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OUR BROTHER OF THE STEEL-CLAD
SHIPS

Once the ships along this water front carried a forest of slim masts and branching spars. Those were the days of wooden ships; those were the days before steel came. Their mighty wings of canvas bore them from port to port-but today coal is the motive power, and iron hulls with stocky smoking funnels rest where once was 10 tied the clipper, bark, or brigantine. In the shipyards the quaint steel frame of a battleship is slowly rising above the ways-two years or three, or even more may pass before she will float with her long guns peering from her turrets and our Country's flag snapping bright against the sky high above her deck. She, too, is a product of mine and mill, but she is oil driven. 20 Her fuel comes from the deep-driven well, the product of:

OUR BROTHER OF THE OIL WELL

What is this oil that is playing so important a part in the industrial life of the country? Deep in the rock strata where coal was laid down those millions of years ago are lakes of mineral oil. For less than a century has man known of its existence; yet today it enters everywhere into our daily 30 lives. Down hundreds of feet through the solid rock the oil men sink their drill. Through small, deep tubes of steel that line the drill hole the oil is led to the earth's surface and then the crude and heavy oil is refined and separated by other workers into countless elements of inestimable worth. Gasoline to drive our motors comes from it; oil to lubricate the wheels of indus40 try and defeat the clutching hands of friction, crude oil to drive the giant ship, highly refined oil for medicines, and all the other precious substances from which we make our dyes-more

than a fuel it is; a magic substance that by the wizardry of chemistry is so transformed and put to work to serve man's many needs.

BROTHERS ALL IN INDUSTRY

There are men's lives tied up in everything we wear or eat or use. 50 Lives are they like yours and mine; lives of men whom we would be glad to know and thank for their great work, their contribution to our daily life. We cannot really know them all. The sailors on the lake ore boats cannot know their brother miners of the range or the blackened diggers in the coal fields of Illinois. Nor can we know them, you and I. Still we can think of them whenever we ride upon a train and trust our lives to the watchful eyes that guard us on our way we can think of them in the black coal lump that warms the house or feeds the fires in some vast factory

-we can think of them in the mighty ship or towering building. Brothers all are we; brothers in industry.

NOTES AND QUESTIONS

1. This selection emphasizes the value of coöperation; in what industries does the author point out mutual dependence? Describe the iron region of Lake Superior as it appeared at the time the Indians inhabited the country; describe it as it appears today. What discovery led to the change?

2. What coöperation is needed to transform iron ore into steel rails or plates? Account for the deposits of coal, and name states that produce coal in large quantities. What do you learn from this selection about the coal mine and the miner?

3. Tell briefly how iron is unloaded from the ore boats. Have you ever seen the unloading at the dock? What picture of work in the blast furnace do you gain from this selection? Why does the author call the men who work in the steel mills brothers to those who operate the steam shovels on the Iron Range and to those who work in the coal mines? How are we indebted to these workers? How can we show that we appreciate the coöperation of the workers?

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4. What is the relation of the railroad and the steamship to the coal and iron industries? What is the relation of all these industries to the skyscrapers in great cities? What is their relation to shipbuilding? What is the importance of the oil well? Name regions that produce oil in quantity. Tell what you know of the sources and uses of oil.

Library Reading. The Blazed Trail, White; "The Story of a Thousand Year Pine," Mills (in The World's Work, August, 1908); The Young Forester, Grey; Primer of Forestry, Pinchot (Government Printing Office); A Year in a Coal Mine, Husband; America at Work, Husband; "A Coal Miner at Home," Roosevelt (in The Outlook, December 24, 1910); "Heroes of the Cherry Mine," Edith Wyatt (in McClure's Magazine, March, 1910); "CoalAlly of American Industry," Showalter (in The National Geographic Magazine, November, 1918); "Pete of the Steel Mills," Hall (in Junior High School Literature, Book II); Steel Preferred, Hall; The Young Apprentice of the

Steel Mill, Wier; "Industry's Greatest AssetSteel," Showalter (in National Geographic Magazine, August, 1917); "Romance of Steel," Parsons (in World's Work, October, 1921); "Soul of the Shipyards," Schwab (in The Ladies' Home Journal, January, 1919); "A Human Beaver of Shipbuilding," Wildman (in The Forum, January, 1920); "The Ship That Found Herself," Kipling (in The Day's Work); The Boys' Book of Steamships, Howden; "Billions of Barrels of Oil Locked Up in the Rocks," Mitchell (in The National Geographic Magazine, February, 1918); "Romance of the Oil Fields," Harger (in Scribner's Magazine, November, 1919); The Story of Oil, Tower; Secrets of the Earth, Fraser.

