a violent death; while it is man in his short-sighted greed that robs the country of the nobler redwood. Yet a little while, and perhaps all the hills of seaboard California may be as bald as Tamalpais.

I have an interest of my own in these forest fires, for I came so near to lynching on one occasion, that a braver man might have retained a thrill from the experience. I wished to be certain whether it was the moss, that quaint funereal ornament of California forests, which blazed up so rapidly when the flame first touched the tree. I suppose I must have been under the influence of Satan, for instead of plucking off a piece for my experiment, what should I do but walk up to a great pine-tree in a portion of the wood which had escaped so much as scorching, strike a match, and apply the flame gingerly to one of the tassels. The tree went off simply like a rocket; in three seconds it was a roaring pillar of fire. Close by I could hear the shouts of those who were at work combating the original conflagration. I could see the waggon that had brought them tied to a live oak in a piece of open; I could even catch the flash of an axe as it swung up through the underwood into the sunlight. Had any one observed the result of my experiment my neck was literally not worth a pinch of snuff; after a few minutes of passionate expostulation I should have been run up to a convenient bough. To die for faction is a common evil;

But to be hanged for nonsense is the devil.

I have run repeatedly, but never as I ran that day. At night I went out of town, and there was my own

particular fire, quite distinct from the other, and burning as I thought with even greater vigour.

But it is the Pacific that exercises the most direct and obvious power upon the climate. At sunset, for months together, vast, wet, melancholy fogs arise and come shoreward from the ocean. From the hill-top above Monterey the scene is often noble, although it is always sad. The upper air is still bright with sunlight; a glow still rests upon the Gabelano Peak; but the fogs are in possession of the lower levels; they crawl in scarves among the sand-hills; they float, a little higher, in clouds of a gigantic size and often of a wild configuration; to the south, where they have struck the seaward shoulder of the mountains of Santa Lucia, they double back and spire up skyward like smoke. Where their shadow touches, color dies out of the world. The air grows chill and deadly as they advance. The trade-wind freshens, the trees begin to sigh, and all the windmills in Monterey are whirling and creaking and filling their cisterns with the brackish water of the sands. It takes but a little while till the invasion is complete. The sea, in its lighter order, has submerged the earth. Monterey is curtained in for the night in thick, wet, salt, and frigid clouds, so to remain till day returns; and before the sun's rays they slowly disperse and retreat in broken squadrons to the bosom of the sea. And yet often when the fog is thickest and most chill, a few steps out of the town and up the slope, the night will be dry and warm and full of inland perfume.

JOHN LA FARGE: THE HARBOR OF

YOKOHAMA

From "An Artist's Letters from Japan," New York, 1897, pp. 1-17.1

I have spoken, p. 159 of the Introduction, of the way in which Mr. La Farge with his painter's instinct emphasizes in this bit of description everything which would catch your eye. Now I will merely point out that he makes no attempt to do what he could have done so readily in an illustration—to make you see what Yokohama looks like. On the other hand, he very successfully gives you the atmosphere of the place, what there is in it that makes Japan all so foreign; this he accomplishes by "getting at a meaning through every sense," by giving you the "subtle influences of odor, the sense of something very foreign, of the presence of another race." Such a description as this is, as I have pointed out in the Introduction, the only effective kind of description; and this example is worth studying to see what a variety of sensations and impressions are at your service if you can find the words for them.

YOKOHAMA, July 3, 1886.

ARRIVED yesterday. On the cover of the letter which I mailed from our steamer I had but time to write: "We are coming in; it is like the picture books. Anything that I can add will only be a filling in of detail."

We were in the great bay when I came up on deck in the early morning. The sea was smooth like the

1 Copyright, 1897, by the Century Company.

brilliant blank paper of the prints; a vast surface of water reflecting the light of the sky as if it were thicker air. Far-off streaks of blue light, like finest washes of the brush, determined distances. Beyond, in a white haze, the square white sails spotted the white horizon and floated above it.

The slackened beat of the engine made a great noise in the quiet waters. Distant high hills of foggy green marked the new land; nearer us, junks of the shapes you know, in violet transparency of shadow, and five or six war-ships and steamers, red and black, or white, looking barbarous and out of place, but still as if they were part of us; and spread all around us a fleet of small boats, manned by rowers standing in robes flapping about them, or tucked in above their waists. There were so many that the crowd looked blue and white-the color of their dresses repeating the sky in prose. Still, the larger part were mostly naked, and their legs and arms and backs made a great novelty to our eyes, accustomed to nothing but our ship, and the enormous space, empty of life, which had surrounded us for days. The muscles of the boatmen stood out sharply on their small frames. They had almost all at least those who were young-fine wrists and delicate hands, and a handsome setting of the neck. The foot looked broad, with toes very square. They were excitedly waiting to help in the coaling and unloading, and soon we saw them begin to work, carrying great loads with much good-humored chattering. Around us played the smallest boats with

rowers standing up and sculling. Then the marketboat came rushing to us, its standing rowers bending and rising, their thighs rounding and insteps sharpening, what small garments they had fluttering like scarfs, so that our fair missionaries turned their backs to the sight.

Two boys struggling at the great sculls in one of the small boats were called by us out of the crowd, and carried us off to look at the outgoing steamer, which takes our mail, and which added its own confusion and its attendant crowd of boats to all the animation on the water. Delicious and curious moment, this first sense of being free from the big prison of the ship; of the pleasure of directing one's own course; of not understanding a word of what one hears, and yet of getting at a meaning through every sense; of being close to the top of the waves on which we dance, instead of looking down upon them from the tall ship's sides; of seeing the small limbs of the boys burning yellow in the sun, and noticing how they recall the dolls of their own country in the expression of their eyes; how every little detail of the boat is different, and yet so curiously the same; and return to the first sensation of feeling while lying flat on the bottom of the boat, at the level of our faces the tossing sky-blue water dotted with innumerable orange copies of the sun. Then subtle influences of odor, the sense of something very foreign, of the presence of another race, came up with the smell of the boat.

We climbed up the side of the big steamer and found the Doctor there, who told us that he had been