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THE LAND O' THE LEAL.

I'm wearin' awa', John,

Like snaw-wreaths in thaw, John:
I'm wearin' awa'

To the land o' the leal. There's nae sorrow there, John ; There neither cauld nor care, John; The day is aye fair

In the land o' the leal.

Our bonnie bairn's there, John; She was baith gude and fair, John; And, oh! we grudged her sair

To the land o' the leal. But sorrow's sel' wears past, John, And joy's a-comin' fast, JohnThe joy that's aye to last

In the land o' the leal.

Sae dear's that joy was bought, John,
Sae free the battle fought, John,
That sinfu' man e'er brought

To the land o' the leal.

Oh, dry your glist'ning ee, John !
My saul langs to be free, John;
And angels beckon me

To the land o' the leal.

Oh, haud ye leal and true, John!
Your day it's wearin' thro', John;
And I'll welcome you

To the land o' the leal.
Now fare ye weel, my ain John,
This warld's cares are vain, John;
We'll meet, and we'll be fain,
In the land o' the leal.

THE LAIRD O' COCKPEN.

The Laird o' Cockpen, he's proud an' he's great,

His mind is ta'en up wi' the things o' the

state;

He wanted a wife his braw house to keep, But favour wi' wooin' was fashious to seek.

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And now that the Laird his exit had made, Mistress Jean she reflected on what she had said;

"Oh! for ane I'll get better, it's waur I'll get ten

I was daft to refuse the Laird o' Cockpen."

Next time that the Laird and the Lady

were seen,

When the creel o' herrin' passes,
Ladies, clad in silks and laces,
Gather in their braw pelisses,
Cast their heads and screw their faces.
Wha'll buy caller herrin'? &c.
Caller herrin's no got lightlie;
Ye can trip the spring fu' tightlie;
Spite o' tauntin', flauntin', flingin',

They were gaun arm-in-arm to the kirk Gow has set you a' a-singin'.

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Wha'll buy caller herrin ? &c.
Neebour wives, now tent my tellin',
When the bonnie fish ye're sellin',
At ae word be in yer dealin'—

Truth will stand when a' thing's failin'.
Wha'll buy caller herrin'? &c.

CALLER HERRIN'.

Wha'll buy my caller herrin'?

THE LASS O' GOWRIE.

They're bonnie fish and halesome farin'; 'Twas on a simmer's afternoon,

Wha'll buy my caller herrin',
New drawn frae the Forth?

When ye were sleepin' on your pillows,
Dream'd ye aught o' our puir fellows,
Darkling as they faced the billows,
A' to fill the woven willows?

Buy my caller herrin',

New drawn frae the Forth.

Wha'll buy my caller herrin'?
They're no brought here without brave
daring;

Buy my caller herrin',

Haul'd thro' wind and rain.

Wha'll buy caller herrin'? &c.

Wha'll buy my caller herrin'?
Oh, ye may ca' them vulgar farin';
Wives and mithers, maist despairin',
Ca' them lives o' men.

Wha'll buy caller herrin'? &c.

A wee afore the sun gaed doun,
A lassie wi' a braw new goun

Cam ower the hills to Gowrie.
The rose-bud wash'd in simmer's shower,
Bloom'd fresh within the sunny bower;
But Kitty was the fairest flower

That e'er was seen in Gowrie.

To see her cousin she cam' there,
An' oh! the scene was passing fair;
For what in Scotland can compare
Wi' the Carse o' Gowrie ?
The sun was setting on the Tay,
The blue hills melting into gray,
The mavis and the blackbird's lay
Were sweetly heard in Gowrie.

O lang the lassie I had woo'd,
And truth and constancy had vow'd,
But could na speed wi' her I loo'd,
Until she saw fair Gowrie.

I pointed to my father's ha',
Yon bonnie bield ayont the shaw,

The last two stanzas were added by Miss Sae loun' that there nae blast could blaw, Ferrier, the authoress of Marriage.

Wad she no bide in Gowrie?

Her faither was baith glad and wae ;
Her mither she wad naething say;
The bairnies thoucht they wad get play,
If Kitty gaed to Gowrie.

She whiles did smile, she whiles did greet,
The blush and tear were on her cheek-
She naething said, but hung her head;
And now she's Leddy Gowrie.

HUNTINGTOWER.

When ye gang awa', Jamie, When ye gang awa', laddie, What will ye gi'e my heart to cheer,

When ye are far awa', Jamie?

I'll gi'e ye a braw new goun, Jeanie, I'll gi'e ye a braw new goun, lassie, An' it will be a silken ane,

Wi' Valenciennes trimm'd round,
Jeanie.

O that's nae luve at a', laddie,
That's nae luve at a', Jamie ;
How could I bear braw gouns to wear,
When ye are far awa', laddie!