Theme Topics. 1. What the worker in the steel mills does for us as citizens of America. 2. How a strike in a coal mine affects the citizen. 3. Compare the steamship of today with that of fifty years ago. 4. The presentday uses of oil and gas. 5. The melting pot of industrial coöperation.

INDEX OF AUTHORS, TITLES, AND FIRST LINES

In the following Index, the names of authors and titles are printed in capital letters; the first lines of poems are printed in small letters

Across the seas of Wonderland to Mogadore we plodded, 272

AGASSIZ, LOUIS, 540, 571

ALLEN, JAMES LANE, 551, 571

AMBITIOUS GUEST, THE, 452

AMERICA! 480

AMERICANS OF FOREIGN BIRTH, 494
America, the Homeland, 483
APOSTROPHE TO THE OCEAN, 524
APRIL-NORTth Carolina, 529
As I was wa'king all alone, 255

As o'er his furrowed fields which lie, 478

A Well there is in the west country, 275
BABY LON, 242

BALLAD, THE, AN INTRODUCTION, 236
BALL, SIR ROBERT S., 544, 571
BARRIE, JAMES M., 464, 571

BATTLE OF OTTERBOURNE, THE, 243
BATTLE OF THE ANTS, THE, 536

Before him rolls the dark, relentless ocean, 497
BETH GÊLERT, 274

BEWICK AND Grahame, 245

BONNY BARBARA ALLEN, 243
BRIGGS, L. B. R., 497, 571
BROTHERS IN INDUSTRY, 559
BROWNING, ROBERT, 279, 571

BRYANT, WILLIAM CULLEN, Ulysses Among the
Phæacians, 219; Thanatopsis, 521; 571
BURNS, ROBERT, The Cotter's Saturday Night,
459; To a Mouse, 464; 572

BYRON, LORD, Destruction of Sennacherib, 276;
Apostrophe to the Ocean, 524; 572
CALL OF THE SPRING, THE, 517

CARMAN, BLISS, 529, 573

CITIZEN, THE, 483

CLOUD, THE, 527

COLERIDGE, Samuel Taylor, 259, 573
COLUM, PADRAIC, 531, 573

Come, choose your road and away, my lad, 517

COOPER, JAMES FENIMORE, 200, 573
COTTER'S SATURDAY NIGHT, THE, 459
COTTON AND THE OLD SOUTH, 548

CRAWFORD, CHARLOTTE HOLMES, 283, 573
CREE QUEERY AND MYSY DROLLY, 464
DESTRUCTION OF SENNACHERIB, 276
DICKENS, CHARLES, 468, 574
DISSERTATION UPON ROAST PIG, A, 17
DOUGLAS TRAGEDY, THE, 249
DWYER, JAMES FRANCIS, 483, 574
ELEPHANT REMEMBERS, THE, 33
EPIC POETRY, AN INTRODUCTION, 215
FALLING STAR, A, 544

FORMATION OF CORAL REEFS, 540

FORTY SINGING SEAMEN, 272

Franceline rose in the dawning gray, 283
FROST, ROBERT, 512, 574

FURROW AND THE HEARTH, THE, 531
GET UP AND BAR THE DOOR, 257

God of our fathers, known of old, 511
God sends his teachers unto every age, 518
GOLD BUG, THE, 53

HALE IN THE BUSH, 278

HAMPTON BEACH, 525

HARK TO THE SHOUTING WIND, 528

Harp of the North! that moldering long hast hung, 291

HAWTHORNE, NATHANIEL, 452, 574

Hearken to me, gentlemen, 250

HELL-GATE OF SOISSONS, THE, 281

HEMP FIELDS, THE, 551

HENRY, O, 50, 574

HERVÉ RIEL, 279

HOW TOM SAWYER WHITEWASHED THE FENCE,13 HUSBAND, JOSEPH, 559, 575

I bring fresh showers for the thirsting flowers, 527 I heard a thousand blended notes, 517

In London city was Bicham born, 253

In the Garden of Eden, planted by God, 529 In the Santa Clara Valley, far away and far away, 532

Into the woods my Master went, 521
IRVING, WASHINGTON, 22, 575

It fell about the Lammas tide, 243
It fell about the Martinmas time, 257
It is an ancient Mariner, 259

It was in and about the Martinmas time, 243
IVANHOE, 350

I went into a public-'ouse to get a pint o' beer, 284
I went to turn the grass once after one, 512
JULIUS CAESAR, 389

