The Poetical Works of John Keats |
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arms beauty beneath bliss blue breast breath bright clear close clouds cold dark death deep delight divine doth dream earth Endymion eyes face fair fear feel feet felt flowers forest gentle give golden gone green hair half hand happy hast head hear heard heart heaven hour human Keats keep kiss leaves light lips live look morning mortal never night o'er once pain pale pass passion pleasant pleasure poem Poet poor rest rose round seen shade side sigh silent silver sing sleep smile soft song soon sorrow soul sound spirit stars stood strange stream sweet tears tell tender thee thine things thou thought touch trees twas voice warm wide wild wind wings wonders young youth
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214 ÆäÀÌÁö - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet...
219 ÆäÀÌÁö - And in the midst of this wide quietness A rosy sanctuary will I dress With the wreathed trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in ! FANCY.
258 ÆäÀÌÁö - BRIGHT star ! would I were steadfast as thou art — < Not in lone splendour hung aloft the night, And watching, with eternal lids apart, Like Nature's patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores...
217 ÆäÀÌÁö - O Attic shape ! Fair attitude ! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed ; Thou, silent form, dost tease us out of thought As doth eternity...
207 ÆäÀÌÁö - Full on this casement shone the wintry moon, And threw warm gules on Madeline's fair breast, As down she knelt for heaven's grace and boon; Rose-bloom fell on her hands, together prest, And on her silver cross soft amethyst, And on her hair a glory, like a saint...
216 ÆäÀÌÁö - Of deities or mortals, or of both, In Tempe or the dales of Arcady ? What men or gods are these ? What maidens loth ? What mad pursuit ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy ? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but more endeared, Pipe to the spirit ditties of no tone...
215 ÆäÀÌÁö - Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?
212 ÆäÀÌÁö - And they are gone: ay, ages long ago These lovers fled away into the storm. That night the Baron dreamt of many a woe, And all his warrior-guests, with shade and form Of witch, and demon, and large coffinworm. Were long be-nightmar'd. Angela the old Died palsy-twitch'd, with meagre face deform ; The Beadsman, after thousand aves told, For aye unsought for slept among his ashes cold.
239 ÆäÀÌÁö - But for the main, here found they covert drear. Scarce images of life, one here, one there, Lay vast and edgeways; like a dismal cirque Of Druid stones, upon a forlorn moor, When the chill rain begins at shut of eve, In dull November, and their chancel vault, The Heaven itself, is blinded throughout night.
215 ÆäÀÌÁö - To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain To thy high requiem become a sod.