But mind me when awa', Jamie,
Mind me when awa', laddie,
For out o' sicht is out o' mind
Wi' mony folk we ken, Jamie.

Oh! that can never be, Jeanie,
Forgot ye ne'er can be, lassie ;
Oh gang wi' me to the north countrie,
My bonnie bride to be, Jeanie.

The hills are grand and hie, Jeanie, The burnies rinnin' clear, lassie, 'Mang birks and braes, where the wild deer strays,

Oh come wi' me and see, lassie !

I winna gang wi' thee, laddie,
I tell't ye sae afore, Jamie;
Till free consent my parents gi'e,
I canna gang wi' thee, Jamie.

Jeanie,

But when ye're wed to me, Then they will forgi'e, lassie ; How can ye be sae cauld to me,

Wha's lo'ed ye weel and lang, lassie !

No sae lang as them, laddie, No sae lang as them, Jamie; A grief to them I wadna be,

No for the Duke himsel', Jamie.

We'll save our penny fee, laddie,
To keep frae poortith free, Jamie;
An' then their blessing they will gi'e
Baith to you an' me, Jamie.

Huntingtower is mine, lassie,
Huntingtower is mine, Jeanie ;
Huntingtower, an' Blairnagower,
An' a' that's mine is thine, Jeanie!

THE HUNDRED PIPERS. Wi' a hundred pipers an' a', an' a', Wi' a hundred pipers an' a', an' a', We'll up and gie them a blaw, a blaw, Wi' a hundred pipers an' a', an' a'. Oh it's ower the Border awa', awa', It's ower the Border awa', awa', We'll on and we'll march to Carlisle ha', Wi' its yetts, its castell, an' a', an' a'.

Oh! our sodger lads looked braw, looked braw,

Wi' their tartans, kilts, an a', an' a',
Wi' their bonnets, an' feathers, an' glitter-

ing gear,

An' pibrochs sounding sweet and clear. Will they a' return to their ain dear glen? Will they a' return, our Highland men? Second-sighted Sandy looked fu' wae, And mothers grat when they marched away.

Wi' a hundred pipers, &c.

Oh wha is foremost o' a', o' a'?
Oh wha does follow the blaw, the blaw?

Bonnie Charlie the king o' us a', hurrah!
Wi' his hundred pipers an' a', an' a'.
His bonnet and feather he's wavin' high,
His prancin' steed maist seems to fly ;
The nor' wind plays wi' his curly hair,
While the pipers blaw in an' unco flare.
Wi' a hundred pipers, &c.

The Esk was swollen sae red and sae deep, But shouther to shouther the brave lads keep :

Twa thousands swam ower to fill English

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We sat aneath thy spreading shade, the An' says the ane unto the ither,

bairnies round thee ran,

They pu'd thy bonny berries red, and

necklaces they strang;

My mother! oh! I see her still, she
smiled our sports to see,
Wi' little Jeanie on her lap, an' Jamie at

her knee!

Oh! Rowan Tree.

Oh! there arose my father's prayer, in holy evening's calm,

What do you see, my good brither?

I see some pickles o' guid strae
An' wheat, some fule has thrown away;
For a rainy day they should be bookit.
Sae doun they flew frae aff their dookit.

The snaw will come an' cour the grund,
Nae grains o' wheat will then be fund;
They pickt a' up, an' a' were bookit,
Then round an' round again they luiket.

How sweet was then my mother's voice, O lang he thocht and lang he luiket,
in the Martyr's psalm!

An' aye his wise-like head he shook it ;

Now a' are gane! we meet nae mair I see, I see, what ne'er should be,

aneath the Rowan Tree;

But hallowed thoughts around thee twine,

o' hame and infancy.

Oh! Rowan Tree.

THE TWA DOOS.

There were twa doos sat in a dookit;
Twa wise-like birds, and round they
luiket;

I see what's seen by mair than me.

Wae's me, there's thochtless, lang Tam
Grey,

Aye spending what he's no to pay;
In wedlock, to a taupie hookit,
He's taen a doo, but has nae dookit.

When we were young it was na sae ;
Nae rummilgumtion folk now hae;
What guid for them can e'er be luiket,
When folk tak' doos that hae nae dookit?

JAMES HOGG.

1770-1835.

THE Ettrick Shepherd is as distinct, original, and thoroughly national an individuality in Scottish literature as any that can be named, and though not the greatest, is one of the most spontaneous geniuses that it has produced. If his conceptions of proportion, symmetry, and perspective, were equal to the luxuriance of his imagination and command of language, his poetic rank

would have been much higher. A somewhat similar want of balance marks his career in life, of which a large proportion must be attributed to defective education and training; yet, taking him all in all, we could hardly wish, were it in our power, to improve him-his very foibles add a charm to his character.

James Hogg's birthday is unknown; and he himself, with characteristic sim

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