JULIUS CAESAR, AN INTRODUCTION, 381
KAUFMAN, HERBERT, 281, 575

KEATS, JOHN, 526, 575

KING ESTMERE, 250

KIPLING, Rudyard, Tommy, 284; Recessional, 511; 575

LADY OF THE LAKE, THE, 291

LADY OF THE LAKE, THE, AN INTRODUCTION, 287
LAMB, CHARLES, 17, 575
LANIER, SIDNEY, 521, 576

LEGEND AND HISTORY, AN INTRODUCTION, 211
LEXINGTON, 277

LIFE OF SIR Walter Scott, THE, 360
LILACS, 530

LINCOLN, THE LAWYER, 499

LINCOLN, THE Man of the PEOPLE, 504

570

INDEX OF AUTHORS, TItles, and FIRST LINES

LINES WRITTEN IN EARLY SPRING, 517 LITERATURE AND LIFE, AN INTRODUCTION TO READING, 1

LOCKHART, JOHN GIBSON, 360, 576

LONGFELLOW, HENRY WADSWORTH, Seaweed, 523; The Tide Rises, the Tide Falls, 523; 576 LORD RANDAL, 240

LOWELL, AMY, 530, 576

LOWELL, JAMES RUSSELL, The Vision of Sir Launfal, 445; Washington, 499; Rhocus, 518; 576

LUBBOCK, SIR JOHN, 533, 577

MAN AND HIS FELLOWS, AN INTRODUCTION, 441
MARKHAM, EDWIN, 504, 577
MARSHALL, EDISON, 33, 577
MONROE, HARRIET, 529, 577

My loved, my honored, much respected friend! 459

My name is Darino, the poet, 281

No Berserk thirst of blood had they, 277
NORRIS, FRANK, 555, 577

NOYES, ALFRED, Forty Singing Seamen, 272;
The Call of the Spring, 517; 577
ODYSSEY, THE, AN INTRODUCTION, 215

Old Grahame he is to Carlisle gone, 245

ON THE GREAT PLATEAU, 532

On the sea and at the Hogue, sixteen hundred ninety-two, 279

OPPORTUNITY, 468

Over his keys the musing organist, 445

O where ha you been, Lord Randal, my son? 240
PLOWING ON A WHEAT RANCH, 555
POE, EDGAR ALLAN, 53, 577
RECESSIONAL, 511

RHŒCUS, 518

RICHARD DOUBLEDICK, 468

RIME OF THE ANCIENT MARINER, 259

"Rise up, rise up, now, Lord Douglas," 249
ROMANCE OF A BUSY BROKER, THE, 50
ROOSEVELT, THEODORE, 505, 578
SCHERER, JAMES, A. B., 548, 578

SCOTT, SIR WALTER, The Lady of the Lake, 291;
Ivanhoe, 350; Lockhart's Life of, 360; 578
Season of mists and mellow fruitfulness, 526
SEAWEED, 523

SEED-TIME AND HARVEST, 478

SHAKESPEARE, WILLIAM, Julius Caesar, 389;

Under the Greenwood Tree, 522; 578
SHELLEY, PERCY BYSSHE, 527, 578
SILL, EDWARD ROWLAND, 468, 578
1620-1920, 497

Soldier and statesman, rarest unison, 499
SOUTHEY, ROBERT, 275, 578
SPECTER BRIDEGROOM, THE, 22
SPENCER, WILLIAM ROBERT, 274, 579
SPY, THE, 200

STEINER, EDWARD A., 480, 579
STEVENSON, ROBERT LOUIS, 85, 579
Stride the hill, sower, 531
TARBELL, IDA M., 499, 579

THANATOPSIS, 521

The Assyrian came down like the wolf on the fold, 276

The breezes went steadily through the tall pines, 278

There is a pleasure in the pathless woods, 524
There lived a wife at Usher's Well, 256
There was twa sisters in a bowr, 241
There were three ladies lived in a bower, 242
The spearmen heard the high sound 274
The sunlight glitters keen and bright, 525
The tide rises, the tide falls, 523

This I beheld, or dreamed it in a dream, 468
THOMAS, LETTA EULALIA, 483, 579
THOMAS RYMER, 255

THOREAU, HENRY, 536, 579

Thus overcome with toil and weariness, 219
TIDE RISES, THE TIDE FALLS, THE, 523
TIMROD, HENRY, 528, 579

TO A MOUSE, 464

TO AUTUMN, 526

To him who in the love of Nature holds, 521 TOMMY, 284

TORTOISE, THE, 538

TREASURE ISLAND, 85

TREASURE ISLAND, AN INTRODUCTION, 79
TREES, 529

TREES AND THE MASTER, 521

TUFT OF FLOWERS, THE, 512

True Thomas lay oer yond grassy bank, 255 TWAIN, MARK, 13, 579

TWA SISTERS, THE, 241

ULYSSES AMONG THE PHEACIANS, 219

UNDER THE GREENWOOD TREE, 522

VISION OF SIR LAUNFAL, THE, 445

VIVE LA FRANCE! 283

WASHINGTON, 499

Wee, sleekit, cowrin, tim'rous beastie, 464
WEE, WEE MAN, THE, 255

WELL OF ST. KEYNE, THE, 275

WHAT AMERICA MEANS TO ME, 483

When descends on the Atlantic, 523

When the Norn Mother saw the Whirlwind Hour, 504

WHITE, GILBERT, 538, 580

WHITTIER, JOHN GREENLEAF, Lexington, 277;
Seed-Time and Harvest, 478; Hampton
Beach, 525; 580

