But that he sees the Romans are but sheep: But, O grief, I perhaps speak this And dangers are to me indifferent. Casca. You speak to Casca, and to such a man That is no fleering tell-tale. Hold, my hand: Be factious for redress of all these griefs, And I will set this foot of mine as far As who goes farthest. Cas. There's a bargain made. Of honourable-dangerous consequence; In favour's like the work we have in hand, 114. My answer must be made, I shall be called to account. 117. fleering, grinning. 118. Be factious, agitate. ib. griefs, grievances. 121. moved, proposed to. 123. undergo, undertake. 126. Pompey's porch, 'one of the porches about the theatre [of Pompey], in which there was a certain place full of seats 128. element, air. Most bloody, fiery, and most terrible. Casca. Stand close awhile, for here comes one in haste. Cas. 'Tis Cinna; I do know him by his gait; He is a friend. Enter CINNA Cinna, where haste you so? Cin. To find out you. Cimber? Who's that? Metellus Cas. No, it is Casca; one incorporate To our attempts. Am I not stay'd for, Cinna ? O Cassius, if you could Yes, you are. But win the noble Brutus to our party Cas. Be you content: good Cinna, take this paper, And look you lay it in the prætor's chair, Where Brutus may but find it; and throw this Cin. All but Metellus Cimber; and he's gone 144. Where Brutus may but find it, where Brutus alone may find it. 146. old Brutus', i. e. Lucius Junius Brutus. Plutarch records that the ancient Romans made his statue of brass to be set up in the Capitol, with the images of the kings, holding a 130 140 150 naked sword in his hand because he had valiantly put down the Tarquins from the kingdom of Rome.' 148. Decius Brutus, the Decimus Brutus of history. The blunder was Amyot's; thence it passed to his English translator North, Shakespeare's authority. Cas. That done, repair to Pompey's theatre. [Exit Cinna. Come, Casca, you and I will yet ere day Upon the next encounter yields him ours. Casca. O, he sits high in all the people's hearts: And that which would appear offence in us, His countenance, like richest alchemy, Will change to virtue and to worthiness. Cas. Him and his worth and our great need of him You have right well conceited. Let us go, For it is after midnight; and ere day We will awake him and be sure of him. [Exeunt. 160 ACT II. SCENE I. Rome. Brutus's orchard. Enter BRUTUS. Bru. What, Lucius, ho! I cannot, by the progress of the stars, Enter LUCIUS. Luc. Call'd you, my lord? Bru. Get me a taper in my study, Lucius: When it is lighted, come and call me here. Luc. I will, my lord. 162. conceited, conceived. [Exit. Bru. It must be by his death: and for my part, I know no personal cause to spurn at him, But for the general. He would be crown'd: How that might change his nature, there's the question. It is the bright day that brings forth the adder; that ; Crown him? And then, I grant, we put a sting in him, quarrel And, since the Will bear no colour for the thing he is, And kill him in the shell. Re-enter LUCIUS. Luc. The taper burneth in your closet, sir. Searching the window for a flint, I found 12. the general, the com munity at large. 19. Remorse, considerateness prompted by feeling. 21. proof, experience. 10 20 30 This paper, thus seal'd up; and, I am sure, [Gives him the letter. Bru. Get you to bed again; it is not day. Is not to-morrow, boy, the ides of March? Bru. Look in the calendar, and bring me Luc. I will, sir. Bru. The exhalations whizzing in the air Give so much light that I may read by them. [Exit. [Opens the letter and reads. 'Brutus, thou sleep'st: awake, and see thyself. Shall Rome, etc. Speak, strike, redress! Brutus, thou sleep'st: awake!' Such instigations have been often dropp'd Where I have took them up. 40 50 'Shall Rome, etc.' Thus must I piece it out: Shall Rome stand under one man's awe? What, Rome? My ancestors did from the streets of Rome The Tarquin drive, when he was call'd a king. 'Speak, strike, redress!' Am I entreated To speak and strike? O Rome, I make thee If the redress will follow, thou receivest |