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µµ¼­ Why do we hardly ever notice that?" "Because nobody imagines living here," said Thaw....¿¡ ´ëÇØ °Ë»öÇÑ
" Why do we hardly ever notice that?" "Because nobody imagines living here," said Thaw. McAlpin lit a cigarette and said, "If you want to explain that I'll certainly listen." "Then think of Florence, Paris, London, New York. Nobody visiting them for the... "
Culture, Nation, and the New Scottish Parliament - 48 ÆäÀÌÁö
ÆíÁý - 2007 - 279 ÆäÀÌÁö
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The Oxford Guide to Contemporary World Literature

John Sturrock - 1997 - 516 ÆäÀÌÁö
...response to Sharp and Hind, he writes particularly of the need to imagine the places one inhabits: Think of Florence, Paris, London, New York, Nobody...not even the inhabitants live there imaginatively.' In order for a city to exist imaginatively, however, the writer must first come into possession of...
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The Postmodern Chronotope: Reading Space and Time in Contemporary Fiction

Paul Smethurst - 2000 - 354 ÆäÀÌÁö
...contrasts these with the representational spaces of other cities that are found in books and films: if a city hasn't been used by an artist not even the inhabitants live there imaginatively, What is Glasgow to most of us? A house, the place we work, a football park or golf course, some pubs...
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'Heaven-taught Fergusson': Robert Burns's Favourite Scottish Poet : Poems ...

Robert Crawford - 2003 - 268 ÆäÀÌÁö
...writes it into our imagination. Alasdair Gray's meditation on the claim has become a locus dassicus: 'Glasgow is a magnificent city', said McAlpin. 'Why...not even the inhabitants live there imaginatively. What is Glasgow to most of us? A house, the place we work, a football park or golf course, some pubs...
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Scotland Resurgent: Comments on the Cultural and Political Revival of Scotland

Paul Henderson Scott - 2003 - 372 ÆäÀÌÁö
...they establish and express the "myths and memories". A character in Alasdair Gray's Lanark says that "if a city hasn't been used by an artist not even the inhabitants live there imaginatively". In the same way, I doubt if a people can be aware of a national character if it has not been expressed...
ÀϺκ¸±â - µµ¼­ Á¤º¸

Shades of Gray: science fiction, history and the problem of postmodernism in ...

Dietmar Böhnke - 2004 - 364 ÆäÀÌÁö
...Thaw. McAlpin lit a cigarette and said, "If you want to explain that I'll certainly listen." — "Then think of Florence, Paris, London, New York. Nobody...not even the inhabitants live there imaginatively." [L, 241] The need to "imagine" Glasgow, voiced here by Gray's alter ego Duncan Thaw, has since been...
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The State of the Union: Scotland, 1707-2007

J©ªrgen Sevaldsen, Jens Rahbek Rasmussen - 2007 - 160 ÆäÀÌÁö
...magnificent city/ said McAlpin. 'Why do we hardly ever notice that?' 'Because nobody imagines living there,' said Thaw. [...] '[Think] of Florence, Paris, London,...even the inhabitants live there imaginatively.' (243) Alasdair Gray places Glasgow on the map by actively re-imagining it as a place of contrasts, juxtapositions,...
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Genre and Cinema: Ireland and Transnationalism

Brian McIlroy - 2007 - 302 ÆäÀÌÁö
...Florence, Paris, London, New York. Nobody visiting them for the first time is a stranger, because he has already visited them in paintings, novels, history...by an artist, not even the inhabitants live there imaginatively."(McArthur 1997: 19) There is, in other words, a cinematic city of the imagination that...
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