sweet, Hating that solemn vice of greatness, pride ; I meant each softest virtue there should meet, Fit in that softer bosom to reside. Only a learned, and a manly soul I purposed her : that should, with even powers, The rock, the spindle, and the shears control Of Destiny,...
260 ÆäÀÌÁö - Sincerity ! Thou first of virtues, let no mortal leave Thy onward path! although the earth should gape, And from the gulf of hell destruction cry To take dissimulation's winding way.
277 ÆäÀÌÁö - In coming on in the sleepingscene, her eyes were open, but their sense was shut. She was like a person bewildered and unconscious of what she did. Her lips moved involuntarily— all her gestures were involuntary and mechanical. She glided on and off the stage like an apparition. To have seen her in that character was an event in every one's life, not to be forgotten.
307 ÆäÀÌÁö - Twixt my extremes and me this bloody knife Shall play the umpire ! " One of the most original effects of feeling and genius in the whole play occurred in the course of this scene ; but, unfortunately, it was not found susceptible of graphic delineation. It was the peculiar manner with which she uttered the words — • " Are you at leisure, holy father, now ? Or shall I come to you at evening mass?
98 ÆäÀÌÁö - But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind. With tranquil restoration...
101 ÆäÀÌÁö - Poland. the other churches, and you see the Protestants hurrying from their own service, crowding in at the portals of the Catholic church, and taking their places, the men on one side and the women on the other, with looks of infinite gravity and devotion : the king being always present, it would here be a breach of etiquette to behave as I have often seen the English behave in the Catholic churches — precisely as if in a theatre.
188 ÆäÀÌÁö - One would think that Mary, Queen of Scots, was but just walked down into the park with her guard for half an hour...
267 ÆäÀÌÁö - And with the noble presence of Mrs. Siddons, we associated in public and in private, something absolutely awful. We were accustomed to bring her before our fancy as one habitually elevated above the sphere of familiar life, — " Attired in all the majesty of art — Crown'd with the rich traditions of a soul • That...
109 ÆäÀÌÁö - Macbeth led us to the English theatre and English acting — to Mrs. Siddons and the Kembles, and the actual character and state of our stage. While he spoke I could not help looking at his head, which is wonderfully fine ; the noble breadth and amplitude of his brow, and his quiet, but penetrating eye, with an expression of latent humor hovering round his lips, formed altogether a striking physiognomy.
204 ÆäÀÌÁö - That though you be more wretched, vile, and miserable than any creature living ; and, for your wickedness, become more ugly in shape than the vilest toad in the world ; and one to whom none of reputation would vouchsafe to send any message ; yet she hath thought good to send thus much to you — that she be contented you should live (and doth...