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xix ÆäÀÌÁö
... whole, and into the fairyland of design. (a) The magnificent and superior artist, mature in imagination and composition, fully equipped as a painter of pictures, perhaps even of academical distinction, who turns his attention to the ...
... whole, and into the fairyland of design. (a) The magnificent and superior artist, mature in imagination and composition, fully equipped as a painter of pictures, perhaps even of academical distinction, who turns his attention to the ...
xxi ÆäÀÌÁö
... whole field of art, and it is impossible to treat of it without discussing these great matters and the laws which guide decorative art generally. It happens conveniently, therefore, as the technical part requires less space, that these ...
... whole field of art, and it is impossible to treat of it without discussing these great matters and the laws which guide decorative art generally. It happens conveniently, therefore, as the technical part requires less space, that these ...
29 ÆäÀÌÁö
... whole substance of which they are respectively made. Break such a bottle, each little bit is still a bit of coloured glass. So, also, blue is used for poison bottles, deep green and rice red for certain wine lasses, and, indeed, almost ...
... whole substance of which they are respectively made. Break such a bottle, each little bit is still a bit of coloured glass. So, also, blue is used for poison bottles, deep green and rice red for certain wine lasses, and, indeed, almost ...
43 ÆäÀÌÁö
... the edge of the glass, and break away the whole piece which contains the side you are cutting before you goon to another. Thus, in fig. 16, suppose the shaded Cutting (elementary) Cutting portion to be the shape that you wish to. 43.
... the edge of the glass, and break away the whole piece which contains the side you are cutting before you goon to another. Thus, in fig. 16, suppose the shaded Cutting (elementary) Cutting portion to be the shape that you wish to. 43.
50 ÆäÀÌÁö
... whole thickness of the glass, though invisibly so until the glass is separated. And mark, that it is the starting of the splits that is the important thing; there is no object in making them de¢, it is only wasted force; they will ...
... whole thickness of the glass, though invisibly so until the glass is separated. And mark, that it is the starting of the splits that is the important thing; there is no object in making them de¢, it is only wasted force; they will ...
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28 | |
29 | |
56 | |
CHAPTER v | 83 |
CHAPTER VI | 94 |
CHAPTER VII | 105 |
CHAPTER VIII | 118 |
CHAPTER X | 133 |
CHAPTER XI | 144 |
PART II | 154 |
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0f Colour academic art actual Allegory Archi architecture artist beautiful bench better bit of glass brush canopy cartoon chiefly COLLOTYPE coloured glasses craft curve cut-line cutters Cutting advanced Cutting elementary dark definite describe diamond difficult drawing easel edge field fig figure fill film find fine finger finished fire fired firing first fit flat gas-kiln Gloucester Cathedral grisaille hand handle hard hints inch Intro kiln lass lead-lines light look material matt matter needle never ofi old glass orphreys outline painters Painting advanced Painting elementary palette picture piece of glass pigment PLATE pliers practice question round sacrificed scientific shade shape sharp sharpening sheet shortenin side silver line Soldering split spot stained stained-glass stipple strip of lead sufficiently surface texture thick thin things thought tints tion Titian tool touch wheel white glass whole window