WIFE OF USHER'S WELL, THE, 256
WILSON, WOODROW, 494, 580

WONDERS OF THE WORLD WE LIVE IN, THE, 533
WORDSWORTH, WILLIAM, 517, 580

WORKING TOGETHER IN A DEMOCRACY, 505 WORLD IN WHICH WE LIVE, THE, AN INTRODUCTION, 515

WORLD OF ADVENTURE, THE, AN INTRODUC

TION, 9

Would you not be in Tryon, 529

WYATT, EDITH, 532, 580

YOUNG BICHAM, 253

BIOGRAPHICAL INDEX OF AUTHORS

AGASSIZ, LOUIS (1807-1873), naturalist and geologist, was born in Switzerland. He came to America in 1846, and was so pleased with the opportunities the United States offered that he decided to settle here permanently. A year later he was appointed professor of zoölogy and geology at Harvard University. In 1871 he located on the island of Penikese, in Buzzard's Bay; this island, together with fifty thousand dollars, had been presented to him for the purpose of endowing a school of natural science devoted to the study of marine zoology. Longfellow's poem, "The Fiftieth Birthday of Agassiz," was read by the author at a dinner given to Agassiz by the Saturday Club of Cambridge, Massachusetts, in 1857.

ALLEN, JAMES LANE (1849- ), is a native of Kentucky. He was graduated from Transylvania University and became professor of higher English and Latin in Bethany College, West Virginia. He now gives his entire attention to literature. His home is in New York City.

BALL, SIR ROBERT (1840-1913), astronomer and mathematician, was born in Dublin. He was graduated from Trinity College, Dublin, in 1861. Later, he was professor of astronomy in the University of Dublin, and in 1892 became professor of astronomy and geology at Cambridge and director of the Cambridge Observatory. Among his works are Experimental Mechanics, The Story of the Heavens, Starland, and In Starry Realms.

BARRIE, JAMES M. (1860- ), British author and journalist, was educated at Edinburgh University. He is best known for his novels and dramas. Barrie's gifts of humor and pathos are well shown in A Window in Thrums, a book that portrays the life of his native village. Peter Pan is one of his bestknown dramas.

BRIGGS, L. B. R., is President of Radcliffe College and Dean of the Faculty of Arts and Sciences of Harvard University. He is the author of a number of books, among them School, College, and Character.

BROWNING, ROBERT (1812-1889). Next to Tennyson, the most famous English poet of the Victorian era; born in a suburb of London; early education directed by his father, a man of wide knowledge and a lover of the classics. In his youth, Browning was influenced by

Byron and Shelley, and like them acquired a love for Italy that became a master passion of his life. He was a great student of romance, of art, and of the classics, and many of his themes were drawn from these sources. After

his marriage, in 1846, to Elizabeth Barrett, herself a poet, Browning spent much time in Italy. His entire life was devoted to poetry. His work falls into three main groups: dramas, dramatic monologues, and lyrics. The dramas are original in plot, but they lack action, depending for their interest on the analysis of the thoughts and feelings of their principal characters in some crisis. Pippa Passes and In a Balcony are the most famous of the dramas. The dramatic monologues are poems of varying length, written as though they were soliloquies or stories told by one man but suggesting the presence of other characters, and revealing very clearly the character and motives of the speaker. Of these Browning wrote a great number; they are his most distinctive contributions to literature. His lyrics are among the best in English literature. In all this work Browning's appeal is to thought rather than to the feelings. He was a keen and vigorous thinker, and this quality in his works surpasses his narrative and lyric gifts, great as these were.

BRYANT, WILLIAM CULLEN (1794-1878). Born in Massachusetts; his parents traced their ancestry to the early colonists who came over on the Mayflower; his mother was descended from John and Priscilla Alden, and his father, grandfather, and grandmother's father were all country doctors. As a boy, Bryant acted out the story of Poe's translation of the Iliad, using wooden shields and sword and an elaborate coat of mail. He was a lover of poetry, and began to write verses when eight years old. His early education was directed by country ministers, who were trained in Latin and Greek. At fourteen, he knew the Greek Testament as well as the English. The next year he entered Williams College as a sophomore, but his college course was interrupted because of lack of means, and he began the study of law, a profession which he followed for nine years. His first published poems were "Thanatopsis" and "Inscription for the Entrance to a Wood," which appeared in the North American Review in 1817. The first of these poems, one of the most famous in American literature, had been written when he was only sixteen or seventeen years old. A collec

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